Artworks · Flaminio Innocenzi Minozzi, Italian

Project for a painted ceiling with an antique bust in an archway

1807 · Brush and gray and brown wash, pen and ink, on paper.

36.1 x 47.2 cm (14 3/16 x 18 9/16 in.)

Cooper Hewitt, Smithsonian Design Museum

Ornamental Panel

1806 · Pen and brown ink, brush and brown and gray wash on two sheets of paper joined vertically, lined with cardboard; rosettes drawn on four separate pieces of paper and laid down on the original sheet

69.1 x 20.1 cm (27 3/16 x 7 15/16 in.)

Cooper Hewitt, Smithsonian Design Museum

Ornamental Panel

1806 · Pen and brown ink, brush and gray wash on three sheets of paper joined vertically, lined with cardboard

19.2 x 68.8 cm (7 9/16 x 27 1/16 in.)

Cooper Hewitt, Smithsonian Design Museum

Project for a Painted Oblong Ceiling

1800 · interiors, drawing — pen and brown ink, brush and green, gray, and brown wash on paper, lined with white heavy textured paper with lithographed frame and geometric lines in pen and black ink over graphite

24 x 19.6 cm (9 7/16 x 7 11/16 in.)

Cooper Hewitt, Smithsonian Design Museum

Project for a Painted Oblong Ceiling

1800 · interiors, drawing — pen and brown ink, brush and brown and gray wash on paper, lined with white heavy textured paper with lithogrphed frame and geometric lines with pen and black ink over graphite

24 x 15.9 cm (9 7/16 x 6 1/4 in.)

Cooper Hewitt, Smithsonian Design Museum

Design for a Monument for Pope Pius VI

1799 · Pen and brown ink, brush and brown wash over black chalk on off white laid paper

59.7 x 33.8 cm (23 1/2 x 13 5/16 in.)

Cooper Hewitt, Smithsonian Design Museum

Design for a Painted Ceiling of Irregular Shape: Aurora

1790 · interiors, drawing — pen and brown and black ink, brush and watercolor, black chalk on paper

48.5 x 48.5 cm (19 1/8 x 19 1/8 in. ); irregular

Cooper Hewitt, Smithsonian Design Museum

Design for a Chalice, Plan

1785 · Pen and ink with ink and yellow washes on paper

13.7 × 23.4 cm (5 3/8 × 9 3/16 in.)

Cooper Hewitt, Smithsonian Design Museum

Design for a Chalice, Elevation

1785 · Pen and ink with ink and yellow washes on paper

22.3 × 25.1 cm (8 3/4 × 9 7/8 in.)

Cooper Hewitt, Smithsonian Design Museum

Stage Design, Interior of Papal Palace

1777 · theater, drawing — pen and brown and gray ink, brush and brown and gray wash, graphite, ruled border in pen and brown ink on cream laid paper, lined

H x W: 50.5 × 53.4 cm (19 7/8 in. × 21 in.)

Cooper Hewitt, Smithsonian Design Museum

Design for a Doorway

1775 · Pen and ink, brush and grey washes, black chalk on paper

37.1 × 19.4 cm (14 5/8 × 7 5/8 in.)

Cooper Hewitt, Smithsonian Design Museum

Project for Decorative Escutcheon

1760 · architecture, drawing — pen and ink, brush and grey water color on paper

24.6 x 16.5 cm (9 11/16 x 6 1/2 in.)

Cooper Hewitt, Smithsonian Design Museum

Young Woman with Hunter

1745 · Oil on canvas

88 × 70.8 cm (34 5/8 × 27 7/8 in.); Framed: 102.9 × 86.4 × 6.7 cm (40 1/2 × 34 × 2 5/8 in.)

Art Institute of Chicago

Two Monks in a Landscape

1640 · Oil on canvas

64.2 × 77.2 cm (25 1/4 × 30 3/8 in.); Framed: 82.9 × 95.3 × 7.7 cm (32 5/8 × 37 1/2 × 3 in.)

Art Institute of Chicago

Mercury

1590 · Bronze

H.: 31.1 cm (12 1/4 in.)

Art Institute of Chicago

Sinan Reis and Hayreddin Barbarossa

1525 · Tempera on canvas

66.5 × 63.7 cm (26 3/16 × 25 1/16 in.); Framed: 73.7 × 71.2 × 5.1 cm (29 × 28 × 2 in.)

Art Institute of Chicago

Madonna and Child

1300 · Marble

118.1 × 36.8 × 41.3 cm (46 1/2 × 14 1/2 × 16 1/4 in.)

Art Institute of Chicago

Casket

1100 · Ivory, brass, tempera, and gold leaf

9.5 × 15.9 × 9.7 cm (3 3/4 × 6 1/4 × 3 13/16 in.)

Art Institute of Chicago

Design for an Altar at San Petronio, Bologna

Pen and brown ink, brush and gray wash on off-white laid paper

35.5 x 23.8 cm (14 x 9 3/8 in.)

Cooper Hewitt, Smithsonian Design Museum