Artworks · Dante Gabriel Rossetti

The Passover in the Holy Family

1856 · Watercolour on paper

support: 406 x 432 mm

Tate

Dante’s Vision of Rachel and Leah

1855 · Watercolour on paper

support: 352 x 314 mm

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Maids of Elfen-Mere, engraved by the Dalziel Brothers

1855 · Wood engraving on paper

image: 127 x 76 mm

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Paolo and Francesca da Rimini

1855 · Watercolour on paper

support: 254 x 449 mm

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Elizabeth Siddal

1855 · Graphite with stumping, on ivory wove paper, edge mounted to off-white wove paper

26.4 × 11.3 cm (10 7/16 × 4 1/2 in.)

Art Institute of Chicago

Carlisle Wall (The Lovers)

1853 · Watercolour on paper

support: 241 x 168 mm frame: 440 x 368 x 43 mm

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Hesterna Rosa

1853 · Ink on paper

support: 190 x 235 mm

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Study for ‘Giotto Painting the Portrait of Dante’

1852 · Ink on paper

support: 190 x 168 mm

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Study for ‘Ecce Ancilla Domini! (The Annunciation)’

1849 · Graphite on paper

support: 194 x 137 mm

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Taurello’s First Sight of Fortune

1849 · Ink on paper

support: 279 x 279 mm

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Ecce Ancilla Domini! (The Annunciation)

1849 · Oil paint on canvas

support: 724 x 419 mm frame: 1002 x 698 x 88 mm

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Study of a Man Smoking a Long Pipe

1849 · Ink and watercolour on paper

support: 190 x 92 mm

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Faust: Margaret in the Church

1848 · Ink on paper

support: 178 x 121 mm

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The Girlhood of Mary Virgin

1848 · Oil paint on canvas

support: 832 x 654 mm frame: 1080 x 905 x 75 mm

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Faust: Part 1. Last Scene

1846 · Pen and brown ink, brush and brown wash over graphite, on tan paper

Sheet: 10 7/8 × 8 9/16 in. (27.7 × 21.7 cm)

The Metropolitan Museum of Art

Full-length Portrait of a Woman

1846 · Pen and brown ink with brush and brown wash, over graphite, on ivory laid paper, laid down on board

19.9 × 14 cm (7 7/8 × 5 9/16 in.)

Art Institute of Chicago

Elizabeth Siddall Plaiting her Hair

Graphite on paper

support: 171 x 127 mm frame: 400 x 348 x 21 mm

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Elizabeth Siddall in a Chair

Graphite on paper

support: 260 x 184 mm

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