Artworks · David Shrigley

Untitled

2000 · Etching and aquatint

Sheet: 11 x 15 3/8" (27.9 x 39.1 cm)

Museum of Modern Art

Untitled

2000 · Etching and aquatint

Sheet: 15 3/8 x 11" (39 x 28 cm)

Museum of Modern Art

Untitled

2000 · Etching and aquatint

Sheet: 15 3/8 x 11" (39 x 28 cm)

Museum of Modern Art

Untitled

2000 · Etching and aquatint

Sheet: 15 3/8 x 11" (39 x 28 cm)

Museum of Modern Art

Untitled

2000 · Etching and aquatint

Sheet: 15 3/8 x 11" (39 x 28 cm)

Museum of Modern Art

Untitled

2000 · Etching and aquatint

Sheet: 15 3/8 x 11" (39 x 28 cm)

Museum of Modern Art

Untitled

2000 · Etching and aquatint

Sheet: 15 3/8 x 11" (39 x 28 cm)

Museum of Modern Art

Untitled

2000 · Etching and aquatint

Sheet: 15 3/8 x 11" (39 x 28 cm)

Museum of Modern Art

Untitled

2000 · Etching and aquatint

Sheet: 15 3/8 x 11" (39 x 28 cm)

Museum of Modern Art

Untitled

2000 · Etching and aquatint

Sheet: 15 3/8 x 11" (39 x 28 cm)

Museum of Modern Art

Untitled

2000 · Etching and aquatint

Sheet: 15 3/8 x 11" (39 x 28 cm)

Museum of Modern Art

Untitled

2000 · Etching and aquatint

Sheet: 15 3/8 x 11" (39 x 28 cm)

Museum of Modern Art

Untitled

2000 · Etching and aquatint

Sheet: 15 3/8 x 11" (39 x 28 cm)

Museum of Modern Art

Untitled

2000 · Etching

Sheet: 15 3/8 x 11" (39 x 28 cm)

Museum of Modern Art

Untitled

2000 · Portfolio of 15 etching and aquatints

Sheet (each, except .14 which is horizontal): 15 3/8 x 11" (39 x 28 cm)

Museum of Modern Art

Untitled

1999 · Ink on paper

image: 199 x 123 mm support: 199 x 123 mm frame: 268 x 198 x 38 mm

Tate

Untitled

1999 · Ink on paper

support: 210 x 127 mm image: 210 x 127 mm frame: 268 x 198 x 38 mm

Tate

Carrots

1999 · Photograph, colour, Chromogenic print, on paper

image: 307 x 305 mm support: 307 x 305 mm frame: 451 x 441 x 46 mm

Tate

Untitled (This land, This Land is Our Land...)

1999 · Black and green fiber-tipped pens on cream wove paper

24.1 × 20.7 cm (9 1/2 × 8 3/16 in.)

Art Institute of Chicago

Untitled (Unfinished Drawing of Campsite)

1999 · Black fiber-tipped pen on cream wove paper

24 × 20.6 cm (9 1/2 × 8 1/8 in.)

Art Institute of Chicago

Untitled

1998 · Ink and photograph, black and white, on paper

support: 244 x 283 mm frame: 385 x 415 x 21 mm

Tate

Untitled

1998 · Ink on paper

image: 208 x 143 mm support: 208 x 143 mm frame: 276 x 212 x 38 mm

Tate

Untitled

1998 · Ink on paper

image: 240 x 264 mm support: 240 x 264 mm frame: 308 x 331 x 38 mm

Tate

Untitled (16 compartments: 15 x's: 1 web Summary)

1998 · Black fiber-tipped pen on cream wove paper

14.3 × 20.9 cm (5 11/16 × 8 1/4 in.)

Art Institute of Chicago

Untitled (Sick Dot)

1998 · Black fiber-tipped pen on cream wove paper

24.5 × 25.9 cm (9 11/16 × 10 1/4 in.)

Art Institute of Chicago

Drink Me

1998 · Color chromogenic print

25.3 × 25.2 cm (10 × 9 15/16 in.)

Art Institute of Chicago

Untitled (There was Some Consternation...)

1998 · Brush and black ink and black fiber-tipped pen on cream wove paper

24.1 × 26.2 cm (9 1/2 × 10 3/8 in.)

Art Institute of Chicago

Untitled (Cars Crash Here)

1998 · Black fiber-tipped pen on cream wove paper

20.9 × 14.3 cm (8 1/4 × 5 11/16 in.)

Art Institute of Chicago

Untitled (Why Not Spend Some Time in the Water Tank?) (recto); Untitled (verso)

1998 · Black fiber-tipped pen and graphite (recto) and pen and black ink (verso) on paper

24.4 × 26.9 cm (9 5/8 × 10 5/8 in.)

Art Institute of Chicago

Untitled (What is Victim of Plane Crash Holding?)

1998 · Black fiber-tipped pens on cream wove paper

20.4 × 12.8 cm (8 1/16 × 5 1/16 in.)

Art Institute of Chicago

Untitled (Sacked from Sainsbury's)

1998 · Black fiber-tipped pen on cream wove paper

14.7 × 10.2 cm (5 13/16 × 4 1/16 in.)

Art Institute of Chicago

Untitled (Something I Always Think About)

1998 · Black fiber-tipped pen and pressure-sensitive pattern screen on cream wove paper

24.4 × 25.8 cm (9 5/8 × 10 3/16 in.)

Art Institute of Chicago

Untitled (The Black Mountain)

1998 · Brush and black ink and black fiber-tipped pen on cream wove paper

25.4 × 20.9 cm (10 × 8 1/4 in.)

Art Institute of Chicago

Untitled (What can I say)

1998 · Black fiber-tipped pen on cream wove paper

24.5 × 26 cm (9 11/16 × 10 1/4 in.)

Art Institute of Chicago

Untitled (The Discussion Group)

1998 · Black fiber-tipped pen on cream wove paper

24 × 26.2 cm (9 1/2 × 10 3/8 in.)

Art Institute of Chicago

Untitled (All My Pals are Evil Bastards Except You)

1998 · Black and white gelatin silver print with black ink (marker) and white paint

24 × 26.8 cm (9 1/2 × 10 9/16 in.)

Art Institute of Chicago

Untitled from the Museum in Progress project Interventions: Cooperation Secession: Young Scene

1998 · Lithograph, offset printed

sheet: 18 1/2 x 12 3/8" (47 x 31.5 cm)

Museum of Modern Art

Untitled (The Jobs Page)

1997 · Black fiber-tipped pen on cream wove paper

21 × 14.5 cm (8 5/16 × 5 3/4 in.)

Art Institute of Chicago

Untitled (SPIN...)

1997 · Black ball-point and fiber-tipped pens, with erasing, on cream wove paper

21 × 14.5 cm (8 5/16 × 5 3/4 in.)

Art Institute of Chicago

Untitled (Pattern Creator)

1997 · Black fiber-tipped pen on cream wove paper

21 × 14.6 cm (8 5/16 × 5 3/4 in.)

Art Institute of Chicago

Untitled (Instructions—end each sentence with phrase 'juicy bits')

1997 · Black fiber-tipped pen on cream wove paper

14.7 × 10.2 cm (5 13/16 × 4 1/16 in.)

Art Institute of Chicago

Untitled

1996 · Graphite and ink on paper

image: 297 x 211 mm support: 297 x 211 mm frame: 365 x 278 x 38 mm

Tate

Fallen Tree

1996 · Photograph, colour, Chromogenic print, on paper

image: 152 x 203 mm support: 153 x 203 mm frame: 265 x 312 x 36 mm

Tate

Notice

1996 · Color chromogenic print

30.5 × 40.5 cm (12 1/16 × 16 in.)

Art Institute of Chicago

Leisure Centre

1992 · Photograph, colour, Chromogenic print, on paper

image: 254 x 259 mm support: 254 x 259 mm frame: 365 x 365 x 37 mm

Tate

Leisure Centre

1992 · Color chromogenic print

25.3 × 25.5 cm (10 × 10 1/16 in.)

Art Institute of Chicago