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← Aubrey Beardsley
Artworks · Aubrey Beardsley
22 of 23 artworks · page 1 of 1
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Panel
1901 · Cotton, plain weave; block printed
155.6 × 116.2 cm (61 1/2 × 45 3/4 in.); Warp repeat: H.: 107 cm (42 1/8 in.)
Art Institute of Chicago
The Yellow Book, Vol. XI: Sold Here
1896 · Letterpress and lithography
15 3/8 x 11 7/16" (39 x 29 cm)
Museum of Modern Art
Frontispiece to Chopin’s Third Ballade
1895 · Ink and wash on paper
support: 260 x 245 mm
Tate
Messalina and her Companion
1895 · Graphite, ink and watercolour on paper
support: 279 x 178 mm
Tate
Isolde
1895 · color lithograph
Image: 22.8 x 14.2 cm (9 x 5 9/16 in.); Sheet: 28.5 x 20.4 cm (11 1/4 x 8 1/16 in.)
Cleveland Museum of Art
The Fat Woman
1894 · Ink on paper
support: 178 x 162 mm frame: 550 x 367 x 21 mm
Tate
La Dame aux Camelias
1894 · Ink and watercolour on paper
support: 279 x 181 mm
Tate
Design for the Frontispiece to John Davidson’s Plays
1894 · Ink and graphite on paper
support: 286 x 187 mm
Tate
Cover Design for the ‘Yellow Book’
1894 · Ink on paper
support: 260 x 216 mm
Tate
Caprice. Verso: Masked Woman with a White Mouse
1894 · Oil paint on canvas
support: 762 x 635 mm frame: 940 x 815 x 80 mm
Tate
Avenue Theater, A Comedy of Sighs!
1894 · Lithograph and letterpress
30 x 20" (76.1 x 50.8 cm)
Museum of Modern Art
Study for How a Devil in Woman's Likeness Would Have Tempted Sir Bors
1893 · Pen and black ink, with brush and black wash, over graphite, on tan wove paper
26.5 × 38.9 cm (10 7/16 × 15 3/8 in.)
Art Institute of Chicago
Professor Fred Brown
1892 · Graphite and ink on paper
support: 254 x 254 mm
Tate
Man with Skull
1892 · Pen and ink on ivory wove paper
8.6 × 7.6 cm (3 7/16 × 3 in.)
Art Institute of Chicago
Portrait of Whistler in Spanish 17th Century Costume
1892 · Pen and black ink, on ivory wove paper
7.8 × 8.5 cm (3 1/8 × 3 3/8 in.)
Art Institute of Chicago
Decorative Study: Woman with Sunflowers
1892 · Pen and black ink, with brush and black wash, over traces of graphite, on ivory wove paper
12.8 × 8.5 cm (5 1/16 × 3 3/8 in.)
Art Institute of Chicago
Decorative Study: Two Angels
1892 · Pen and black ink, with brush and black wash, over traces of graphite, on ivory wove paper
14.3 × 9.6 cm (5 11/16 × 3 13/16 in.)
Art Institute of Chicago
The Toilet, from The Rape of the Lock by Alexander Pope
1890 · pen and black ink with traces of graphite underdrawing
Sheet: 25.6 x 17.4 cm (10 1/16 x 6 7/8 in.)
Cleveland Museum of Art
Virgilius the Sorcerer
1888 · Pen and brush and black ink, over traces of graphite, on ivory wove paper, laid down on board
23.3 × 14.3 cm (9 3/16 × 5 11/16 in.)
Art Institute of Chicago
Withered Spring
1872 · pen and black ink heightened with white over graphite
image: 39.2 x 22.3 cm (15 7/16 x 8 3/4 in.) sheet: 42.2 x 25.2 cm (16 5/8 x 9 15/16 in.) mat: 55.9 x 40.6 cm (22 x 16 in.)
National Gallery of Art
Tannhäuser
1872 · pen and black ink with gray wash heightened with white
overall: 18.5 x 18.7 cm (7 5/16 x 7 3/8 in.)
National Gallery of Art
Caricature of J.M. Whistler
1872 · pen and black ink on wove paper
overall: 21.1 x 11.8 cm (8 5/16 x 4 5/8 in.)
National Gallery of Art