Artworks · Enrico Baj

Untitled, from Pour Jorn

1976 · Color lithograph on ivory wove paper

Sheet: 75 × 54 cm (29 9/16 × 21 5/16 in.)

Art Institute of Chicago

[no title]

1975 · Lithograph on paper

image: 752 x 549 mm

Tate

Seated Woman from Homage to Picasso (Hommage à Picasso)

1972 · Screenprint with flocking from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts

composition: 30 1/4 x 23 5/8" (76.8 x 60cm); sheet: 39 x 27 5/16" (99 x 69.4cm)

Museum of Modern Art

Sunday Afternoon

1971 · Color screenprint with flocking on off-white wove paper

Image: 33.8 × 100.3 cm (13 5/16 × 39 1/2 in.); Sheet: 48.3 × 109.7 cm (19 1/16 × 43 1/4 in.)

Art Institute of Chicago

The Englishman

1970 · Gouache and graphite and red pencil on tracing paper mounted on plywood

60 × 42 cm (23 5/8 × 16 9/16 in.)

Art Institute of Chicago

San Francisco Phantom

1970 · Lithograph on metal foil laid down on white wove paper

Metal foil: 65 × 50.5 cm (25 5/8 × 19 15/16 in.); Sheet: 75.5 × 55.7 cm (29 3/4 × 21 15/16 in.)

Art Institute of Chicago

The Great European Nude

1970 · Etching and color aquatint on white wove paper

Plate: 46.2 × 39 cm (18 1/4 × 15 3/8 in.); Sheet: 70.3 × 49.6 cm (27 11/16 × 19 9/16 in.)

Art Institute of Chicago

Bacchanale

1970 · Color aquatint on paper

Chine coll窠plate slightly larger: 38 × 54.4 cm (15 × 21 7/16 in.); Sheet: 50 × 69.8 cm (19 11/16 × 27 1/2 in.)

Art Institute of Chicago

Punching General

1969 · Color lithograph on cream wove paper

66.3 × 50.8 cm (26 1/8 × 20 in.)

Art Institute of Chicago

Doily Girl

1969 · Lithograph on metal foil laid down on white wove paper

Image / primary support: 64.8 × 50.5 cm (25 9/16 × 19 15/16 in.); Secondary support: 73.7 × 55.5 cm (29 1/16 × 21 7/8 in.)

Art Institute of Chicago

Punching General

1969 · Color lithograph on ivory wove paper

66.5 × 51.2 cm (26 3/16 × 20 3/16 in.)

Art Institute of Chicago

Go Home

1969 · Color silkscreen on coarse white mulberry paper

Plate: 60.2 × 45.8 cm (23 3/4 × 18 1/16 in.); Sheet: 69.3 × 49.5 cm (27 5/16 × 19 1/2 in.)

Art Institute of Chicago

Baj at Marconi's

1969 · Multiple of screenprinted plastic shopping bag with handles, containing two screenprinted plastic ties, four postcards, three exhibiton brochures, mannequin arm, and publicity button

bag: 17 11/16 x 15 13/16" (45 x 40.1cm)

Museum of Modern Art

S.M.S. #3 (Deluxe Edition)

1968 · Mixed media

Installation dimensions variable

Art Institute of Chicago

Glove from S.M.S. No. 3

1968 · Multiple of plastic glove in mylar folder

Mylar: 10 9/16 x 6 3/4" (26.8 x 17.1 cm)

Museum of Modern Art

Double page plate (pages 54 and 55) from L'albero poeta

1966 · Collagraph from an illustrated book with ten prints

composition (irreg.): 11 15/16 × 15 9/16" (30.3 × 39.5 cm); sheet: 16 1/8 × 19 11/16" (41 × 50 cm)

Museum of Modern Art

Head in Profile

1965 · Color lithograph heightened with gouache on off-white wove paper

56.1 × 45 cm (22 1/8 × 17 3/4 in.)

Art Institute of Chicago

Constant d'Aubigné, Baron de Surineau

1965 · Etching and aquatint

plate: 11 11/16 x 9 5/8" (29.7 x 24.4cm); sheet: 19 1/2 x 13 3/4" (49.6 x 35cm)

Museum of Modern Art

General (plate, page 161) from 1¢ Life

1964 · Lithograph from an illustrated book with sixty-two lithographs and reproductions

composition: 15 11/16 × 11" (39.8 × 27.9 cm); page (irreg.): 16 1/8 × 11 7/16" (41 × 29 cm)

Museum of Modern Art

The General's Wife (headpiece, page 168) from 1¢ Life

1964 · Lithograph from an illustrated book with sixty-two lithographs and reproductions

composition: 8 3/8 × 11" (21.2 × 28 cm); page: 16 1/8 × 11 7/16" (41 × 29 cm)

Museum of Modern Art

Fire! Fire!

1963 · Oil paint and Meccano on fabric

support: 1286 x 972 mm frame: 1460 x 1132 x 95mm

Tate

Untitled

1960 · Collage with torn and cut paper elements and oil paint with gouache and watercolor on cream covered wood pulp laminate board

49.5 × 59.7 cm (19 1/2 × 23 9/16 in.)

Art Institute of Chicago

Head

1944 · Etching on color screenprint chine collé, on white wove paper

Image/plate: 54.5 × 39.3 cm (21 1/2 × 15 1/2 in.); Sheet: 70.8 × 51.4 cm (27 7/8 × 20 1/4 in.)

Art Institute of Chicago

Profile of a General

1944 · Etching and aquatint in red, orange, green and black on white wove paper

Image/plate: 53.5 × 38.8 cm (21 1/8 × 15 5/16 in.); Sheet: 71 × 50 cm (28 × 19 11/16 in.)

Art Institute of Chicago

After Picasso

1944 · Graphite and red crayon and oil paint on paper mounted to plywood

58.7 × 42 cm (23 1/8 × 16 9/16 in.)

Art Institute of Chicago