Artworks · Aubrey Beardsley

Panel

1901 · Cotton, plain weave; block printed

155.6 × 116.2 cm (61 1/2 × 45 3/4 in.); Warp repeat: H.: 107 cm (42 1/8 in.)

Art Institute of Chicago

The Yellow Book, Vol. XI: Sold Here

1896 · Letterpress and lithography

15 3/8 x 11 7/16" (39 x 29 cm)

Museum of Modern Art

Frontispiece to Chopin’s Third Ballade

1895 · Ink and wash on paper

support: 260 x 245 mm

Tate

Messalina and her Companion

1895 · Graphite, ink and watercolour on paper

support: 279 x 178 mm

Tate

Isolde

1895 · color lithograph

Image: 22.8 x 14.2 cm (9 x 5 9/16 in.); Sheet: 28.5 x 20.4 cm (11 1/4 x 8 1/16 in.)

Cleveland Museum of Art

The Fat Woman

1894 · Ink on paper

support: 178 x 162 mm frame: 550 x 367 x 21 mm

Tate

La Dame aux Camelias

1894 · Ink and watercolour on paper

support: 279 x 181 mm

Tate

Design for the Frontispiece to John Davidson’s Plays

1894 · Ink and graphite on paper

support: 286 x 187 mm

Tate

Cover Design for the ‘Yellow Book’

1894 · Ink on paper

support: 260 x 216 mm

Tate

Caprice. Verso: Masked Woman with a White Mouse

1894 · Oil paint on canvas

support: 762 x 635 mm frame: 940 x 815 x 80 mm

Tate

Children's Books

1894 · Lithograph

30 x 20" (76.0 x 50.7 cm)

Museum of Modern Art

Avenue Theater, A Comedy of Sighs!

1894 · Lithograph and letterpress

30 x 20" (76.1 x 50.8 cm)

Museum of Modern Art

Study for How a Devil in Woman's Likeness Would Have Tempted Sir Bors

1893 · Pen and black ink, with brush and black wash, over graphite, on tan wove paper

26.5 × 38.9 cm (10 7/16 × 15 3/8 in.)

Art Institute of Chicago

Professor Fred Brown

1892 · Graphite and ink on paper

support: 254 x 254 mm

Tate

Man with Skull

1892 · Pen and ink on ivory wove paper

8.6 × 7.6 cm (3 7/16 × 3 in.)

Art Institute of Chicago

Portrait of Whistler in Spanish 17th Century Costume

1892 · Pen and black ink, on ivory wove paper

7.8 × 8.5 cm (3 1/8 × 3 3/8 in.)

Art Institute of Chicago

Decorative Study: Woman with Sunflowers

1892 · Pen and black ink, with brush and black wash, over traces of graphite, on ivory wove paper

12.8 × 8.5 cm (5 1/16 × 3 3/8 in.)

Art Institute of Chicago

Decorative Study: Two Angels

1892 · Pen and black ink, with brush and black wash, over traces of graphite, on ivory wove paper

14.3 × 9.6 cm (5 11/16 × 3 13/16 in.)

Art Institute of Chicago

The Toilet, from The Rape of the Lock by Alexander Pope

1890 · pen and black ink with traces of graphite underdrawing

Sheet: 25.6 x 17.4 cm (10 1/16 x 6 7/8 in.)

Cleveland Museum of Art

Virgilius the Sorcerer

1888 · Pen and brush and black ink, over traces of graphite, on ivory wove paper, laid down on board

23.3 × 14.3 cm (9 3/16 × 5 11/16 in.)

Art Institute of Chicago

Withered Spring

1872 · pen and black ink heightened with white over graphite

image: 39.2 x 22.3 cm (15 7/16 x 8 3/4 in.) sheet: 42.2 x 25.2 cm (16 5/8 x 9 15/16 in.) mat: 55.9 x 40.6 cm (22 x 16 in.)

National Gallery of Art

Tannhäuser

1872 · pen and black ink with gray wash heightened with white

overall: 18.5 x 18.7 cm (7 5/16 x 7 3/8 in.)

National Gallery of Art

Caricature of J.M. Whistler

1872 · pen and black ink on wove paper

overall: 21.1 x 11.8 cm (8 5/16 x 4 5/8 in.)

National Gallery of Art