Artworks · André Derain

94 of 618 artworks · page 1 of 2

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Plate (folio 12) from Hommage à Roger Lacourière

1968 · Etching from an illustrated book with twelve etchings (two with aquatint, two with drypoint, one with aquatint and drypoint) and one drypoint

plate: 5 13/16 × 7 9/16" (14.8 × 19.2 cm); page: 9 1/4 × 11 7/16" (23.5 × 29 cm)

Museum of Modern Art

Variant of Figure from Du Cubisme (On Cubism)

1947 · Etching and engraving with roulette from the supplementary suite of an illustrated book with seven etchings (two with engraving, one with drypoint, one with both), three drypoints, two aquatint and engravings, and a supplementary suite of twenty-two plates

plate: 6 15/16 × 5 1/8" (17.7 × 13 cm); sheet: 9 15/16 × 7 1/4" (25.3 × 18.4 cm)

Museum of Modern Art

Duplicate of Figure from Du Cubisme (On Cubism)

plate: 6 15/16 × 5 1/8" (17.7 × 13 cm); sheet: 9 15/16 × 7 7/16" (25.3 × 18.9 cm)

Museum of Modern Art

Figure (plate, page 13) from Du Cubisme (On Cubism)

1947 · Etching and engraving with roulette from an illustrated book with seven etchings (two with engraving, one with drypoint, one with both), three drypoints, two aquatint and engravings, and a supplementary suite of twenty-two plates

plate: 7 1/16 × 5 1/8" (17.9 × 13 cm); page (each): 9 13/16 × 8 1/16" (25 × 20.5 cm)

Museum of Modern Art

Gargantua from Pantagruel

1943 · Woodcut

page: 13 1/2 x 11" (34 x 28 cm); composition: 8 11/16 x 7 5/8" (22.1 x 19.4 cm)

Museum of Modern Art

The Painter and his Family

1939 · Oil paint on canvas

support: 1765 x 1238 mm frame: 1897 x 1360 x 114 mm

Tate

Still Life

1938 · Oil paint on canvas

support: 885 x 1458 mm

Tate

Head of a Girl

1927 · Lithograph on white wove paper

Image: 36 × 31.5 cm (14 3/16 × 12 7/16 in.); Sheet: 50.4 × 38.2 cm (19 7/8 × 15 1/16 in.)

Art Institute of Chicago

Seated Nude, Back Turned

1927 · Lithograph

composition: 11 15/16 x 8 1/8" (30.4 x 20.7 cm); sheet: 18 1/16 x 14 1/8" (45.8 x 35.8 cm)

Museum of Modern Art

Woman Resting Her Head on Her Hand from the portfolio Metamorphoses

1927 · Lithograph

composition: 12 3/8 x 13 3/4" (31.4 x 35 cm)

Museum of Modern Art

Head of a Woman in Profile from the portfolio Metamorphoses

1927 · Lithograph

composition: 12 9/16 x 13 15/16" (31.9 x 35.4 cm)

Museum of Modern Art

Head of a Girl With Black Hair (Femme avec cheveux noir) from Metamorphoses

1927 · Lithograph

composition: 17 13/16 x 14 1/2" (45.2 x 36.8cm)

Museum of Modern Art

Head of a Woman from the portfolio Metamorphoses

1927 · Lithograph

composition: 14 3/16 x 11 9/16" (36.1 x 29.4 cm)

Museum of Modern Art

Childerly Chapel Photograph Album

1926 · One bound album of black and white photographic prints.

1 box: W.: 7.7 cm (3 in.)

Art Institute of Chicago

Landscape in Provence

1925 · Oil on cradled panel

37.8 × 55 cm (14 7/8 × 21 5/8 in.)

Art Institute of Chicago

Ballet Dancer

1925 · Oil on canvas

45.6 × 37 cm (17 15/16 × 14 9/16 in.)

Art Institute of Chicago

Landscape near Barbizon

1922 · Oil paint on canvas

support: 708 x 727 mm

Tate

Still Life with Apples

1921 · Sanguine chalk and pencil on paper

18 7/8 x 25 1/8" (47.9 x 63.8 cm)

Museum of Modern Art

Grapes

1920 · Oil on canvas

25 × 44.1 cm (9 7/8 × 17 3/8 in.)

Art Institute of Chicago

Fountain

1920 · Oil on panel

27.6 × 34.9 cm (10 7/8 × 13 3/4 in.)

Art Institute of Chicago

Pierrot

1920 · Pen and black ink on cream wove paper

36.6 × 25.4 cm (14 7/16 × 10 in.)

Art Institute of Chicago

Bust of a Woman

1920 · Red Conté crayon, with stumping on cream laid paper

60.6 × 49.3 cm (23 7/8 × 19 7/16 in.)

Art Institute of Chicago

Woman's Head

1920 · Drypoint

composition: 7 x 5 1/8" (17.8 x 13 cm); sheet: 12 11/16 x 9 13/16" (32.2 x 25 cm)

Museum of Modern Art

Seated Nude

1920 · Red crayon on paper

24 3/8 x 18 1/8" (61.9 x 46 cm)

Museum of Modern Art

Madame Derain in a White Shawl

1919 · Oil paint on canvas

support: 1955 x 975 mm frame: 2125 x 1136 x 62 mm

Tate

Ballade du pauvre macchabé mal enterré (Ballad of the Unfortunate Corpse Badly Buried)

1919 · Illustrated book with six woodcuts

28.6 × 31.8 × 1.3 cm (11 5/16 × 12 9/16 × 9/16 in.)

Art Institute of Chicago

Landscape

1915 · Oil on panel

58.8 × 71.4 cm (23 1/8 × 28 1/8 in.)

Art Institute of Chicago

Window at Vers

1912 · Oil on canvas

51 1/2 x 35 1/4" (130.8 x 89.5 cm)

Museum of Modern Art

Two Nudes in a Landscape

1912 · Drypoint

plate: 4 1/2 x 4 5/16" (11.5 x 11 cm); sheet: 7 1/2 x 9 5/8" (19 x 24.5 cm)

Museum of Modern Art

The Last Supper

1912 · Drypoint

plate: 19 7/16 x 13 11/16" (49.4 x 34.8 cm); sheet: 25 3/8 x 18 13/16" (64.4 x 47.8 cm)

Museum of Modern Art

Sketch for ‘The Old Bridge at Cagnes’

1910 · Graphite and watercolour on paper

support: 197 x 222 mm

Tate

Female Nude

1910 · Pen and black ink on ivory wove paper, partially discolored to cream

48.2 × 31.9 cm (19 × 12 9/16 in.)

Art Institute of Chicago

Landscape with Cypress Trees

1910 · Watercolor on cream wove paper

31.7 × 48.2 cm (12 1/2 × 19 in.)

Art Institute of Chicago

Cagnes

1910 · Oil on canvas

54.8 × 76.4 cm (21 9/16 × 30 1/16 in.)

Art Institute of Chicago

Head of a Woman

1910 · Drypoint

plate: 12 3/8 x 8 9/16" (31.5 x 21.8 cm); sheet: 17 5/8 x 13 3/8" (44.7 x 33.9 cm)

Plate (folio 23) from L'Enchanteur pourrissant

1909 · One from an illustrated book with thirty-two woodcuts

composition (irreg.): 8 3/8 x 6 5/8" (21.3 x 16.9cm); page: 10 7/16 x 7 7/8" (26.5 x 20 cm)

Museum of Modern Art

Plate (folio 20) from L'Enchanteur pourrissant

1909 · One from an illustrated book with thirty-two woodcuts

composition (irreg.): 6 5/8 x 5 7/16" (16.8 x 13.8cm); page: 10 7/16 x 7 7/8" (26.5 x 20 cm)

Museum of Modern Art

Headpiece and pictorial initial (folio 4) from L'Enchanteur pourrissant

1909 · Two from an illustrated book with thirty-two woodcuts

composition (headpiece): 11/16 x 4 1/8" (1.7 x 10.5 cm); composition (initial): 1 5/8 x 2 3/4" (4.2 x 7cm); page: 10 3/8 x 7 7/8" (26.5 x 20 cm)

Museum of Modern Art

Pictorial initial (folio 21) from L'Enchanteur pourrissant

1909 · One from an illustrated book with thirty-two woodcuts

composition (irreg.): 5 3/16 x 1 5/8" (13.1 x 4.2cm); page: 10 7/16 x 7 7/8" (26.5 x 20 cm)

Museum of Modern Art

Tailpiece (folio 25 verso) from L'Enchanteur pourrissant

1909 · One from an illustrated book with thirty-two woodcuts

composition (irreg.): 1 15/16 x 3 5/8" (4.9 x 9.2cm); page: 10 7/16 x 7 7/8" (26.5 x 20 cm)

Museum of Modern Art

Pictorial initial (folio 27) from L'Enchanteur pourrissant

1909 · One from an illustrated book with thirty-two woodcuts

composition (irreg.): 3 1/8 x 1 5/8" (7.9 x 4.2cm); page: 10 7/16 x 7 7/8" (26.5 x 20 cm)

Museum of Modern Art

Plate (folio 26) from L'Enchanteur pourrissant

1909 · One from an illustrated book with thirty-two woodcuts

composition (irreg.): 8 1/4 x 6 15/16" (21 x 17.7cm); page: 10 7/16 x 7 7/8" (26.5 x 20 cm)

Museum of Modern Art

Pictorial initial (folio 30) from L'Enchanteur pourrissant

1909 · One from an illustrated book with thirty-two woodcuts

composition (irreg.): 1 5/8 x 1 7/8" (4.2 x 4.7cm); page: 10 7/16 x 7 7/8" (26.5 x 20 cm)

Museum of Modern Art

Plate (folio 29) from L'Enchanteur pourrissant

1909 · One from an illustrated book with thirty-two woodcuts

composition (irreg.): 8 3/16 x 6 1/2" (20.8 x 16.5cm); page: 10 7/16 x 7 7/8" (26.5 x 20 cm)

Museum of Modern Art

In-text plate (folio 28) from L'Enchanteur pourrissant

1909 · One from an illustrated book with thirty-two woodcuts

composition (irreg.): 5 1/16 x 5 5/8" (12.9 x 14.3cm); page: 10 7/16 x 7 7/8" (26.5 x 20 cm)

Museum of Modern Art

Plate (folio 38) from L'Enchanteur pourrissant

1909 · One from an illustrated book with thirty-two woodcuts

composition (irreg.): 8 11/16 x 6 11/16" (22.1 x 17cm); page: 10 7/16 x 7 7/8" (26.5 x 20 cm)

Museum of Modern Art

In-text plate (folio 34) from L'Enchanteur pourrissant

1909 · One from an illustrated book with thirty-two woodcuts

composition (irreg.): 1 5/8 x 6 1/4" (4.2 x 15.8cm); page: 10 7/16 x 7 7/8" (26.5 x 20 cm)

Museum of Modern Art

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