Artworks · Colin Self

Norwich Being Bombed, 1942

2001 · Ink on paper

support: 296 x 210 mm

Tate

Nuclear Bomber

2001 · Etching on paper

image: 1055 x 750 mm

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Changing Hands

1995 · Digital print on paper

image: 401 x 292 mm

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Christmas Day

1993 · Digital print on paper

image: 197 x 216 mm

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Goodbye 1980s

1990 · Digital print on paper

image: 197 x 269 mm

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The Whispering Curtain (Or the Childhood of Orlando Gibbons)

1987 · Printed curtains and plastic on lithograph on paper

support, secondary: 563 x 760 mm

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Little Cuddly Baby Communist

1987 · Lithograph on paper, print on PVC, watercolour, adhesive stars and gold paint on paper

support: 760 x 561 mm

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Drawing of Severed Turkey Foot

1987 · Ink on paper

support: 562 x 344 mm

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The Bird Table

1987 · Ink and watercolour on paper

support: 507 x 405 mm

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The Crossing

1985 · Oil paint on board

unconfirmed: 567 x 805 mm

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Large Harvest Field and Woods near Happisburgh, Norfolk

1984 · Oil paint and vegetation on board

support: 916 x 1419 mm

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The London Train (Late Night at Norwich (Thorpe) Station), 26 January 1984

1984 · Pastel on paper

support: 556 x 713 mm

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Man Scanning the Distance

1983 · Concrete and binoculars

object: 470 x 430 x 440 mm, 36.4 kg

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Blue Period No. 2

1983 · Watercolour and newsprint transfert on paper

support: 760 x 570 mm

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Study for Rose Period No. 3

1983 · Watercolour and newsprint transfert on paper

support: 767 x 570 mm

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Fantail Pigeon on Nest

1983 · Graphite, paper and conté crayon on paper

support: 601 x 460 mm

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Shepherd with Lantern

1983 · Chalk, pastel and printed paper on board

support: 784 x 521 mm

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Moneyman No. 2

1983 · Pastel on printed paper

support: 795 x 570 mm

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Late Hay? (Field between the Yarmouth Road and Plumstead, Norfolk), 19 October 1983

1983 · Graphite and pastel on paper

support: 547 x 764 mm

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‘Muckspreading again ...’ (Looking West - Evening. Fields and Farm in a Spinney - from South of Walcott near Happisburgh - towards Riddlington, Norfolk), 25 September 1983

1983 · Graphite and pastel on paper

support: 556 x 756 mm

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Lonewolf

1981 · Relief print on paper

image: 704 x 500 mm

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A Letter to Christopher Logue

1980 · Lithograph and ink on paper

support: 210 x 298 mm image: 148 x 245 mm

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The Gardens - with Four Eagles

1972 · Graphite on board

support: 187 x 349 mm

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Grain

1970 · Etching on paper

image: 688 x 541 mm

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Sand

1970 · Etching on paper

image: 688 x 541 mm

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Willow

1970 · Etching on paper

image: 688 x 541 mm

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Nude

1970 · Etching on paper

image: 688 x 541 mm

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Blackbird II

1970 · Etching on paper

image: 688 x 541 mm

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Spaghetti

1970 · Etching on paper

unconfirmed: 690 x 540 mm

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Shoe Trees

1970 · Etching on paper

image: 688 x 541 mm

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Blackbird I

1970 · Etching on paper

image: 688 x 541 mm

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Still Life with Art Deco Goldfish Bowl, Curtain and Shells

1969 · Graphite on paper

support: 255 x 319 mm

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Power and Beauty No. 6

1968 · Screenprint on paper

image: 712 x 989 mm

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Power and Beauty No. 9

1968 · Screenprint on paper

image: 607 x 998 mm

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Power and Beauty No. 2

1968 · Screenprint on paper

image: 679 x 1043 mm

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Power and Beauty No. 5

1968 · Screenprint on paper

image: 675 x 1047 mm

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Power and Beauty No. 4

1968 · Screenprint on paper

image: 1044 x 681 mm

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Prelude

1968 · Screenprint on paper

image: 234 x 352 mm

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Power and Beauty No. 1

1968 · Screenprint on paper

image: 679 x 1043 mm

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Picasso’s Guernica and the Nazis

1968 · Lithograph on paper

image: 188 x 311 mm

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Out of Focus Objects and Flowers

1968 · Etching on paper

image: 280 x 251 mm

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Power and Beauty No. 6

1968 · Screenprint on paper

image: 707 x 985 mm

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Power and Beauty No. 7

1968 · Screenprint on paper

image: 728 x 993 mm

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No. 5 from Power and Beauty

1968 · Screenprint from a portfolio of seven screenprints and one photoetching

composition and sheet: 26 3/4 × 41 1/4" (68 × 104.7 cm)

Museum of Modern Art

No. 4 from Power and Beauty

1968 · Screenprint from a portfolio of seven screenprints and one photoetching

composition and sheet: 41 3/16 × 26 9/16" (104.6 × 67.5 cm)

Museum of Modern Art

Unique Print No. 2 from Power and Beauty

1968 · Screenprint from a portfolio of seven screenprints and one photoetching

composition and sheet: 26 9/16 × 41 1/4" (67.5 × 104.8 cm)

Museum of Modern Art

No. 6 from Power and Beauty

1968 · Screenprint from a portfolio of seven screenprints and one photoetching

composition and sheet: 27 9/16 × 39" (70 × 99 cm)

Museum of Modern Art

No. 3 from Power and Beauty

1968 · Photoetching from a portfolio of seven screenprints and one photoetching

composition and sheet: 26 9/16 × 40 7/16" (67.5 × 102.7 cm)

Museum of Modern Art