Artworks · Félicien Rops

Untitled (La femme à la toque écossaise)

1895 · etching and aquatint in black on green japan paper

National Gallery of Art

En Hollande (La petite liseuse)

1895 · etching and drypoint in brown on china paper

National Gallery of Art

En Hollande (La petite liseuse)

1895 · etching and drypoint in black on china paper

National Gallery of Art

La bailli

1895 · softground etching in red-brown on heavy japan paper

National Gallery of Art

La bailli

1895 · softground etching in black on japan paper

National Gallery of Art

Quelques croquis

1895 · softground etching and drypoint in red-brown on heavy japan paper

National Gallery of Art

Quelques croquis

1895 · softground etching and drypoint in black on heavy japan paper

National Gallery of Art

Cy-devant (Ex-Noble)

1895 · softground etching in black on heavy japan paper

National Gallery of Art

Cy-devant (Vieux jeu)

1895 · softground etching in brown on wove paper

National Gallery of Art

Tesson humain (Human Fragment)

1895 · softground etching in orange

plate: 6.3 x 6.3 cm (2 1/2 x 2 1/2 in.) sheet: 36.1 x 28 cm (14 3/16 x 11 in.)

National Gallery of Art

Tesson humain (Human Fragment)

1895 · softground etching in black on heavy japan paper

plate: 6.3 x 6.2 cm (2 1/2 x 2 7/16 in.) sheet: 37.6 x 27.9 cm (14 13/16 x 11 in.)

National Gallery of Art

Départ pour le sabbat (Departure for the Sabbath)

1895 · etching and aquatint in black on heavy japan paper

plate: 12 x 6.3 cm (4 3/4 x 2 1/2 in.) sheet: 37.2 x 27.9 cm (14 5/8 x 11 in.)

National Gallery of Art

Départ pour le sabbat (Departure for the Sabbath)

1895 · etching and aquatint in green on heavy japan paper

plate: 12.1 x 6.2 cm (4 3/4 x 2 7/16 in.) sheet: 38 x 28.1 cm (14 15/16 x 11 1/16 in.)

National Gallery of Art

Etude de nu (Study of a Nude)

1895 · softground etching and drypoint in black on heavy japan paper

plate: 4.2 x 19.4 cm (1 5/8 x 7 5/8 in.) sheet: 27.9 x 36.9 cm (11 x 14 1/2 in.)

National Gallery of Art

Etude de nu (Study of a Nude)

1895 · softground etching and drypoint in black on heavy japan paper

plate: 4.3 x 11.9 cm (1 11/16 x 4 11/16 in.) sheet: 28 x 38 cm (11 x 14 15/16 in.)

National Gallery of Art

L'Ecole de l'idéal; Le Petit Eyolf

1895 · photomechanical process on light brown wove paper

sheet: 37.6 x 13.9 cm (14 13/16 x 5 1/2 in.)

National Gallery of Art

The Grapeleaf

1895 · Heliogravure, with drypoint, on ivory laid paper

Image: 19.8 × 14 cm (7 13/16 × 5 9/16 in.); Plate: 21.6 × 15 cm (8 9/16 × 5 15/16 in.); Sheet: 27 × 17.4 cm (10 11/16 × 6 7/8 in.)

Art Institute of Chicago

Offering

1895 · Heliogravure, with drypoint, on ivory laid paper

Image: 19.5 × 13 cm (7 11/16 × 5 1/8 in.); Plate: 21.6 × 15.1 cm (8 9/16 × 6 in.); Sheet: 27.2 × 17.1 cm (10 3/4 × 6 3/4 in.)

Art Institute of Chicago

The Muse of Félicien Rops

1895 · Heliogravure on cream wove paper

Image: 17.7 × 13.5 cm (7 × 5 3/8 in.); Plate: 23.5 × 15.4 cm (9 5/16 × 6 1/8 in.); Sheet: 29.4 × 20.1 cm (11 5/8 × 7 15/16 in.)

Art Institute of Chicago

Flirt

1894 · Soft varnish etching ("vernis mou") and drypoint on ivory wove paper

Image: 5.7 × 12.7 cm (2 1/4 × 5 in.); Plate: 5.9 × 13.2 cm (2 3/8 × 5 1/4 in.); Sheet: 23.6 × 18.2 cm (9 5/16 × 7 3/16 in.)

Art Institute of Chicago

A Document on the Impotence of Love

1894 · Heliogravure, with soft varnish ("vernis mou") and drypoint, on cream wove paper

Image: 21.6 × 16 cm (8 9/16 × 6 5/16 in.); Plate: 21.6 × 16 cm (8 9/16 × 6 5/16 in.); Sheet: 37 × 28 cm (14 5/8 × 11 1/16 in.)

Art Institute of Chicago

Frontispiece to Les baisers morts

1893 · Soft varnish ("vernis mou") etching, drypoint and roulette in brownish-red on cream wove paper

Image: 10.4 × 6.6 cm (4 1/8 × 2 5/8 in.); Plate: 10.8 × 7.1 cm (4 5/16 × 2 13/16 in.); Sheet: 18.7 × 14 cm (7 3/8 × 5 9/16 in.)

Art Institute of Chicago

Frontispiece to Les baisers morts

1893 · Soft varnish etching ("vernis mou"), drypoint and roulette on cream wove paper

Image: 9.4 × 6.6 cm (3 3/4 × 2 5/8 in.); Plate: 10.8 × 7.2 cm (4 5/16 × 2 7/8 in.); Sheet: 18.6 × 14.1 cm (7 3/8 × 5 9/16 in.)

Art Institute of Chicago

Vieille gouge

1889 · Aquatint and drypoint on ivory wove paper

Image: 9.4 × 6.8 cm (3 3/4 × 2 11/16 in.); Plate: 12 × 7.8 cm (4 3/4 × 3 1/8 in.); Sheet: 40.7 × 31.1 cm (16 1/16 × 12 1/4 in.)

Art Institute of Chicago

Modern Masks

1889 · Photogravure in dark brown retouched with soft varnish (vernis mou), roulette and blue handcoloring on thick cream wove paper

Image: 29 × 17.3 cm (11 7/16 × 6 13/16 in.); Plate: 34.9 × 24 cm (13 3/4 × 9 1/2 in.); Sheet, folded: 45.8 × 34.6 cm (18 1/16 × 13 5/8 in.)

Art Institute of Chicago

The Modesty of Sodom

1888 · Heliogravure retouched with drypoint, soft varnish (vernis mou) and aquatint on ivory laid paper

Image: 23 × 17.1 cm (9 1/16 × 6 3/4 in.); Plate: 23 × 17.1 cm (9 1/16 × 6 3/4 in.); Sheet: 40.1 × 25.4 cm (15 13/16 × 10 in.)

Art Institute of Chicago

Sodom's Modesty

1888 · Etching

plate: 17 3/16 x 10 1/16 in. (43.7 x 25.5 cm)

The Metropolitan Museum of Art

Maturity

1887 · Aquatint, soft varnish ("vernis mou") and drypoint on cream laid paper

Image: 17.4 × 13.3 cm (6 7/8 × 5 1/4 in.); Plate: 19.1 × 14.9 cm (7 9/16 × 5 7/8 in.); Sheet: 25.6 × 18.7 cm (10 1/8 × 7 3/8 in.)

Art Institute of Chicago

First Step

1883 · Heliogravure, with drypoint, white heightening and hand-coloring, on ivory wove paper

Image: 20.8 × 13.7 cm (8 1/4 × 5 7/16 in.); Plate: 27.2 × 19.8 cm (10 3/4 × 7 13/16 in.); Tint: 33 × 25.2 cm (13 × 9 15/16 in.); Sheet: 36 × 28.1 cm (14 3/16 × 11 1/8 in.)

Art Institute of Chicago

Modernity

1883 · Drypoint on cream wove paper

Image: 18.9 × 12.9 cm (7 1/2 × 5 1/8 in.); Plate: 20 × 13.8 cm (7 7/8 × 5 7/16 in.); Sheet, folded: 44.4 × 34.8 cm (17 1/2 × 13 3/4 in.)

Art Institute of Chicago

Warrior

1882 · Heliogravure, with drypoint and aquatint, on ivory wove paper

Image: 21.2 × 14.8 cm (8 3/8 × 5 7/8 in.); Plate: 21.2 × 14.8 cm (8 3/8 × 5 7/8 in.); Sheet: 45 × 31.8 cm (17 3/4 × 12 9/16 in.)

Art Institute of Chicago

At an Atheist Dinner-Party

1882 · Heliogravure retouched with aquatint and soft varnish (vernis mou) in black on thick cream wove paper

Image: 24.9 × 17.1 cm (9 13/16 × 6 3/4 in.); Plate: 28.5 × 20.6 cm (11 1/4 × 8 1/8 in.); Sheet, folded: 44.2 × 34.3 cm (17 7/16 × 13 9/16 in.)

Art Institute of Chicago

Frontispiece to La messe de Gnide

1881 · Heliogravure, with drypoint, on cream wove paper

Image: 11.5 × 7.8 cm (4 9/16 × 3 1/8 in.); Plate: 13.3 × 8.6 cm (5 1/4 × 3 7/16 in.); Sheet: 27.6 × 21.3 cm (10 7/8 × 8 7/16 in.)

Art Institute of Chicago

Frontispiece for Rimes de Joie

1881 · Heliogravure, with soft varnish (vernis mou) on cream wove paper

Image: 14.4 × 9.3 cm (5 11/16 × 3 11/16 in.); Plate: 14.4 × 9.3 cm (5 11/16 × 3 11/16 in.); Sheet: 32.3 × 23.7 cm (12 3/4 × 9 3/8 in.)

Art Institute of Chicago

La Dernière Maja

1880 · drypoint with etching and aquatint on light blue laid paper

plate: 29.6 x 23.8 cm (11 5/8 x 9 3/8 in.) sheet: 45 x 32.1 cm (17 11/16 x 12 5/8 in.)

National Gallery of Art

O Nature!

1880 · Etching and drypoint on tan laid paper

Image: 20 × 13.5 cm (7 7/8 × 5 3/8 in.); Plate: 20 × 13.5 cm (7 7/8 × 5 3/8 in.); Sheet, folded: 43.5 × 34.3 cm (17 3/16 × 13 9/16 in.)

Art Institute of Chicago

The Greatest Love of Don Juan

1879 · Graphite with stumping, scratching and erasing on off-white wove paper, prepared with a white gouache ground (scratchboard)

25.3 × 18 cm (10 × 7 1/8 in.)

Art Institute of Chicago

Standing Woman with a Fur

1879 · Heliogravure, with drypoint, on cream laid paper

Image: 13.3 × 8.7 cm (5 1/4 × 3 7/16 in.); Plate: 14.1 × 8.9 cm (5 9/16 × 3 9/16 in.); Sheet: 37.1 × 27.6 cm (14 5/8 × 10 7/8 in.)

Art Institute of Chicago

Standing Woman with a Fur

1879 · Heliogravure, with drypoint, on cream laid paper

Image: 13.6 × 8.4 cm (5 3/8 × 3 5/16 in.); Plate: 14.1 × 8.9 cm (5 9/16 × 3 9/16 in.); Sheet: 19.2 × 12.9 cm (7 9/16 × 5 1/8 in.)

Art Institute of Chicago

The Press

1878 · Etching and drypoint on tan wove paper

Image/plate: 8.7 × 11.9 cm (3 7/16 × 4 11/16 in.); Sheet: 32.7 × 25.4 cm (12 7/8 × 10 in.)

Art Institute of Chicago

Sketch sheet

1878 · pen and black ink

8-3/4 x 8-1/16 in. (22.2 x 20.5 cm)

The Metropolitan Museum of Art

Lace appraiser (L'Experte en Dentelles)

1876 · etching and drypoint

National Gallery of Art

The Parable of the Sower (Le Semeur de Paraboles)

1876 · etching on laid paper

National Gallery of Art

Woman with a Carcel Lamp

1876 · Reproduction of a soft varnish etching ("vernis mou"), with drypoint and roulette, on cream laid paper

Image: 22.7 × 17.1 cm (8 15/16 × 6 3/4 in.); Plate: 28.7 × 20.7 cm (11 5/16 × 8 3/16 in.); Sheet: 41.7 × 31.9 cm (16 7/16 × 12 9/16 in.)

Art Institute of Chicago

Old Woman with a Needle

1876 · Heliogravure on cream laid paper

Image: 23.5 × 16.3 cm (9 5/16 × 6 7/16 in.); Plate: 27.8 × 21.2 cm (11 × 8 3/8 in.); Sheet: 45.1 × 34.7 cm (17 13/16 × 13 11/16 in.)

Art Institute of Chicago

The Lace-Maker

1876 · Graphite, gum arabic, locally scratched

Sheet: 15 3/4 × 11 5/8 in. (40 × 29.5 cm)

The Metropolitan Museum of Art

Une Soirée Anseremme

1876 · Pen and black ink

8-3/16 x 12 in. (20.8 x 30.5 cm)

The Metropolitan Museum of Art

The Hanged Man in the Forge

1875 · black chalk? and black crayon with stumping (scratched away in places); framing lines in black chalk?

Sheet: 27.8 x 22 cm (10 15/16 x 8 11/16 in.); Image: 20.9 x 13.3 cm (8 1/4 x 5 1/4 in.)

Cleveland Museum of Art