Artworks · Cildo Meireles

Camelô (Street Vendor)

1998 · Multiple of 1000 pins, 1000 collar stays, 2 miniature tables, puppet, motor, box, string and screws in a wooden box

installation composition varies; composition (box): 2 13/16 × 15 3/16 × 11 5/8" (7.2 × 38.5 × 29.5 cm)

Museum of Modern Art

Glove-Trotter

1992 · Pencil and felt-tip pen on transparentized paper

8 1/4 x 11 5/8" (21 x 29.5 cm)

Museum of Modern Art

Thread

1990 · 48 bales of hay, 1 18-carat gold needle, 100 meters of gold thread

Dimensions variable, approximately 7' 1" x 6' 1 1/16" x 72" (215.9 x 185.5 x 182.9 cm)

Museum of Modern Art

The Difference between the Circle and the Sphere Is the Weight

1976 · Paper and paper bags

Overall dimensions approximately 2 3/8 x 25 x 15" (6 x 63.5 x 38.1 cm)

Museum of Modern Art

Meshes of Freedom

1976 · Iron and glass

47 1/4 x 48 1/4 x 1 1/2" (120 x 122.6 x 3.8 cm)

Museum of Modern Art

Eureka/Blindhotland

1970 · Rubber, wood, fishing nets, metal, paper and audio, 4 channels

display dimensions variable

Tate

Insertions into Ideological Circuits 2: Banknote Project

1970 · Ink on banknote

70 x 150 mm

Tate

Insertions into Ideological Circuits 2: Banknote Project

1970 · Ink on banknote

Tate

Insertions into Ideological Circuits 2: Banknote Project

1970 · Ink on banknote

Tate

Insertions into Ideological Circuits 2: Banknote Project

1970 · Ink on banknote

Tate

Insertions into Ideological Circuits 2: Banknote Project

1970 · Ink on banknote

Tate

Insertions into Ideological Circuits 2: Banknote Project

1970 · Ink on banknote

Tate

Insertions into Ideological Circuits 2: Banknote Project

1970 · Ink on banknote

Tate

Insertions into Ideological Circuits 2: Banknote Project

1970 · Ink on banknote

Tate

Insertions into Ideological Circuits 2: Banknote Project

1970 · Ink on banknote

Tate

Insertions into Ideological Circuits 2: Banknote Project

1970 · Ink on banknote

Tate

Insertions into Ideological Circuits 2: Banknote Project

1970 · Ink on banknote

Tate

Insertions into Ideological Circuits 2: Banknote Project

1970 · Ink on banknote

Tate

Insertions into Ideological Circuits 2: Banknote Project

1970 · Ink on banknote

Tate

Insertions into Ideological Circuits 2: Banknote Project

1970 · Ink on banknote

Tate

Insertions into Ideological Circuits 2: Banknote Project

1970 · Ink on banknote

Tate

Insertions into Ideological Circuits 2: Banknote Project

1970 · Ink on banknote

Tate

Insertions into Ideological Circuits 2: Banknote Project

1970 · Ink on banknote

Tate

Insertions into Ideological Circuits 2: Banknote Project

1970 · Ink on banknote

Tate

Insertions into Ideological Circuits 2: Banknote Project

1970 · Ink on banknote

Tate

Insertions into Ideological Circuits 2: Banknote Project

1970 · Ink on banknote

Tate

Insertions into Ideological Circuits 2: Banknote Project

1970 · Ink on banknote

Tate

Insertions into Ideological Circuits 2: Banknote Project

1970 · Ink on banknote

Tate

Insertions into Ideological Circuits 2: Banknote Project

1970 · Ink on banknote

Tate

Insertions into Ideological Circuits 2: Banknote Project

1970 · Ink on banknote

Tate

Insertions into Ideological Circuits 2: Banknote Project

1970 · Ink on banknote

Tate

Insertions into Ideological Circuits 2: Banknote Project

1970 · Ink on banknote

Tate

Insertions into Ideological Circuits 2: Banknote Project

1970 · Ink on banknote

Tate

Insertions into Ideological Circuits: Coca-Cola Project

1970 · 3 glass bottles, 3 metal caps, liquid and adhesive labels with text

object, each: 250 x 60 x 60 mm

Tate

Insertions into Ideological Circuits: Coca-Cola Project

1970 · Three glass bottles, three metal caps, and vinyl-tranfer text

Each bottle: 25 × 6 × 6 cm (9 7/8 × 2 3/8 × 2 3/8 in.); 25.4 × 5.1 × 5.1 cm (10 × 2 × 2 in.)

Art Institute of Chicago

Insertions into Ideological Circuits: Coca-Cola Project (Inserções em Circuitos Ideológicos: Projeto Coca-Cola)

1970 · Printed pressure-sensitive labels on three commercial glass bottles

Dimensions variable

Museum of Modern Art

To Be Curved with the Eyes

1970 · Wood box, iron bars, enamel plaque, glass and graph paper

4 1/2 x 19 1/2 x 9 7/8" (11.4 x 49.5 x 25.1 cm)

Museum of Modern Art

Insertions into Ideological Circuits: Banknote Project (Inserções em circuitos ideológicos: Projeto Cédula)

1970 · Rubber stamp, printed on one side of a Brazilian fifty cruzados novos bill

composition and sheet: 2 1/2 x 5 1/2" (6.4 x 14 cm)

Museum of Modern Art

Virtual Spaces: Corners 1

1967 · Canvas, paint, and parquet on wood

118 x 60 x 60" (299.7 x 152.4 x 152.4 cm)

Museum of Modern Art