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← Dante Gabriel Rossetti
Artworks · Dante Gabriel Rossetti
66 of 67 artworks · page 1 of 2
📷 ✓ With images only
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Desdemona's Death-Song
1878 · black chalk over traces of red chalk on two joined sheets of blue-green paper
overall (frame size): 127 x 101.6 cm (50 x 40 in.)
National Gallery of Art
Sketch of Angels’ Heads
1875 · Chalk on canvas
unconfirmed: 515 x 567 mm
Tate
Proserpine
1874 · Oil paint on canvas
support: 1251 x 610 mm frame: 1605 x 930 x 85 mm
Tate
Sancta Lilias
1874 · Oil paint on canvas
support: 483 x 457 mm frame: 819 x 801 x 88 mm
Tate
Jane Morris
1873 · Pen and brown ink
Sheet: 9 1/16 × 6 3/4 in. (23 × 17.2 cm)
The Metropolitan Museum of Art
Beata Beatrix
1871 · Oil on canvas
87.5 × 69.3 cm (34 7/16 × 27 1/4 in.); Predella: 26.5 × 69.2 cm (10 7/16 × 27 1/4 in.); Framed: 156.2 × 102.9 cm (61 1/2 × 40 1/2 in.)
Art Institute of Chicago
Jane Morris
1870 · pen and iron gall ink with brown wash on laid paper; laid down on paperboard
support: 17 x 21.5 cm (6 11/16 x 8 7/16 in.) mat: 27.9 x 35.6 cm (11 x 14 in.)
National Gallery of Art
Study for the Head of Love, for ‘Dante’s Dream at the Time of the Death of Beatrice’
1870 · Chalk and pastel on paper
support: 610 x 540 mm
Tate
Mrs. William Morris Seated in Chair
1870 · Graphite, with stumping, on ivory wove paper
50.5 × 35.5 cm (19 15/16 × 14 in.)
Art Institute of Chicago
Jane Morris: Study for "Mariana"
1868 · Red, brown, off-white and black chalk on tan paper; four sheets butt-joined (and slightly tented)
sheet: 35 3/4 x 30 3/4 in. (90.8 x 78.1 cm)
The Metropolitan Museum of Art
Lady Lilith
1867 · Watercolor and gouache (bodycolor)
20 3/16 X 17 5/16 in. (51.3 x 44 cm)
The Metropolitan Museum of Art
Monna Vanna
1866 · Oil paint on canvas
support: 889 x 864 mm frame: 1290 x 1168 x 92 mm
Tate
Miss Robertson (Mrs Fernandez)
1866 · Graphite on paper
support: 337 x 254 mm
Tate
Mrs Vernon Lushington
1865 · Oil paint on paper
support: 225 x 190 mm
Tate
Study for ‘The Bride’
1865 · Graphite on paper
support: 419 x 305 mm
Tate
The Beloved (‘The Bride’)
1865 · Oil paint on canvas
support: 825 x 762 mm frame: 1220 x 1110 x 83 mm
Tate
Design for Old Testament Window
1865 · Watercolor, pen and black ink
sheet: 16 7/16 x 12 3/4 in. (41.8 x 32.4 cm)
The Metropolitan Museum of Art
Joan of Arc
1864 · Watercolour on board
support: 533 x 571 mm
Tate
How Sir Galahad, Sir Bors and Sir Percival Were Fed with the Sanct Grael; but Sir Percival’s Sister Died by the Way
1864 · Watercolour and gouache on paper
support: 292 x 419 mm
Tate
Roman de la Rose
1864 · Watercolour on paper
support: 343 x 343 mm
Tate
Monna Pomona
1864 · Watercolour and gum arabic on paper
support: 476 x 393 mm
Tate
Beata Beatrix
1864 · Oil paint on canvas
support: 864 x 660 mm frame: 1212 x 1015 x 104 mm
Tate
Woman in Yellow
1863 · Watercolour on paper
support: 406 x 305 mm
Tate
Aurelia (Fazio’s Mistress)
1863 · Oil paint on mahogany
support: 432 x 368 mm frame: 771 x 708 x 82 mm
Tate
St George and Princess Sabra
1862 · Watercolour on paper
support: 524 x 308 mm
Tate
The Heart of the Night (Mariana in the Moated Grange)
1862 · Watercolour and gum arabic on paper
support: 270 x 244 mm frame: 447 x 445 x 40 mm
Tate
Golden head by golden head, for "The Goblin Market"
1861 · Pen and black ink over graphite
Image: 2 3/4 × 3 7/16 in. (7 × 8.8 cm) Sheet: 5 1/16 × 3 11/16 in. (12.9 × 9.4 cm)
The Metropolitan Museum of Art
Buy from us with a golden curl, for "The Goblin Market"
1861 · Pen and black and dark brown ink
Sheet: 4 1/2 × 3 13/16 in. (11.4 × 9.7 cm)
The Metropolitan Museum of Art
Dantis Amor
1860 · Oil paint on mahogany
support: 749 x 813 mm frame: 965 x 1019 x 61 mm
Tate
Arthur’s Tomb
1860 · Watercolour on paper
support: 235 x 368 mm
Tate
Lucrezia Borgia
1860 · Graphite and watercolour on paper
support: 438 x 258 mm
Tate
Mary in the House of St John
1859 · Watercolour on paper
support: 381 x 318 mm
Tate
Fanny Cornforth
1859 · Graphite on paper
support: 140 x 146 mm
Tate
Study for "Venus Verticordia"
1859 · pencil
Sheet: 29.2 x 26.2 cm (11 1/2 x 10 5/16 in.)
Cleveland Museum of Art
Two Studies of Medieval Sculpture
1859 · Black chalk with stumping on ivory and buff wove paper, pieced together and laid down on ivory wove paper
17.7 × 13 cm (7 × 5 1/8 in.)
Art Institute of Chicago
David
1858 · Watercolour on paper
support: 279 x 133 mm
Tate
The Adoration
1858 · Watercolour on paper
support: 406 x 292 mm
Tate
King David
1858 · Watercolour on paper
support: 279 x 127 mm
Tate
St Catherine
1857 · Oil paint on canvas
support: 345 x 250 x 15 mm frame: 518 x 422 x 42 mm
Tate
The Palace of Art, engraved by the Dalziel Brothers
1857 · Wood engraving on paper
image: 86 x 79 mm
Tate
The Chapel before the Lists
1857 · Watercolour on paper
support: 400 x 419 mm
Tate
The Damsel of Sanct Grael
1857 · Watercolour on paper
support: 349 x 127 mm
Tate
The Blue Closet
1857 · Watercolour on paper
support: 354 x 260 mm
Tate
The Wedding of St George and Princess Sabra
1857 · Watercolour on paper
support: 365 x 365 mm
Tate
The Tune of the Seven Towers
1857 · Watercolour on paper
support: 314 x 365 mm frame: 552 x 570 x 35 mm
Tate
Mary Nazarene
1857 · Watercolour on paper
support: 343 x 197 mm
Tate
Mary Magdalene leaving the house feasting
1857 · Watercolour on paper
support: 356 x 206 mm
Tate
Dante’s Dream at the Time of the Death of Beatrice
1856 · Watercolour on paper
support: 487 x 662 mm
Tate
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