Artworks · Dennis Oppenheim

2000' Shadow Projection

1972 · 35mm chromogenic transparencies (160), sound

Dimensions variable

Art Institute of Chicago

2000' Shadow Projection

1972 · Chromogenic prints (70)

Image, overall: 80 × 73.2 cm (31 1/2 × 28 7/8 in.); Mount: 99.3 × 93.1 cm (39 1/8 × 36 11/16 in.); Frame: 100.7 × 94.6 × 1.8 cm (39 11/16 × 37 1/4 × 3/4 in.)

Art Institute of Chicago

2000' Shadow Projection

1972 · Chromogenic prints, gelatin silver print, and lithographs

Overall: 101.6 × 330.2 cm (40 × 130 in.); First panel: 100.4 × 94 cm (39 1/2 × 37 in.); Second panel: 100.4 × 152.4 cm (39 1/2 × 60 in.); Third panel: 100.4 × 127 cm (39 1/2 × 50 in.); Fourth panel: 25.4 × 152.4 cm (10 × 60 in.)

Art Institute of Chicago

2000' Shadow Projection

1972 · Gelatin silver print with applied media

Panel: 100.4 × 152.4 cm (39 1/2 × 60 in.)

Art Institute of Chicago

2000' Shadow Projection

1972 · Lithograph

Panel: 100.4 × 127 cm (39 1/2 × 50 in.)

Art Institute of Chicago

2000' Shadow Projection

1972 · Chromogenic print

Image/paper: 5.5 × 160 cm (2 3/16 × 63 in.); Mount: 24.5 × 160 cm (9 11/16 × 63 in.); Frame: 26.1 × 153.1 × 2 cm (10 1/4 × 60 1/4 × 3/4 in.)

Art Institute of Chicago

I'm Failing from Program Three

1972 · 16mm film transferred to video (color, sound)

2:28 min.

Museum of Modern Art

Three Stage Transfer Drawing from Program Six

1972 · Super 8mm film transferred to video (color, silent)

3:07 min.

Museum of Modern Art

My Father's Socks from Program Three

1972 · 16mm film transferred to video (black and white, sound)

4:06 min.

Museum of Modern Art

Program Three

1972 · Four 16mm films transferred to video (black and white and color, sound)

15:09 min.

Museum of Modern Art

Forming Sounds from Program Six

1971 · Video (black and white and color, sound)

7:14 min.

Museum of Modern Art

Program Six

1971 · Eight videos (black and white and color, sound and silent)

24:06 min.

Museum of Modern Art

Objectified Counterforces from Program Six

1971 · Super 8mm film transferred to video (color, silent)

2:06 min.

Museum of Modern Art

Two Stage Transfer Drawing (Advancing to a Future State) from Program Six

1971 · Super 8mm film transferred to video (color, silent)

2:48 min.

Museum of Modern Art

A Feedback Situation from Program Six

1971 · Super 8mm film transferred to video (color, silent)

3:02 min.

Museum of Modern Art

Two Stage Transfer Drawing (Retreating to a Past State) from Program Six

1971 · Super 8mm film transferred to video (color, silent)

2:57 min.

Museum of Modern Art

Shadow Project from Program Six

1971 · Super 8mm film transferred to video (color, silent)

3:04 min.

Museum of Modern Art

Two Stage Transfer Drawing (Returning to a Past State) from Program Six

1971 · Super 8mm film transferred to video (color, silent)

3:37 min.

Museum of Modern Art

Program Four

1971 · Four videos (black and white, sound and silent)

39:55 min.

Museum of Modern Art

FLOWER ARRANGEMENT FOR BRUCE NAUMAN

1970 · Halftone print

Overall: 15.5 × 187.5 cm (6 1/8 × 73 7/8 in.)

Art Institute of Chicago

Reading Position for Second Degree Burn

1970 · Color lithograph on cream wove paper

Sheet: 76.2 × 55.9 cm (30 × 22 in.)

Art Institute of Chicago

Reading Position for Second Degree Burn

1970 · Color lithograph on cream wove paper

Sheet: 76.2 × 55.9 cm (30 × 22 in.)

Art Institute of Chicago

Reading Position for Second Degree Burn, Stage I and Stage II, Book, Skin, Solar Energy. Exposure Time: 5 Hours, Jones Beach, New York, Photodocumentation

1970 · Two chromogenic color prints with text panel

85 × 60" (215.9 × 152.4 cm)

Museum of Modern Art

Program Five

1970 · Five Super 8mm films transferred to video (black and white and color, silent)

37:45 min.

Museum of Modern Art

Program One: Aspen Projects

1970 · Nine films transferred to video (black and white and color, silent)

30 min.

Museum of Modern Art

Program Two

1970 · Seven films transferred to video (black and white and color, silent)

14:56 min.

Museum of Modern Art

Leafed Hand

1970 · Chromogenic prints and text mounted on museum board

Overall 30 × 144" (76.2 × 365.8 cm)

Museum of Modern Art

Tooth and Nail

1970 · Chromogenic prints and a gelatin silver print

Overall: 45 × 144" (114.3 × 365.8 cm)

Museum of Modern Art

Flower Arrangement for Bruce Nauman from Artists & Photographs

1970 · Artist's book, offset printed, from a portfolio of nineteen printed objects

page (each): 6 3/16 × 9 1/4" (15.7 × 23.5 cm); overall (closed): 6 5/8 × 9 5/8 × 3/8" (16.8 × 24.4 × 1 cm)

Museum of Modern Art

Gallery Transplant, Floor Specifications Gallery #3, Stedelijk Museum, Amsterdam, Transplanted to Jersey City, New Jersey. Surface: Snow, Dirt, Gravel. Duration: 4 Weeks

1969 · Gelatin silver print, photographic text, hand stamped topographic map, and hand-marked photographic floor plan

152.4 × 101.6 cm (60 × 40 in.); Overall: 152.4 × 101.6 cm (60 × 40 in.)

Art Institute of Chicago

Residue Collection

1969 · Gelatin silver and silver dye bleach prints, map, typewritten text on paper

38 3/8 × 40 3/8 × 1" (97.5 × 102.5 × 2.6 cm)

Museum of Modern Art

Contour Lines Scribed in Swamp Grass

1969 · Chromogenic color prints, map, typewritten text on paper

27 3/4 × 21 7/8" (70.5 × 55.6 cm)

Museum of Modern Art

Object-Indentation Study (Clay Brick Amsterdam)

1969 · Chromogenic prints and text mounted on museum board

Overall: 60 × 40 1/8" (152.4 × 101.9 cm)

Museum of Modern Art

Directed Seeding/Cancelled Crop

1969 · Color photography and stamped photographic map with text mounted on museum board

Overall: 54 3/4 × 174 1/2" (139.1 × 443.2 cm)

Museum of Modern Art

Highway 20

1969 · Chromogenic color prints, silver gelatin prints, electrostatic print, crayon, pressure-sensitive transfer type and typewritten label on board

48 1/2 x 44 7/8" (123 x 114 cm)

Museum of Modern Art

Salt Flat

1968 · Photograph, map and typescript on board

unconfirmed: 711 x 559 mm

Tate

Object-Indentation Study (Wooden Board)

1968 · Chromogenic prints and text mounted on museum board

Overall: 60 × 40 1/8" (152.4 × 101.9 cm)

Museum of Modern Art

Time Pocket -- Project for Frozen Lake

1968 · Putty, marble dust, plexiglass and spray paint

2 7/8 x 14 1/8 x 16 1/4" (7.2 x 36.1 x 41.2 cm)

Museum of Modern Art

Study for TIME POCKET

1968 · Cut-and-pasted topographical map, scale plan, typewritten sheet, transfer type, synthetic polymer paint, crayon, felt-tip pen, and pencil on cardboard

27 7/8 x 21 7/8" (71.1 x 55.8 cm)

Museum of Modern Art

Directed Harvest

1966 · 4 works on paper, photographs, map and typescript, mounted on board

support: 710 x 560 mm

Tate