Artworks · Ben Kinmont

665 artworks · page 1 of 14

Catalytic text: 20 January 2017. First line: “We are all in this together.” An ad in The Washington Post, 7 September 2018, on page A2.

2018 · Newspaper ad

Museum of Modern Art

Book: Edible bibliophilia, Sebastopol & Austin: Antinomian Press, 2018

2018 · Artist book, printed in black ink

Museum of Modern Art

Catalytic text: 20 January 2017. First line: “What is represented?” An ad in The Los Angeles Times, 24 October 2018, on page A8; and again on 26 October 2018, on page A10.

2018 · Newspaper ad

Museum of Modern Art

Broadside: Books & manuscripts offered for sale by Ben Kinmont, Bookseller. Sebastopol: Antinomian Press, 2018

2018 · Black ink on white paper

19 × 13" (48.3 × 33 cm)

Museum of Modern Art

Flyers: Handouts that were printed and distributed for Kinmont’s talk at the curatorial program MAE (Master professionnel des Métiers et Arts de l’Exposition) at the University of Rennes

2018 · Handouts and ink on acetate

Museum of Modern Art

Catalytic text: 20 January 2017. First line: “Can we know freedom, when everyone has freedom?” An ad in The Orange County Register, 28 October 2018, on page 12.

2018 · Newspaper ad

Museum of Modern Art

Catalytic text: 20 January 2017. First line: “We are the Social Sculpture.” An ad in The San Diego Tribune, 28 October 2018, on page A10.

2018 · Newspaper ad

Museum of Modern Art

Catalytic text: 20 January 2017. First line: “The problem is ours.” An ad in The New York Times, 7 September 2018, on page A5.

2018 · Newspaper ad

Museum of Modern Art

Broadside: Books, menus & ephemera. London: Antinomian Press, 2018.

2018 · Risograph

Museum of Modern Art

Broadside: Cookery books, manuscripts, & menus. Austin, Texas: Antinomian Press, 2018.

2018 · Lettterpress broadside

sheet: 20 × 13 1/4" (50.8 × 33.7 cm)

Museum of Modern Art

Book: Edible bibliophilia, Sebastopol: Antinomian Press, 2018.

2018 · Letterpress

Museum of Modern Art

Catalytic text: 20 January 2017. First line: “Democracy is stronger.” An ad in The Fresno Bee, 28 October 2018, on page 17A.

2018 · Newspaper ad

Museum of Modern Art

Catalytic text: 20 January 2017. First line: “Shall we make something.” An ad in The Modesto Bee, 28 October 2018, on page A3.

2018 · Newspaper ad

Museum of Modern Art

Book: Gastronomy. A catalogue of books & manuscripts on cookery, wine, medicine, perfume, rural & domestic economy, how to feed the poor, & the history of taste, 1555-2018. Sebastopol & Austin, Antinomian Press, 2018.

2018 · Letterpress

Museum of Modern Art

Addendum to Antinomian Press Archive

2018 · Group of materials pertaining to the Antimonian Press Addendum delivered by Ben Kinmont for the ongoing archive

Museum of Modern Art

[Proof.] Book: Student Series: THIS ISN’T IT. NOISY-LE-SEC, 2017 [sic]. Noisy-le-Sec: Antinomian Press, [2 décembre] 2017

2017 · Proof for artist's book with forty-four leaves with numerous color reproductions and photographs and with a deflated white balloon stapled in the upper left-hand corner

8 1/4 × 11 3/4" (21 × 29.8 cm)

Museum of Modern Art

Flyer: This isn’t it. Noisy le Sec. [Noisy-le-Sec: Antinomian Press, 21 September], 2017.

2017 · Printed in black ink on white paper

sheet: 11 3/4 × 8 1/4" (29.8 × 21 cm)

Museum of Modern Art

Book: Gastronomy. A Catalogue of books & manuscripts on cookery…1505-1879….Catalogue fifteen. Sebastopol: Antinomian Press, 31 May 2017

2017 · Artist's book, letterpress printed

7 1/2 × 5" (19.1 × 12.7 cm)

Museum of Modern Art

Book: Student Series: THIS ISN’T IT. NOISY-LE-SEC. Noisy-le-Sec: Antinomian Press, [14 décembre] 2017

2017 · Artist's book with forty-one leaves with numerous color reproductions and photographs and with a deflated green balloon stapled in the upper left-hand corner

8 1/4 × 11 3/4" (21 × 29.8 cm)

Museum of Modern Art

Polymer printing plate used for the making of the broadside An Imaginary Customer. [Berkeley: Antinomian Press, 2016] preserved in a cream-colored archival envelope

2016 · Polymer printing plate in an archival envelope

plate: 8 × 5 3/4" (20.3 × 14.6 cm); envelope: 9 1/2 × 11 3/4" (24.1 × 29.8 cm)

Museum of Modern Art

Mock-up of wrappers for Gastronomy List Fall 2016 [South Freeport: Antinomian Press, 2016] pasted onto the text block of a copy of the Eat, Drink, & Be Merry! A holiday list of gastronomy catalogue (2000)

2016 · Artist's book, letterpress printed, with cut-and-pasted printed papers and ink additions

7 1/2 × 5" (19.1 × 12.7 cm)

Museum of Modern Art

Signage from the Printed Matter event in New York City where the second edition of Project Series: Lee Lozano was printed, small sign reading “Project Series: Lee Lozano $5” and larger sign reading “Antinomian Press"

2016 · Printed in black ink with black border around text, small sign printed on cardstock, larger sign printed on copy paper, paper clipped together in upper left-hand corner

small sign: 3 1/2 × 5" (8.9 × 12.7 cm); larger sign: 8 1/2 × 11" (21.6 × 27.9 cm)

Museum of Modern Art

Small broadside: An Imaginary Customer. [Berkeley: Antinomian Press, 2016.]

2016 · Letterpress broadside

7 × 5" (17.8 × 12.7 cm)

Museum of Modern Art

Typed note: “Ben, Aside from the 2 copies of the ‘Project Series: Archive Contracts’ publication which we printed and distributed at the event, I have also included 2 of the 4 flyers which I made and posted around the neighborhood prior to the show,” a typed note to Kinmont from Sam Grossinger attached with a paper clip are two flyers for the event at 740 GL printed in the style of 90’s raves

2016 · Printed in black ink on white paper with colored ink additions, attached with a paper clip are two flyers printed in colored ink on white paper

note: 11 × 8 1/2" (27.9 × 21.6 cm); sheet (each): 17 × 11" (43.2 × 27.9 cm)

Museum of Modern Art

Artist proof of Project Series: Seth Siegelaub. Sebastopol: Antinomian Press, [21 June] 2016 preserved in a pale sage green archival folder with the Antinomian Press logo stamped in red ink and tied with a linen tie

2016 · Proof of artist's book printed digitally on fourty-eight sheets of paper and stapled in the upper left-hand corner

book: 8 1/2 × 11" (21.6 × 27.9 cm); sprint "proof" sheet: 11 × 8 1/2" (27.9 × 21.6 cm); archival folder: 12 1/8 × 9 3/4" (30.8 × 24.8 cm)

Museum of Modern Art

“K

“Ben Kinmont: Open by Chance & Appointment,” in the publication Sans Niveau ni Mètre: Journal du Cabinet du Livre d’Artiste, bi-fold newspaper, includes a reprinting of a poem and engraving from Benjamin Spencer’s Chrysomeson, a golden meme (London, 1659) from the Kinmont collection of 17th-century radical English literature

2016 · Bi-fold newspaper, printed in black ink

sheet: 16 1/2 × 11 3/4" (41.9 × 29.8 cm)

Museum of Modern Art

Proof for broadside The Antinomian Press: Sometimes you must close a door to enter another room, Sebastopol: The Antinomian Press, 22 March 2016

2016 · Printed in black and red ink on white paper, with pencil additions

sheet: 8 1/2 × 11" (21.6 × 27.9 cm)

Museum of Modern Art

Broadside: The Antinomian Press: Sometimes you must close a door to enter another room. Sebastopol: The Antinomian Press, 22 March 2016

2016 · Letterpress broadside printed in black and red ink on cream-colored paper with ornamental borders and one reproduction of an engraving

sheet: 16 × 20" (40.6 × 50.8 cm)

Museum of Modern Art

Broadside: Ben Kinmont, Bookseller California Book Fair 2016. Sebastopol: Antinomian Press, 2016. Broadside for the 2016 California International Antiquarian Book Fair at the Pasadena Convention Center

2016 · Broadside digitally printed in black ink with color reproductions of watercolor graphs, printed on glossy photo paper

sheet: 17 × 11" (43.2 × 27.9 cm)

Museum of Modern Art

Book: Student Series: MAE, Université Rennes 2 or, a history of curatorial practices that never occurred. [Rennes:] Antinomian Press, [18 April] 3016 [2016]

2016 · Artist's book with thirty-eight leaves with one black and white reproduction, stapled in the upper left-hand corner

Museum of Modern Art

Book: Gastronomy List Fall 2016. [South Freeport: Antinomian Press, 2016.]

2016 · Artist's book, offset printed

7 1/2 × 5" (19.1 × 12.7 cm)

Museum of Modern Art

Steel-backed photopolymer printing plate used for the making of the broadside The Antinomian Press: Sometimes you must close a door to enter another room. Sebastopol: The Antinomian Press, 22 March 2016

2016 · Steel-baked photopolymer printing plate

plate: 11 1/4 × 15 1/2" (28.6 × 39.4 cm)

Museum of Modern Art

Book: Inventory List: I am for you archive. [Paris: Antinomian Press, 16 April 2016]

2016 · Artist's book with fifteen sheets of paper stapled in the upper left corner

8 1/4 × 11 3/4" (21 × 29.8 cm)

Museum of Modern Art

Book: The Antinomian Press. Sebastopol: [Antinomian Press], 2016

2016 · Artist's book, letterpress printed, with numerous illustrations and ornaments in the text with a corrigenda slip with corrections laid in

book: 7 1/2 × 5" (19.1 × 12.7 cm); corrigenda: 1 1/4 × 3 1/4" (3.2 × 8.3 cm)

Museum of Modern Art

Mock-up for Ben Kinmont, Bookseller California Book Fair 2016. Sebastopol: Antinomian Press, 2016, book fair list and graphs pasted onto the verso of a copy of the [Drop title:] A Discourse on …malt liquors. 1783 broadside (a photograph of a handwritten book fair list printed on glossy paper) from 2013

2016 · Printed in black ink on white paper with watercolor and pencil additions

sheet: 17 × 11" (43.2 × 27.9 cm)

Museum of Modern Art

2016 · Broadside digitally printed with color reproductions of watercolor graphs and ink additions

sheet: 17 × 11" (43.2 × 27.9 cm)

Museum of Modern Art

Broadside: An exhibition in your mouth. [Sebastopol]: Antinomian Press, 20 August 2015

2015 · Letterpress (recto and verso) with stapled fabric and sandpaper

sheet: 16 3/4 × 13 3/4" (42.5 × 34.9 cm)

Museum of Modern Art

Two steel-backed photopolymer printing plates used to make the broadside An exhibition in your mouth. [Sebastopol]: Antinomian Press, 20 August 2015

2015 · Two steel-backed photopolymer printing plates

plate (each): 14 1/2 × 5" (36.8 × 12.7 cm)

Museum of Modern Art

Two steel-backed photopolymer printing plates used to print the wrappers for Open by chance & appointment. Sebastopol: [Antinomian Press], 2015

2015 · Two steel-backed photopolymer printing plates

plate (each): 11 1/4 × 20 1/2" (28.6 × 52.1 cm)

Museum of Modern Art

Mock-up for the broadside Ben Kinmont, Bookseller antiquarian gastronomy [Sebastopol: Antinomian Press], 28 March 2015

2015 · Ink and pencil on four sheets of taped paper

overall: 21 1/2 × 16 3/4" (54.6 × 42.5 cm); sheet (each): 11 × 8 1/2" (27.9 × 21.6 cm)

Museum of Modern Art

Steel-backed photopolymer printing plate used to make the broadside Ben Kinmont, Bookseller antiquarian gastronomy. [Sebastopol: Antinomian Press], 28 March 2015

2015 · Steel-backed photopolymer printing plate

plate: 16 × 13 3/4" (40.6 × 34.9 cm)

Museum of Modern Art

Decorative blue and green wrapper for Open by chance & appointment. Sebastopol: [Antinomian Press], 2015

2015 · Letterpress

sheet: 7 1/2 × 18 1/2" (19.1 × 47 cm)

Museum of Modern Art

Broadside: Ben Kinmont, Bookseller antiquarian gastronomy. [Sebastopol: Antinomian Press], 28 March 2015. Broadside for the 2015 New York Antiquarian Book Fair

2015 · Letterpress broadside

sheet: 20 3/4 × 16 1/2" (52.7 × 41.9 cm)

Museum of Modern Art

Proof for the broadside Ben Kinmont, Bookseller antiquarian gastronomy. [Sebastopol: Antinomian Press], 28 March 2015

2015 · Letterpress broadside

sheet: 20 3/4 × 16 1/2" (52.7 × 41.9 cm)

Museum of Modern Art

Book: Open by chance & appointment. Sebastopol: [Antinomian Press], 2015 with a business card from the Depot Street location laid in

2015 · Artist's book, letterpress printed, with digitally-printed color reproductions and business card

book: 7 1/2 × 5" (19.1 × 12.7 cm); business card: 3 1/2 × 2 1/4" (8.9 × 5.7 cm)

Museum of Modern Art

Proof of wrapper for Gastronomy. A Catalogue of books & manuscripts on cookery…c. 1530-2013….Catalogue fourteen (2014)

2014 · Ink on cardstock

sheet: 7 1/2 × 10 1/2" (19.1 × 26.7 cm)

Museum of Modern Art

“K

“Ben Kinmont,” printout of online article in Art Forum, text by Kinmont as told to Lauren O’Neill-Butler, dated 7 May 2014, regarding the project Sshhh and mentioning the Antinomian Press

2014 · Printed online article on two sheets of paper, stapled in the upper left-hand corner

11 × 8 1/2" (27.9 × 21.6 cm)

Museum of Modern Art

Book: Menjivar, Mark, ed. Ben Kinmont & Mark Menjivar: PSU Art and Social Practice Reference Points. Portland: Portland State University Art and Social Practice Program, [2014]

2014 · Artist's book with frontispiece and twenty-three illustrations

7 × 5" (17.8 × 12.7 cm)

Museum of Modern Art

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