Artworks · Edward Powis Jones

[Study for Mirror, No. 9, from a Slide of Gwen John's Self-Portrait in the Tate Gallery, London]

1984 · Photocopy

Image: 10 1/4 × 6 7/8 in. (26 × 17.5 cm) Sheet: 14 in. × 8 1/2 in. (35.5 × 21.6 cm)

The Metropolitan Museum of Art

[Study for Mirror, No. 9, from a Xerox of a Slide of Gwen John's Self-Portrait, Tate Gallery, London]

1984 · Photocopy

Image: 9 15/16 × 7 15/16 in. (25.3 × 20.1 cm) Sheet: 9 15/16 × 7 15/16 in. (25.3 × 20.1 cm) Mount: 11 5/16 in. × 8 7/8 in. (28.8 × 22.5 cm)

The Metropolitan Museum of Art

Mirror, No. 9

1984 · Photocopy

Image: 6 1/4 × 9 3/8 in. (15.8 × 23.8 cm) Sheet: 11 in. × 15 1/8 in. (28 × 38.4 cm) Mount: 11 7/8 in. × 16 1/16 in. (30.1 × 40.8 cm)

The Metropolitan Museum of Art

The Dancers

1980 · Silver dye bleach print with applied color

Image: 13 in. × 9 13/16 in. (33 × 25 cm) Sheet: 14 in. × 10 15/16 in. (35.6 × 27.8 cm)

The Metropolitan Museum of Art

JESUS IS MET BY HIS BLESSED MOTHER: STATION OF THE CROSS IV

1960 · Etching, aquatint, drypoint and roulette, printed in black

plate 17 3/8 x 15 3/4" (44.2 x 40.1 cm)

Museum of Modern Art

JESUS FALLS A SECOND TIME: STATION OF THE CROSS VII

1960 · Etching, aquatint, drypoint and roulette, printed in black

plate 17 7/16 x 15 9/16" (44.3 x 40.2 cm)

Museum of Modern Art

The Death of Sisera

1958 · Etching and aquatint

Sheet 19 15/16 x 22 7/8" (50.6 x 58.0 cm) Plate 15 13/16 x 17 5/16" (40.1 x 44.1 cm)

Museum of Modern Art

MELVILLE: THE CONFIDENCE MAN

1954 · Portfolio of 13 etchings, combined with aquatint, printed in black

Museum of Modern Art

Artist and Model

1953 · Etching and aquatint

plate: 9 7/16 x 12 15/16" (23.9 x 32.8cm); sheet (irreg.): 11 7/8 x 15 1/2" (30.2 x 39.3cm)

Museum of Modern Art