Artworks · Barbara Kruger

Untitled (No Comment)

2020 · Three-channel video installation, color, with sound; 9 min. 25 sec.

Dimension variable

Art Institute of Chicago

Untitled from Art Against Immigration Ban Letter Portfolio

2017 · One from a portfolio of nine digital prints

composition: 10 9/16 × 8 1/16" (26.8 × 20.4 cm); sheet: 11 × 8 1/2" (27.9 × 21.6 cm)

Museum of Modern Art

We Will No Longer Be Seen and Not Heard

1992 · Lithograph on aluminum foil collé

sheet: 20 x 13 in. (50.8 x 33 cm)

The Metropolitan Museum of Art

My Pretty Pony

1989 · Artist's book (trade)

20 × 11 7/8 in. (50.8 × 30.2 cm)

The Metropolitan Museum of Art

Untitled (Printed Matter Matters)

1989 · Photolithograph, offset printed and engraved typography

plate 23 5/16 x 21 1/4" (59.2 x 54 cm)

Museum of Modern Art

Have Me Feed Me Hug Me Love Me Need Me

1988 · Lenticular photograph

Each panel: 44.2 × 36.1 cm (17 7/16 × 14 1/4 in.); Overall: 49.3 × 303.1 × 27.3 cm (19 7/16 × 119 3/8 × 10 3/4 in.)

Art Institute of Chicago

Double page plate (folios 30 verso and 31) from My Pretty Pony

1988 · Screenprint from an illustrated book with nine screenprints (one with lithograph), eight lithographs, and stainless steel cover with digital clock

page (each): 20 × 13 1/2" (50.8 × 34.3 cm); overall (closed): 20 1/4 × 13 7/8 × 1 1/8" (51.5 × 35.3 × 2.9 cm)

Museum of Modern Art

Double page plate with colophon (folio 32 verso and endpaper) from My Pretty Pony

1988 · Screenprint from an illustrated book with nine screenprints (one with lithograph), eight lithographs, and stainless steel cover with digital clock

page (each): 20 × 13 1/2" (50.8 × 34.3 cm); overall (closed): 20 1/4 × 13 7/8 × 1 1/8" (51.5 × 35.3 × 2.9 cm)

Museum of Modern Art

Double page plate (folios 1 verso and 2) from My Pretty Pony

1988 · Screenprint from an illustrated book with nine screenprints (one with lithograph), eight lithographs, and stainless steel cover with digital clock

page (each): 20 × 13 1/2" (50.8 × 34.3 cm); overall (closed): 20 1/4 × 13 7/8 × 1 1/8" (51.5 × 35.3 × 2.9 cm)

Museum of Modern Art

Double page plate (folios 2 verso and 3) from My Pretty Pony

1988 · Screenprint and lithograph from an illustrated book with nine screenprints (one with lithograph), eight lithographs, and stainless steel cover with digital clock

page (each): 20 × 13 1/2" (50.8 × 34.3 cm); overall (closed): 20 1/4 × 13 7/8 × 1 1/8" (51.5 × 35.3 × 2.9 cm)

Museum of Modern Art

Plate (folio 9) from My Pretty Pony

1988 · Lithograph from an illustrated book with nine screenprints (one with lithograph), eight lithographs, and stainless steel cover with digital clock

page (each): 20 × 13 1/2" (50.8 × 34.3 cm); overall (closed): 20 1/4 × 13 7/8 × 1 1/8" (51.5 × 35.3 × 2.9 cm)

Museum of Modern Art

Plate (folio 12) from My Pretty Pony

1988 · Lithograph from an illustrated book with nine screenprints (one with lithograph), eight lithographs, and stainless steel cover with digital clock

page (each): 20 × 13 1/2" (50.8 × 34.3 cm); overall (closed): 20 1/4 × 13 7/8 × 1 1/8" (51.5 × 35.3 × 2.9 cm)

Museum of Modern Art

Plate (folio 14) from My Pretty Pony

1988 · Screenprint from an illustrated book with nine screenprints (one with lithograph), eight lithographs, and stainless steel cover with digital clock

page (each): 20 × 13 1/2" (50.8 × 34.3 cm); overall (closed): 20 1/4 × 13 7/8 × 1 1/8" (51.5 × 35.3 × 2.9 cm)

Museum of Modern Art

Double page plate (folios 14 verso and 15) from My Pretty Pony

1988 · Screenprint from an illustrated book with nine screenprints (one with lithograph), eight lithographs, and stainless steel cover with digital clock

page (each): 20 × 13 1/2" (50.8 × 34.3 cm); overall (closed): 20 1/4 × 13 7/8 × 1 1/8" (51.5 × 35.3 × 2.9 cm)

Museum of Modern Art

Plate (folio 17) from My Pretty Pony

1988 · Lithograph from an illustrated book with nine screenprints (one with lithograph), eight lithographs, and stainless steel cover with digital clock

page (each): 20 × 13 1/2" (50.8 × 34.3 cm); overall (closed): 20 1/4 × 13 7/8 × 1 1/8" (51.5 × 35.3 × 2.9 cm)

Museum of Modern Art

Plate (folio 20) from My Pretty Pony

1988 · Lithograph from an illustrated book with nine screenprints (one with lithograph), eight lithographs, and stainless steel cover with digital clock

page (each): 20 × 13 1/2" (50.8 × 34.3 cm); overall (closed): 20 1/4 × 13 7/8 × 1 1/8" (51.5 × 35.3 × 2.9 cm)

Museum of Modern Art

Plate (folio 6) from My Pretty Pony

1988 · Lithograph from an illustrated book with nine screenprints (one with lithograph), eight lithographs, and stainless steel cover with digital clock

page (each): 20 × 13 1/2" (50.8 × 34.3 cm); overall (closed): 20 1/4 × 13 7/8 × 1 1/8" (51.5 × 35.3 × 2.9 cm)

Museum of Modern Art

Double page plate (folios 29 verso and 30) from My Pretty Pony

1988 · Screenprint from an illustrated book with nine screenprints (one with lithograph), eight lithographs, and stainless steel cover with digital clock

page (each): 20 × 13 1/2" (50.8 × 34.3 cm); overall (closed): 20 1/4 × 13 7/8 × 1 1/8" (51.5 × 35.3 × 2.9 cm)

Museum of Modern Art

Plate (folio 26) from My Pretty Pony

1988 · Lithograph from an illustrated book with nine screenprints (one with lithograph), eight lithographs, and stainless steel cover with digital clock

page (each): 20 × 13 1/2" (50.8 × 34.3 cm); overall (closed): 20 1/4 × 13 7/8 × 1 1/8" (51.5 × 35.3 × 2.9 cm)

Museum of Modern Art

Plate (folio 29) from My Pretty Pony

1988 · Lithograph from an illustrated book with nine screenprints (one with lithograph), eight lithographs, and stainless steel cover with digital clock

page (each): 20 × 13 1/2" (50.8 × 34.3 cm); overall (closed): 20 1/4 × 13 7/8 × 1 1/8" (51.5 × 35.3 × 2.9 cm)

Museum of Modern Art

Double page plate (folios 31 verso and 32) from My Pretty Pony

1988 · Screenprint from an illustrated book with nine screenprints (one with lithograph), eight lithographs, and stainless steel cover with digital clock

page (each): 20 × 13 1/2" (50.8 × 34.3 cm); overall (closed): 20 1/4 × 13 7/8 × 1 1/8" (51.5 × 35.3 × 2.9 cm)

Museum of Modern Art

Double page plate (front endpaper and folio 1) from My Pretty Pony

1988 · Screenprint from an illustrated book with nine screenprints (one with lithograph), eight lithographs, and stainless steel cover with digital clock

page (each): 20 × 13 1/2" (50.8 × 34.3 cm); overall (closed): 20 1/4 × 13 7/8 × 1 1/8" (51.5 × 35.3 × 2.9 cm)

Museum of Modern Art

Plate (folio 23) from My Pretty Pony

1988 · Lithograph from an illustrated book with nine screenprints (one with lithograph), eight lithographs, and stainless steel cover with digital clock

page (each): 20 × 13 1/2" (50.8 × 34.3 cm); overall (closed): 20 1/4 × 13 7/8 × 1 1/8" (51.5 × 35.3 × 2.9 cm)

Museum of Modern Art

My Pretty Pony

1988 · Illustrated book with nine screenprints (one with lithograph), eight lithographs, and stainless steel cover with digital clock

page (each): 20 × 13 1/2" (50.8 × 34.3 cm); overall (closed): 20 1/4 × 13 7/8 × 1 1/8" (51.5 × 35.3 × 2.9 cm)

Museum of Modern Art

Untitled (Blue/Red)

1987 · Lenticular photograph

Image, seen: 47.2 × 47.2 cm (18 5/8 × 18 5/8 in.)

Art Institute of Chicago

Untitled (I shop therefore I am)

1987 · Single-channel video on LED panel, sound; 57 sec.;

350 × 350 cm (137 7/8 × 137 7/8 in.)

Art Institute of Chicago

Untitled (We Will No Longer Be Seen and Not Heard)

1985 · Portfolio of nine offset lithographs and screenprints (seven with lithograph, one with chine collé, and one with embossing)

composition and sheet (each): 20 1/2 x 20 1/2" (52.1 x 52.1 cm)

Museum of Modern Art

Untitled from Untitled (We Will No Longer Be Seen and Not Heard)

1985 · Offset lithograph and screenprint with lithograph from a portfolio of nine offset lithographs and screenprints (seven with lithograph, one with chine collé, and one with embossing)

composition and sheet: 20 1/2 × 20 1/2" (52.1 × 52.1 cm)

Museum of Modern Art

Untitled from Untitled (We Will No Longer Be Seen and Not Heard)

1985 · Offset lithograph and screenprint with lithograph from a portfolio of nine offset lithographs and screenprints (seven with lithograph, one with chine collé, and one with embossing)

composition and sheet: 20 1/2 × 20 1/2" (52.1 × 52.1 cm)

Museum of Modern Art

Untitled from Untitled (We Will No Longer Be Seen and Not Heard)

1985 · Offset lithograph and screenprint with lithograph from a portfolio of nine offset lithographs and screenprints (seven with lithograph, one with chine collé, and one with embossing)

composition and sheet: 20 1/2 × 20 1/2" (52.1 × 52.1 cm)

Museum of Modern Art

Untitled from Untitled (We Will No Longer Be Seen and Not Heard)

1985 · Offset lithograph and screenprint from a portfolio of nine offset lithographs and screenprints (seven with lithograph, one with chine collé, and one with embossing)

composition and sheet: 20 1/2 × 20 1/2" (52.1 × 52.1 cm)

Museum of Modern Art

Untitled from Untitled (We Will No Longer Be Seen and Not Heard)

1985 · Offset lithograph and screenprint with lithograph and chine collé from a portfolio of nine offset lithographs and screenprints (seven with lithograph, one with chine collé, and one with embossing)

composition and sheet: 20 1/2 × 20 1/2" (52.1 × 52.1 cm)

Museum of Modern Art

Untitled from Untitled (We Will No Longer Be Seen and Not Heard)

1985 · Offset lithograph and screenprint with lithograph and embossing from a portfolio of nine offset lithographs and screenprints (seven with lithograph, one with chine collé, and one with embossing)

composition and sheet: 20 1/2 × 20 1/2" (52.1 × 52.1 cm)

Museum of Modern Art

Untitled from Untitled (We Will No Longer Be Seen and Not Heard)

1985 · Offset lithograph and screenprint from a portfolio of nine offset lithographs and screenprints (seven with lithograph, one with chine collé, and one with embossing)

composition and sheet: 20 1/2 × 20 1/2" (52.1 × 52.1 cm)

Museum of Modern Art

Untitled from Untitled (We Will No Longer Be Seen and Not Heard)

1985 · Offset lithograph and screenprint with lithograph from a portfolio of nine offset lithographs and screenprints (seven with lithograph, one with chine collé, and one with embossing)

composition and sheet: 20 1/2 × 20 1/2" (52.1 × 52.1 cm)

Museum of Modern Art

Untitled from Untitled (We Will No Longer Be Seen and Not Heard)

1985 · Offset lithograph and screenprint with lithograph from a portfolio of nine offset lithographs and screenprints (seven with lithograph, one with chine collé, and one with embossing)

composition and sheet: 20 1/2 × 20 1/2" (52.1 × 52.1 cm)

Museum of Modern Art

Untitled (Your Seeing Is Believing)

1984 · Gelatin silver print

Image: 114.3 × 248.9 cm (45 × 98 in.) Frame: 129.9 × 263.2 × 5.1 cm (51 1/8 in. × 8 ft. 7 5/8 in. × 2 in.)

The Metropolitan Museum of Art

We Will Not Become What We Mean to You

1983 · Gelatin silver print

184 × 121 × 5 cm (72 1/2 × 48 × 2 in.)

Art Institute of Chicago

Untitled (You Invest in the Divinity of the Masterpiece)

1982 · Gelatin silver print, mounted and framed

71 3/4 x 45 5/8" (182.2 x 115.8 cm)

Museum of Modern Art

Untitled (Perfect)

1980 · Collage of self-adhesive vinyl letters and frosted mylar, cut-and-tipped to gelatin silverprint

94 × 89 cm (37 1/16 × 35 1/16 in.)

Art Institute of Chicago