Artworks · Alphonse Legros

Haunted House

1885 · Etching and drypoint on cream laid paper

Plate: 22.6 × 17.3 cm (8 15/16 × 6 13/16 in.); Sheet: 20.7 × 25.8 cm (8 3/16 × 10 3/16 in.)

Art Institute of Chicago

A Vagabond Walking Along a Lane

1885 · Etching and drypoint on cream laid paper

Plate: 14.1 × 27 cm (5 9/16 × 10 11/16 in.); Sheet: 14.2 × 27.1 cm (5 5/8 × 10 11/16 in.)

Art Institute of Chicago

Job, second plate

1884 · Etching and drypoint on ivory laid paper

Plate: 11.6 × 9.2 cm (4 5/8 × 3 5/8 in.); Sheet: 16 × 12.4 cm (6 5/16 × 4 15/16 in.)

Art Institute of Chicago

John Gray

1883 · Oil paint on canvas

support: 641 x 457 mm frame: 760 x 586 x 53 mm

Tate

Beggar (Le mendiant)

1881 · etching

National Gallery of Art

Beggar with Crutches

1881 · Etching on ivory laid paper

Plate: 22.5 × 17 cm (8 7/8 × 6 3/4 in.); Sheet: 34.5 × 28.9 cm (13 5/8 × 11 7/16 in.)

Art Institute of Chicago

Self-Portrait, 3rd plate

1880 · etching? and drypoint

National Gallery of Art

Self-Portrait, 3rd plate

1880 · etching? and drypoint

National Gallery of Art

Along the Riverbank

1880 · Etching and drypoint on ivory laid paper

Plate: 17.5 × 21.5 cm (6 15/16 × 8 1/2 in.); Sheet: 23.9 × 27.1 cm (9 7/16 × 10 11/16 in.)

Art Institute of Chicago

Banks of the Saint-Pré

1880 · Etching and drypoint on ivory laid paper

Plate: 17.5 × 15.5 cm (6 15/16 × 6 1/8 in.); Sheet: 20 × 17.6 cm (7 7/8 × 6 15/16 in.)

Art Institute of Chicago

Portrait of the Artist

1880 · Etching and drypoint on light blue laid paper

Plate: 36 × 25.5 cm (14 3/16 × 10 1/16 in.); Sheet: 44.8 × 33.7 cm (17 11/16 × 13 5/16 in.)

Art Institute of Chicago

The Meadow Gate

1880 · Etching and drypoint on ivory laid paper

Plate: 16.7 × 20.6 cm (6 5/8 × 8 1/8 in.); Sheet: 22.3 × 28.9 cm (8 13/16 × 11 7/16 in.)

Art Institute of Chicago

Plain

1880 · Etching and drypoint on ivory laid paper

Plate: 11.8 × 17.8 cm (4 11/16 × 7 1/16 in.); Sheet: 16.5 × 23.7 cm (6 1/2 × 9 3/8 in.)

Art Institute of Chicago

In a Wood

1880 · Drypoint and plate tone on ivory laid paper

Plate: 22.7 × 15.2 cm (8 15/16 × 6 in.); Sheet: 30.1 × 23.7 cm (11 7/8 × 9 3/8 in.)

Art Institute of Chicago

The Abandoned Village

1880 · Etching and drypoint on ivory laid paper

Plate: 11.4 × 20.2 cm (4 1/2 × 8 in.); Sheet: 14.7 × 21.7 cm (5 13/16 × 8 9/16 in.)

Art Institute of Chicago

Portrait of the artist

1880 · Etching and drypoint; third state of four

Sheet: 16 7/8 × 11 7/8 in. (42.8 × 30.2 cm)

The Metropolitan Museum of Art

Studies of Hands

1880 · Metalpoint on prepared paper

9 3/16 x 13 1/4 in. (23.4 x 33.7 cm)

The Metropolitan Museum of Art

Head

1879 · black chalk on laid paper

overall (approximate): 45.6 x 36.2 cm (17 15/16 x 14 1/4 in.)

National Gallery of Art

Portrait of G. F. Watts, R.A.

1879 · Etching on ivory wove paper

Image/plate: 18.5 × 13.4 cm (7 5/16 × 5 5/16 in.); Sheet: 31.1 × 24.2 cm (12 1/4 × 9 9/16 in.)

Art Institute of Chicago

The Two Heads

1879 · Drypoint and plate tone on cream laid paper

Image/plate: 29.5 × 22.3 cm (11 5/8 × 8 13/16 in.); Sheet: 37 × 28.1 cm (14 5/8 × 11 1/8 in.)

Art Institute of Chicago

Death of the Vagabond

1879 · Etching and aquatint printed in brown on heavy cream wove paper

Image: 53.6 × 38.1 cm (21 1/8 × 15 in.); Plate: 55.4 × 39 cm (21 13/16 × 15 3/8 in.); Sheet: 69.7 × 51.6 cm (27 1/2 × 20 3/8 in.)

Art Institute of Chicago

Landscape with Birch Trees (Le Paysage aux Bouleaux)

1878 · lithograph

National Gallery of Art

Landscape with Birch Trees (Le paysage aux bouleaux)

1878 · lithograph

National Gallery of Art

Landscape with Birch Trees

1878 · Lithograph in black on ivory China paper, laid down on ivory wove paper

Image: 43.9 × 31.1 cm (17 5/16 × 12 1/4 in.); Chine: 44 × 31.5 cm (17 3/8 × 12 7/16 in.); Sheet: 67.7 × 53 cm (26 11/16 × 20 7/8 in.)

Art Institute of Chicago

Pole Fisherman

1878 · Etching, drypoint and plate tone on cream laid paper

Image: 29.3 × 21.8 cm (11 9/16 × 8 5/8 in.); Plate: 30.4 × 22.8 cm (12 × 9 in.); Sheet: 34.4 × 26.9 cm (13 9/16 × 10 5/8 in.)

Art Institute of Chicago

Pole Fisherman

1878 · Etching, drypoint and plate tone on light gray laid paper

Image: 29.3 × 21.9 cm (11 9/16 × 8 5/8 in.); Sheet: 35.6 × 26.3 cm (14 1/16 × 10 3/8 in.)

Art Institute of Chicago

Banks of the Marne

1878 · Etching, drypoint and plate tone on light-green laid paper

Plate: 12 × 17.5 cm (4 3/4 × 6 15/16 in.); Sheet: 15.3 × 28.4 cm (6 1/16 × 11 3/16 in.)

Art Institute of Chicago

Banks of the Yanne (Les Bord de la Yanne)

1877 · etching and drypoint

National Gallery of Art

Craibe Angus

1877 · drypoint

National Gallery of Art

Head of an Old Man (Tête de vieillard)

1877 · etching [aquatint?]

National Gallery of Art

Death and the Woodcutter, 4th plate (La Mort et le bûcheron)

1877 · etching

National Gallery of Art

Corner of a Wood (Coin d'un Bois)

1877 · etching

sheet: 35.5 × 29.4 cm (14 × 11 9/16 in.)

National Gallery of Art

Siesta of a Laborer (Sieste d'un Ouvrier)

1877 · drypoint with etching

sheet: 39 × 28.1 cm (15 3/8 × 11 1/16 in.)

National Gallery of Art

Man Squaring Logs (Homme qui fend des bûches)

1877 · etching and drypoint

sheet: 24.5 × 35 cm (9 5/8 × 13 3/4 in.)

National Gallery of Art

Wayfarer Surprised by a Storm (Le Voyageur surpris par l'Orage)

1877 · etching and drypoint

sheet: 23.9 × 34.2 cm (9 7/16 × 13 7/16 in.)

National Gallery of Art

Banks of the Venelle (Bord de la Venelle)

1877 · etching

sheet: 20.8 × 29.4 cm (8 3/16 × 11 9/16 in.)

National Gallery of Art

Plain (La Plaine)

1877 · drypoint and etching

sheet: 16.8 × 26.3 cm (6 5/8 × 10 3/8 in.)

National Gallery of Art

Sir Edward John Poynter

1877 · etching and drypoint in black on laid paper

plate: 25.7 x 17.1 cm (10 1/8 x 6 3/4 in.) sheet: 35 x 25.8 cm (13 3/4 x 10 3/16 in.)

National Gallery of Art

Corner of a Wood (Coin d'un bois)

1877 · etching

National Gallery of Art

Banks of the Venelle (Bord de la Venelle)

1877 · etching? and drypoint

National Gallery of Art

Head of a Man (Tete d'homme)

1877 · drypoint

National Gallery of Art

Sir E.J. Poynter, P.R.A.

1877 · etching and drypoint?

National Gallery of Art

Siesta of a Laborer (Sieste d'un ouvrier)

1877 · drypoint

National Gallery of Art

Banks of the Yanne (Les bords de la Yanne)

1877 · drypoint and etching?

National Gallery of Art

Death and the Woodcutter, 4th plate (La mort et le bucheron)

1877 · etching and drypoint?

National Gallery of Art

Head of a Man (Tete d'homme)

1877 · drypoint

National Gallery of Art

Le Repas des Pauvres

1877 · Oil paint on canvas

support: 1130 x 1429 mm

Tate

Head of a Man

1877 · Pen and brown ink, over graphite, on ivory wove paper (discolored to cream)

40.7 × 30.2 cm (16 1/16 × 11 15/16 in.)

Art Institute of Chicago