Artworks · Claes Oldenburg

Pizza / Palette

1996 · Lithograph

sheet: 29 3/8 × 38 1/2" (74.6 × 97.8 cm)

Museum of Modern Art

Soft Saxophone (Black, Yellow, Red)

1992 · Lithograph

composition and sheet: 34 7/8 × 43 3/4" (88.6 × 111.1 cm)

Museum of Modern Art

Apple Core, Black & White State

1989 · Lithograph

composition (irreg.): 17 x 13 13/16" (43.2 x 35.1cm); sheet (irreg.): 31 1/2 x 22 1/2" (80 x 57.1cm)

Museum of Modern Art

The Dropped Bowl, with Scattering Slices and Peels–In Advance of the Fountain for Metro-Dade Government Center

1988 · Offset lithograph

composition (irreg.): 31 × 22 3/16" (78.8 × 56.4 cm); sheet: 36 1/4 × 24 3/8" (92 × 61.9 cm)

Museum of Modern Art

Colossal Monument with Mushroom and Screw (Project for John Cage Homage)

1987 · Felt-tip pen on paper

13 3/8 × 9 1/2" (34 × 24.1 cm)

Museum of Modern Art

Characters and Props from "Il Corso del Coltello" Along the Canale do San Marco, Coltello Ship in "Background - Version II"

1986 · Pastel, charcoal, and pencil on paper

29 7/8 x 39 3/4" (75.5 x 100.5 cm)

Museum of Modern Art

Proposal for a Monument to the Survival of the University of El Salvador: Blasted Pencil (That Still Writes)

1984 · Etching and aquatint

plate: 6 15/16 × 20 13/16" (17.7 × 52.9 cm); sheet: 22 13/16 × 30 1/4" (58 × 76.8 cm)

Museum of Modern Art

Screwarch Bridge State II

1980 · Etching on paper

image: 595 x 1285 mm

Tate

Screwarch Bridge, state II

1980 · Etching and aquatint

plate: 23 11/16 × 50 3/4" (60.2 × 128.9 cm); sheet: 31 3/16 × 57 7/8" (79.2 × 147 cm)

Museum of Modern Art

Fagend Studies

1976 · Charcoal and chalk on paper

101.7 × 76.2 cm (40 1/16 × 30 in.)

Art Institute of Chicago

Chicago Stuffed with Numbers

1976 · Color lithograph from five aluminum plates and four stones on white wove paper

Image: 97 × 66.8 cm (38 1/4 × 26 5/16 in.); Sheet: 120.7 × 80.3 cm (47 9/16 × 31 5/8 in.)

Art Institute of Chicago

Landscape with Noses

1976 · Etching

plate: 6 3/16 x 6 13/16" (15.7 x 17.3 cm); sheet: 20 3/8 x 15 11/16" (51.8 x 39.9 cm)

Museum of Modern Art

Colossal Tea Bags in City Square

1976 · Etching and aquatint

plate: 14 9/16 × 18 5/8" (37 × 47.3 cm); sheet: 22 1/16 × 26 1/8" (56 × 66.4 cm)

Museum of Modern Art

Soft Screw in Waterfall

1976 · Lithograph

composition (irreg.): 47 11/16 × 36 7/8" (121.1 × 93.6 cm); sheet: 67 5/16 × 45" (171 × 114.3 cm)

Museum of Modern Art

Clothespin

1975 · Cor-ten and stainless steel

304.8 × 111.8 × 61 cm (120 × 44 × 24 in.)

Art Institute of Chicago

Arched Soft Screw as Building

1975 · Lithograph in black on cream wove paper

171.5 × 114.3 cm (67 9/16 × 45 in.)

Art Institute of Chicago

Spoon Pier

1975 · Color soft ground etching from four copper plates, sugar lift, and aquatint, on off-white wove paper

Image/plate: 32 × 26.3 cm (12 5/8 × 10 3/8 in.); Sheet: 71.7 × 56 cm (28 1/4 × 22 1/16 in.)

Art Institute of Chicago

Tea Pot

1975 · Lithograph from one stone on light tan Balinese paper, tipped onto brown Japanese paper

Image: 30 × 39 cm (11 13/16 × 15 3/8 in.); Primary support: 45.5 × 64.5 cm (17 15/16 × 25 7/16 in.); Secondary support: 46.5 × 66.9 cm (18 5/16 × 26 3/8 in.)

Art Institute of Chicago

Geometric Mouse, Scale A

1975 · Painted aluminum and steel

12' 1 1/2" x 12' 6" x 14' 10 1/4" (369.7 x 381.2 x 452.9 cm)

Museum of Modern Art

Landscape with Noses

1975 · Aquatint and etching

plate: 6 1/4 x 6 13/16" (15.8 x 17.3 cm); sheet: 26 5/16 x 20 1/8" (66.8 x 51.1 cm)

Museum of Modern Art

Tea Pot

1975 · Lithograph

composition (irreg.): 12 7/8 x 15 9/16" (32.7 x 39.5cm); sheet: 18 1/4 x 26 1/8" (46.3 x 66.3cm)

Museum of Modern Art

Bat Spinning at the Speed of Light (State II)

1975 · Lithograph

composition (irreg.): 31 3/4 x 22 13/16" (80.6 x 57.9 cm); sheet: 37 5/16 x 25" (94.8 x 63.5 cm)

Museum of Modern Art

Smoke and Reflections

1975 · Aquatint

plate: 11 1/16 x 8 3/16" (28.1 x 20.8cm); sheet: 26 3/8 x 20 7/16" (67 x 51.9cm)

Museum of Modern Art

Three Hats from For Meyer Schapiro

1974 · Lithograph from a portfolio of four lithographs (one with embossing), three screenprints (one with stamp additions), two lithograph and screenprints (one with embossing), two etching and aquatints, and one duplicated drawing

composition (irreg.): 33 1/16 x 20 3/8" (84 x 51.8 cm); sheet: 35 1/4 x 23 3/16" (89.6 x 58.9 cm)

Museum of Modern Art

Picasso Cufflink from Homage to Picasso (Hommage à Picasso)

1974 · Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts

composition (irreg.): 29 1/8 x 24 1/16" (73.9 x 61.1cm); sheet: 35 13/16 x 26 7/8" (91 x 68.3cm)

Museum of Modern Art

Store window: bow, hats, heart, shirt, 29¢

1973 · Color lithograph on white wove paper

67.9 × 57 cm (26 3/4 × 22 1/2 in.)

Art Institute of Chicago

Proposal for a Broome Street Expressway in the Form of a Cigarette and Smoke, from Realities and Paradoxes

1973 · Color lithograph on white wove paper

76 × 57 cm (29 15/16 × 22 1/2 in.)

Art Institute of Chicago

Untitled, from The New York Collection for Stockholm

1973 · Lithograph and two-color silkscreen, with hand dusted chalk, on paper

30.5 × 22.9 cm (12 1/16 × 9 1/16 in.)

Art Institute of Chicago

Hats Vesuvius

1973 · Lithograph on white wove paper

Image: 35.2 × 46 cm (13 7/8 × 18 1/8 in.); Sheet: 50.5 × 67 cm (19 15/16 × 26 7/16 in.)

Art Institute of Chicago

M. Mouse (with) 1 Ear (equals) Tea Bag Blackboard Version (1965) from The New York Collection for Stockholm

1973 · Screenprint and lithograph from a portfolio of seventeen screenprints, nine lithographs, two lithographs with screenprint, one photocopy, and one photograph

composition and sheet: 12 x 9" (30.5 x 22.9 cm)

Museum of Modern Art

Soft Light Switches– “Ghost Version” II

1971 · Canvas filled with kapok, gesso and pencil

119.4 × 119.4 × 30.5 cm (47 × 47 × 12 in.)

Art Institute of Chicago

Striding Figure, from Conspiracy, The Artist as Witness

1971 · Color screenprint on ivory wove paper

Image, sight: 53.3 × 36.2 cm (21 × 14 5/16 in.); Sheet, sight: 71.2 × 51.7 cm (28 1/16 × 20 3/8 in.)

Art Institute of Chicago

Symbolic Self-Portrait with "Equals"

1971 · Offset lithograph

composition: 19 15/16 x 14 15/16" (50.6 x 38 cm); sheet: 28 3/8 x 20 15/16" (72 x 53.2 cm)

Museum of Modern Art

Giant 3-Way Plug Scale 2/3

1970 · Wood

object: 1473 x 991 x 749 mm

Tate

System of Iconography - Plug, Mouse, Good Humor, Lipstick, Switches

1970 · Lithograph on paper

image: 511 x 391 mm

Tate

Osaka Japan Expo

1970 · Black felt tip pen on graph paper

21.5 × 27.9 cm (8 1/2 × 11 in.)

Art Institute of Chicago

Tube Supported by Its Contents

1969 · Opaque and translucent watercolor and pastel, over graphite, on cream wove paper

45.1 × 30.5 cm (17 13/16 × 12 1/16 in.)

Art Institute of Chicago

Light Switches–Hard Version, Replica (Brown)

1969 · Wood and latex paint

121.3 × 121.3 × 29.8 cm (47 3/4 × 47 3/4 × 11 3/4 in.)

Art Institute of Chicago

Profile Airflow

1969 · Molded polyurethane relief over lithograph

composition (irreg.): 33 3/4 x 65 9/16 x 3 11/16" (85.7 x 166.5 x 9.3cm)

Museum of Modern Art

Design for a Tunnel Entrance in the Form of Nose

1968 · Crayon and watercolor on paper

9 3/4 x 8" (24.8 x 20.3 cm)

Museum of Modern Art

Inverted Nose in Landscape I

1968 · Crayon and watercolor on paper

8 x 9 3/4" (20.3 x 24.8 cm)

Museum of Modern Art

Unattendable Lunches from S.M.S. No. 6

1968 · Artist's book, offset printed

page (each): 8 7/16 x 5 7/16" (21.5 x 13.8 cm)

Museum of Modern Art

Notes

1968 · Illustrated book with 12 lithograph and offset lithographs (four with embossing and/or varnish additions)

page: 22 5/8 x 15 11/16" (57 x 39.9 cm); prints: various dimensions.

Museum of Modern Art

Soft Drainpipe - Blue (Cool) Version

1967 · Acrylic on canvas and steel

object: 2591 x 1876 x 356 mm

Tate

Woman Figure with Medusa Ornaments

1967 · Graphite with smudging on ivory wove paper, laid down on Bristol board

76.2 × 56.8 cm (30 × 22 3/8 in.)

Art Institute of Chicago

Preparatory drawing for In Memory of My Feelings

1967 · Ink, pencil, and colored pencil on acetate

sheet: 13 15/16 x 11" (35.4 x 27.9 cm)

Museum of Modern Art

Scissors as Monument from National Collection of Fine Arts Portfolio

1967 · Lithograph from a portfolio of five lithographs, one etching, and one screenprint

composition (irreg.): 28 1/16 x 18" (71.3 x 45.7 cm); sheet: 30 1/16 x 20" (76.3 x 50.8 cm)

Museum of Modern Art

Scissors to Cut Out from National Collection of Fine Arts Portfolio

1967 · Lithograph from a portfolio of five lithographs, one etching, and one screenprint

composition (irreg.): 29 7/16 x 23 1/8" (74.8 x 58.8 cm); sheet: 29 15/16 x 20 1/16" (76.1 x 51 cm)

Museum of Modern Art