Artworks · Claude Lorrain

Seascape

1700 · Pen and black ink and brush and gray wash on tan laid paper, laid down on tan laid card

27.3 × 38.8 cm (10 3/4 × 15 5/16 in.)

Art Institute of Chicago

Italianate River Landscape with Bridge with Tower

1700 · Pen and brown ink and brush and brown wash, over graphite, on cream laid paper, tipped on to cream card

8.8 × 14.8 cm (3 1/2 × 5 7/8 in.)

Art Institute of Chicago

The Rest on the Flight into Egypt

1682 · pen and brown ink with gray and blue wash and graphite, heightened with white gouache on blue laid paper

overall (approximate): 12.6 x 16.6 cm (4 15/16 x 6 9/16 in.)

National Gallery of Art

View of Delphi with a Procession

1673 · Oil on canvas

101.6 × 127 cm (40 × 50 in.); Framed: 130.2 × 156.6 cm (51 1/4 × 61 5/8 in.)

Art Institute of Chicago

The Goatherd (Le chevrier)

1663 · etching

National Gallery of Art

The Goatherd

1663 · Etching on ivory laid paper

Image: 17.1 × 22.8 cm (6 3/4 × 9 in.); Sheet, cut within platemark: 18 × 23.7 cm (7 1/8 × 9 3/8 in.)

Art Institute of Chicago

The Goatherd

1663 · Etching on ivory laid paper

Plate: 17.6 × 23.2 cm (6 15/16 × 9 3/16 in.); sheet: 23.8 × 32.6 cm (9 3/8 × 12 7/8 in.)

Art Institute of Chicago

Time, Apollo, and the Seasons (Le Temps, Apollon et les Saisons)

1662 · etching

National Gallery of Art

Mercury and Argus (Mercure et Argus)

1662 · etching

National Gallery of Art

Time, Apollo and the Seasons

1662 · Etching on ivory laid paper

Image: 18.3 × 25 cm (7 1/4 × 9 7/8 in.); Sheet, cut within platemark: 20 × 26.2 cm (7 7/8 × 10 3/8 in.)

Art Institute of Chicago

A Wooded River Landscape with Jacob, Laban, and His Daughters

1661 · Pen and brown ink, with brush and black, brown and gray wash, and black chalk, on cream laid paper, laid down on cream laid card

20.1 × 30.2 cm (7 15/16 × 11 15/16 in.)

Art Institute of Chicago

Shepherd and Shepherdess Conversing in a Landscape (Berger et bergère conversant)

1651 · etching

National Gallery of Art

The Herd Returning in Stormy Weather

1651 · Etching on ivory laid paper

Image: 15.8 × 21.9 cm (6 1/4 × 8 5/8 in.); Plate: 16.2 × 22.4 cm (6 7/16 × 8 7/8 in.); Sheet: 17.4 × 23.5 cm (6 7/8 × 9 5/16 in.)

Art Institute of Chicago

The Herd Returning in Stormy Weather (Le troupeau en marche par un temps orageux)

1650 · etching

National Gallery of Art

The Herd Returning in Stormy Weather (Le troupeau en marche par un temps orageux)

1650 · etching

National Gallery of Art

Nymphs and Satyrs Playing Musical Instruments

1650 · Pen and brown ink, with brush and brown wash, on cream laid paper

14.9 × 16.6 cm (5 7/8 × 6 9/16 in.)

Art Institute of Chicago

Panorama from the Sasso

1649 · Pen and brown ink with brush and brown wash, heightened with white gouache and traces of white chalk, over black chalk and graphite, on cream laid paper

16.2 × 40.2 cm (6 7/16 × 15 7/8 in.)

Art Institute of Chicago

The Judgment of Paris

1645 · pen and brown ink with brown wash over black chalk on laid paper; laid down

overall: 18 x 26.2 cm (7 1/16 x 10 5/16 in.)

National Gallery of Art

Landscape with Ruins, Pastoral Figures, and Trees

1645 · pen and brown ink with graphite and brown wash over black chalk, heightened with white chalk, on apricot-prepared paper

overall: 20.2 x 26.6 cm (7 15/16 x 10 1/2 in.)

National Gallery of Art

The Judgment of Paris

1645 · oil on canvas

overall: 112.3 x 149.5 cm (44 3/16 x 58 7/8 in.) framed: 143.5 x 182.3 x 8.6 cm (56 1/2 x 71 3/4 x 3 3/8 in.)

National Gallery of Art

Two Women in Classical Dress

1643 · brush and black and brown inks and wash over black chalk on apricot prepared paper,laid down

Overall: 16.6 x 13.3 cm (6 9/16 x 5 1/4 in.) support: 25.2 x 20 cm (9 15/16 x 7 7/8 in.)

National Gallery of Art

Study for Pilgrims at Emmaus

1642 · Pen and brown ink, with brush and brown wash, and lead white (discolored), on buff laid paper

16.8 × 23.5 cm (6 5/8 × 9 5/16 in.)

Art Institute of Chicago

Harbor with a Large Tower (Le Port de mer à la grosse tour)

1641 · etching on laid paper

sheet (trimmed to and within plate mark): 13.2 x 19.8 cm (5 3/16 x 7 13/16 in.)

National Gallery of Art

Two Frigate

1641 · Pen and iron gall ink, and brush and brown wash, with graphite, on buff laid paper, laid down on cream laid paper

31.9 × 22.4 cm (12 9/16 × 8 7/8 in.)

Art Institute of Chicago

Grove of Trees

1640 · pen and brown ink with gray wash on laid paper

overall: 8.5 x 12.4 cm (3 3/8 x 4 7/8 in.)

National Gallery of Art

The Shipwreck (Le naufrage)

1638 · etching

plate: 12.8 x 18 cm (5 1/16 x 7 1/16 in.) sheet: 13.2 x 18 cm (5 3/16 x 7 1/16 in.)

National Gallery of Art

Coast Scene with an Artist (Le dessinateur)

1638 · etching

sheet (trimmed within plate mark): 12.5 x 17.7 cm (4 15/16 x 6 15/16 in.)

National Gallery of Art

Departure for the Fields (Le départ pour les champs)

1638 · etching

National Gallery of Art

Rebecca and Eliezer (Le pont de bois)

1638 · etching (with drypoint?)

National Gallery of Art

Coast Scene with an Artist Drawing

1638 · Etching on ivory laid paper

Image: 12.6 × 17.6 cm (5 × 6 15/16 in.); Sheet, cut within platemark: 13.2 × 18.5 cm (5 1/4 × 7 5/16 in.)

Art Institute of Chicago

The Wooden Bridge (Rebecca and Eliezer)

1638 · Etching on ivory laid paper

Image: 12.6 × 18.9 cm (5 × 7 1/2 in.); Sheet, cut within platemark: 13.4 × 19.5 cm (5 5/16 × 7 11/16 in.)

Art Institute of Chicago

The Shipwreck

1638 · Etching on ivory laid paper

Image: 12.6 × 17.9 cm (5 × 7 1/16 in.); Sheet, cut within platemark: 13.4 × 18.6 cm (5 5/16 × 7 3/8 in.)

Art Institute of Chicago

Departure for the Fields

1638 · Etching on ivory laid paper

Sheet (trimmed): 13 × 17.9 cm (5 1/8 × 7 1/16 in.)

Art Institute of Chicago

Harbor Scene with a Lighthouse

1638 · Etching on ivory laid paper

Sheet, cut within platemark: 14.5 × 20.4 cm (5 3/4 × 8 1/16 in.)

Art Institute of Chicago

Dance Under the Trees

1637 · etching in black on laid paper

plate: 13.6 x 19.7 cm (5 3/8 x 7 3/4 in.) sheet: 14.2 x 20.2 cm (5 9/16 x 7 15/16 in.)

National Gallery of Art

The Country Dance (Small Plate) (La danse sous les arbres)

1637 · etching

National Gallery of Art

Harbor with a Large Tower (Le Port de mer à la grosse tour)

1636 · etching on laid paper

image: 12.6 × 16.6 cm (4 15/16 × 6 9/16 in.) sheet: 12.9 × 19.4 cm (5 1/16 × 7 5/8 in.) trimmed within platemark

National Gallery of Art

The Roman Forum (Le Campo Vaccino)

1636 · etching

National Gallery of Art

The Cowherd (Le bouvier)

1636 · etching

National Gallery of Art

The Cowherd

1636 · Etching on ivory laid paper

Image: 12.6 × 19.5 cm (5 × 7 11/16 in.); Sheet, cut within platemark: 13.1 × 20.1 cm (5 3/16 × 7 15/16 in.)

Art Institute of Chicago

The Roman Forum

1636 · Etching on ivory laid paper

Image/sheet, cut within platemark: 18.1 × 25.6 cm (7 3/16 × 10 1/8 in.)

Art Institute of Chicago

Classical Landscape - Tivoli

1636 · Pen and ink on paper

24.8 × 27.8 cm (9 13/16 × 11 in.)

Art Institute of Chicago

Harbor with a Large Tower

1636 · Etching on ivory laid paper

Image: 12.8 × 18.9 cm (5 1/16 × 7 1/2 in.); Plate: 13 × 19.2 cm (5 1/8 × 7 9/16 in.); Sheet: 13.8 × 20 cm (5 7/16 × 7 7/8 in.)

Art Institute of Chicago

The Cowherd

1636 · Etching on ivory laid paper

Image: 12.5 × 19.4 cm (4 15/16 × 7 11/16 in.); Plate: 13 × 12 cm (5 1/8 × 4 3/4 in.); Sheet: 13.9 × 20.9 cm (5 1/2 × 8 1/4 in.)

Art Institute of Chicago

Villa di Papa Giulio

1635 · pen and brown ink with gray wash on laid paper

Overall: 18.6 x 13.3 cm (7 5/16 x 5 1/4 in.) support: 23.9 x 18 cm (9 7/16 x 7 1/16 in.)

National Gallery of Art

River Landscape

1635 · pen and brown ink with brown wash and black and red chalk on laid paper

overall: 12.5 x 17.1 cm (4 15/16 x 6 3/4 in.)

National Gallery of Art

The Herd at the Watering Place (Le troupeau à l'abreuvoir)

1635 · etching

National Gallery of Art

Sketch of Foliage and Branches

1635 · Black chalk, white and gray gouache, on tan laid paper, laid down on perimeter to cream wove card

39.3 × 23.2 cm (15 1/2 × 9 3/16 in.)

Art Institute of Chicago