Artworks · Federico Barocci

Rest on the Flight into Egypt (recto); Madonna of the Rosary (verso)

1700 · Oil paint (recto) and pen and black ink with off-set blue oil paint (verso) on tan laid paper

32.2 × 23.6 cm (12 11/16 × 9 5/16 in.)

Art Institute of Chicago

Kneeling Magdalene and Tomb Attendant

1600 · Black chalk and brush and black and gray wash, heightened with touches of white chalk, on gray-green laid paper, laid down on tan wove paper, drum mounted on ivory wove paper

41 × 25.1 cm (16 3/16 × 9 15/16 in.)

Art Institute of Chicago

Grove of Trees

1600 · Black chalk, on ivory laid paper

26.9 × 11.8 cm (10 5/8 × 4 11/16 in.)

Art Institute of Chicago

Quintilia Fischieri

1600 · oil on canvas

overall: 123.8 x 95.3 cm (48 3/4 x 37 1/2 in.) framed: 161.9 x 135.9 x 14 cm (63 3/4 x 53 1/2 x 5 1/2 in.)

National Gallery of Art

Saint Francis

1600 · Oil on canvas

35 3/8 x 30 7/8 in. (89.9 x 78.4 cm); with added strips 35 7/8 x 31 3/8 in. (91.1 x 79.7 cm)

The Metropolitan Museum of Art

Aeneas and His Family Fleeing Troy

1595 · engraving

Platemark: 40.6 x 52.5 cm (16 x 20 11/16 in.); Sheet: 40.7 x 54 cm (16 x 21 1/4 in.)

Cleveland Museum of Art

The Annunciation

1595 · Silk and metallic thread

16 3/4 × 12 1/2 in. (42.5 × 31.8 cm)

The Metropolitan Museum of Art

Studies of a Man's Head and of His Hands

1592 · Black chalk, highlighted with white chalk and touches of red chalk, on blue-gray paper

11 x 16-1/4 in. (28 x 41.3 cm)

The Metropolitan Museum of Art

Studies for a Servant in "The Last Supper"

1590 · black, red, and yellow chalk heightened with white chalk on blue tinted paper

overall: 41.3 x 27.6 cm (16 1/4 x 10 7/8 in.)

National Gallery of Art

Study for the "Madonna of the Rosary"

1589 · Black chalk, with brush and brown wash, red chalk, and touches of graphite, heightened with white chalk and white gouache, on tan laid paper, squared in red chalk

28.2 × 39 cm (11 1/8 × 15 3/8 in.)

Art Institute of Chicago

Aeneas Saving Anchises at the Fall of Troy

1587 · Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown ink

Sheet: 27.7 x 42.6 cm (10 7/8 x 16 3/4 in.)

Cleveland Museum of Art

The Annunciation

1585 · Etching and engraving on paper

Plate: 43.8 × 31.1 cm (17 1/4 × 12 1/4 in.)

Art Institute of Chicago

Head of a Woman

1584 · colored chalks on blue laid paper

overall: 39 x 27 cm (15 3/8 x 10 5/8 in.)

National Gallery of Art

Head of an Old Woman Looking to Lower Right (Saint Elizabeth)

1584 · Brush and oil paint on paper

15 3/8 x 10 13/16in. (39.1 x 27.5cm)

The Metropolitan Museum of Art

Vision of Saint Francis

1581 · etching and engraving

National Gallery of Art

The Vision of St. Francis

1581 · etching and engraving

Sheet: 53 x 31.8 cm (20 7/8 x 12 1/2 in.)

Cleveland Museum of Art

The Vision of Saint Francis

1581 · Etching and engraving on ivory laid paper

53.8 × 32.4 cm (21 3/16 × 12 13/16 in.)

Art Institute of Chicago

The Head of Saint John the Evangelist

1580 · oil on paper lined with linen

overall: 42 x 31.7 cm (16 9/16 x 12 1/2 in.)

National Gallery of Art

Madonna in the Clouds

1580 · etching and engraving

Sheet: 15.5 x 10.7 cm (6 1/8 x 4 3/16 in.)

Cleveland Museum of Art

Ontmoeting van Maria en Elisabeth

1580 · pen on ink, paper

height: 115 cm, width: 165 cm

Rijksmuseum

The Virgin seated on a cloud

1580 · Etching with some engraving

sheet: 6 x 4 7/16 in. (15.2 x 11.3 cm)

The Metropolitan Museum of Art

The Annunciation

1580 · Etching and engraving

Sheet (Trimmed): 17 3/8 × 12 5/16 in. (44.1 × 31.2 cm)

The Metropolitan Museum of Art

Head of a Bearded Man

1579 · colored chalks on blue laid paper; laid down

overall: 38 x 26.3 cm (14 15/16 x 10 3/8 in.)

National Gallery of Art

Head of a Bearded Man Looking to Lower Left (Nicodemus)

1579 · Brush and oil paint on paper

15 1/4 x 10 3/4in. (38.7 x 27.3cm)

The Metropolitan Museum of Art

Entombment of Christ

1578 · charcoal stick, paper, chalk, wood (plant material), linen (material), pastel (crayon)

height: 1130 cm, width: 904 cm, width: 103.4 cm, depth: 9 cm, height: 126.1 cm

Rijksmuseum

St. Francis Receiving the Stigmata

1576 · etching

Cleveland Museum of Art

Saint Francis Receiving the Stigmata

1576 · Etching on cream laid paper

Plate: 23 × 14.7 cm (9 1/16 × 5 13/16 in.); Sheet: 23.3 × 15 cm (9 3/16 × 5 15/16 in.)

Art Institute of Chicago

Studie van een moeder die haar kind draagt

1575 · paper, chalk

height: 274 cm, width: 229 cm

Rijksmuseum

Studies van een moeder die haar kind draagt

1575 · squared on paper, chalk

width: 229 cm, height: 274 cm

Rijksmuseum

The Entombment of Christ

1575 · Pen and brown ink, with touches of graphite and a later (?) addition of gray wash to head of Christ, on buff laid paper, squared in red chalk, laid down on cream laid paper, laid down on tan wove paper

48.5 × 34.2 cm (19 1/8 × 13 1/2 in.)

Art Institute of Chicago

Head of the Swooning Virgin: Study for the Deposition (recot) Base of Column (verso)

1568 · Black chalk and charcoal, with stumping and traces of white chalk, on tan laid paper, pieced and incised

29.4 × 23.9 cm (11 5/8 × 9 7/16 in.)

Art Institute of Chicago

Flowering Bush above an Eroded Bank

1567 · black chalk, brush and brown wash, and lead white (partially oxidized), with traces of red chalk

Sheet: 20 x 13.2 cm (7 7/8 x 5 3/16 in.); Secondary Support: 30.4 x 22.9 cm (11 15/16 x 9 in.)

Cleveland Museum of Art

Study for the Christ Child in the Madonna of S. Simone (recto); Study of a Landscape (verso)

1567 · Black chalk, with stumping (recto), and black chalk, with touches of red chalk (verso), on cream laid paper

23.1 × 15.9 cm (9 1/8 × 6 5/16 in.)

Art Institute of Chicago

Two Nude Youths [recto]

1565 · black chalk heightened with white, contours (of standing figure) incised, on blue paper

overall: 40 x 27.4 cm (15 3/4 x 10 13/16 in.)

National Gallery of Art

Half-Length of Mary Magdalene [verso]

1565 · black chalk heightened with white on blue paper

overall: 40 x 27.4 cm (15 3/4 x 10 13/16 in.)

National Gallery of Art

Head of a Young Woman Looking to Lower Right

1565 · Black, red, and yellow chalk

9 7/16 x 7 3/8in. (24 x 18.7cm)

The Metropolitan Museum of Art

Cupid Drawing His Bow

1560 · black chalk with pastel (stumped in places), heightened with white chalk, squared with black chalk; framing lines in graphite

Sheet: 42.4 x 27.2 cm (16 11/16 x 10 11/16 in.)

Cleveland Museum of Art

Christ Child: Study for the Madonna di San Giovanni

1560 · Black and red chalk, with pastel and stumping, on greenish-blue laid paper

40.1 × 26.3 cm (15 13/16 × 10 3/8 in.)

Art Institute of Chicago

Rest on the Flight into Egypt

1555 · Chiaroscuro woodcut from two blocks in medium and dark brown on ivory laid paper

34.9 × 28.1 cm (13 3/4 × 11 1/8 in.)

Art Institute of Chicago

Madonna and Child on Clouds

1546 · Etching in black on cream laid paper

Plate/sheet: 15.5 × 10.8 cm (6 1/8 × 4 5/16 in.)

Art Institute of Chicago

Christuskind met de hand van Maria

1545 · squared on paper, chalk

height: 170 cm, width: 162 cm

Rijksmuseum

Adoration of the Magi

1545 · brush on paper, chalk, ink

width: 209 cm, height: 293 cm

Rijksmuseum

Kinderkopje

1545 · chalk, paper, pastel (crayon)

width: 213 cm, height: 192 cm

Rijksmuseum

The Descent from the Cross

1535 · black with stumping, heightened with white chalk on blue laid paper, partially incised for transfer

overall: 36.4 x 21.4 cm (14 5/16 x 8 7/16 in.)

National Gallery of Art

Figure Studies

1535 · pen and brown ink with brown wash heightened with white over black chalk

overall: 18.1 x 20.1 cm (7 1/8 x 7 15/16 in.)

National Gallery of Art

Madonna in the Clouds

1535 · etching and engraving

sheet (trimmed to plate mark): 15.4 x 10.8 cm (6 1/16 x 4 1/4 in.)

National Gallery of Art

The Annunciation

1535 · etching and engraving on laid paper

sheet (trimmed to plate mark): 44.1 x 31.5 cm (17 3/8 x 12 3/8 in.)

National Gallery of Art