Artworks · Alphonse Legros

The Reapers

1907 · graphite on white prepared paper

overall: 22 x 26.8 cm (8 11/16 x 10 9/16 in.)

National Gallery of Art

Memorial Portrait of Alfred Stevens

1907 · Graphite and chalk on paper

support: 286 x 210 mm

Tate

View over Flat Country

1906 · pen and brown ink with brown wash over graphite on laid paper

overall (approximate): 33.6 x 53.9 cm (13 1/4 x 21 1/4 in.)

National Gallery of Art

Self-Portrait, 13th plate

1906 · etching retouched in ink and crayon

National Gallery of Art

Self-Portrait, 13th plate

1906 · etching retouched with crayon

National Gallery of Art

Head of a Bald Man with a Beard

1906 · pen and brown ink with yellow and brown wash over graphite on laid paper

overall (approximate): 31.2 x 23.8 cm (12 5/16 x 9 3/8 in.)

National Gallery of Art

Phrenology Course, 2nd plate (Le cours de phrenologie)

1906 · etching

National Gallery of Art

Landscape along a Riverbank with a Figure

1905 · brown wash with pen and brown ink over graphite on laid paper

sheet: 13.8 × 31 cm (5 7/16 × 12 3/16 in.)

National Gallery of Art

The Pigeons

1905 · pen and sepia ink over graphite on off-white wove paper

sheet: 9 3/4 x 8 9/16 in. (24.77 x 21.75 cm)

National Gallery of Art

Self-Portrait, Medallion, No.1, 9th plate

1905 · lithograph

National Gallery of Art

Self-Portrait, 10th plate

1905 · lithograph in red

National Gallery of Art

Mountain Landscape with two Figures at the Right

1905 · watercolor over pen and brown ink

overall (approximate): 25.9 x 46.9 cm (10 3/16 x 18 7/16 in.)

National Gallery of Art

The Departure

1905 · pen and brown ink with brown wash over graphite on wove paper

overall (approximate): 26.8 x 22.7 cm (10 9/16 x 8 15/16 in.)

National Gallery of Art

Study of Cupid (Head of a Girl)

1904 · goldpoint on prepared paper

overall: 31.7 x 23.8 cm (12 1/2 x 9 3/8 in.)

National Gallery of Art

Young Peasant (Jeune paysanne)

1904 · lithograph in red

National Gallery of Art

Dr. Louis Vintras

1904 · lithograph in red

National Gallery of Art

Thomas Okey, Esq.

1903 · lithograph in sanguine

National Gallery of Art

Head of a Horse from the Parthenon

1898 · goldpoint with scraping on white commercially prepared paper

overall (approximate): 24 x 29.3 cm (9 7/16 x 11 9/16 in.)

National Gallery of Art

The Hamlet by the Lake

1898 · Etching on ivory laid paper

Plate: 11.9 × 16.1 cm (4 11/16 × 6 3/8 in.); Sheet: 18.1 × 20.4 cm (7 3/16 × 8 1/16 in.)

Art Institute of Chicago

Head of an Old Man

1897 · silverpoint on pink prepared paper

overall (approximate): 32.7 x 24.2 cm (12 7/8 x 9 1/2 in.)

National Gallery of Art

The Footbridge

1895 · Etching and drypoint on ivory wove paper

Plate: 14.1 × 20.5 cm (5 9/16 × 8 1/8 in.); Sheet: 22.7 × 29.5 cm (8 15/16 × 11 5/8 in.)

Art Institute of Chicago

Morning on the River

1895 · Etching on ivory laid paper

Plate: 17.6 × 18 cm (6 15/16 × 7 1/8 in.); Sheet: 21 × 22.9 cm (8 5/16 × 9 1/16 in.)

Art Institute of Chicago

The Plain Near the Lake

1895 · Etching and plate tone on ivory laid paper

Plate: 14.3 × 22.8 cm (5 11/16 × 9 in.); Sheet: 20.5 × 29.5 cm (8 1/8 × 11 5/8 in.)

Art Institute of Chicago

Portrait of the Artist, eighth plate

1895 · Lithograph in black on cream wove paper

Image: 25.6 × 18.6 cm (10 1/8 × 7 3/8 in.); Sheet: 24.5 × 31.7 cm (9 11/16 × 12 1/2 in.)

Art Institute of Chicago

The Mushroom Gatherers

1895 · Etching, drypoint and plate tone on light bluish-gray laid paper

Plate: 9.9 × 22.1 cm (3 15/16 × 8 3/4 in.); Sheet: 15.5 × 26.9 cm (6 1/8 × 10 5/8 in.)

Art Institute of Chicago

Head of a Child

1893 · graphite on laid paper washed green

overall (approximate): 20.5 x 16.6 cm (8 1/16 x 6 9/16 in.)

National Gallery of Art

Portrait of Professor Huxley

1891 · Lithograph in black on light gray China paper, laid down on ivory wove paper

Chine: 29.9 × 22.7 cm (11 13/16 × 8 15/16 in.); Sheet: 42.4 × 31.8 cm (16 3/4 × 12 9/16 in.)

Art Institute of Chicago

Returning with the Hay (Rentrant le Foin)

1890 · etching and drypoint

sheet: 18.3 × 29.4 cm (7 3/16 × 11 9/16 in.)

National Gallery of Art

Returning with the Hay (Rentrant le foin)

1890 · etching and drypoint

National Gallery of Art

Self-Portrait

1890 · goldpoint on prepared paper

overall (approximate): 47.1 x 30.2 cm (18 9/16 x 11 7/8 in.)

National Gallery of Art

Head of a Man Looking Up to the Right

1890 · silverpoint on prepared paper

overall (approximate): 32.1 x 23.9 cm (12 5/8 x 9 7/16 in.)

National Gallery of Art

Portrait of G. F. Watts, R. A., second plate

1889 · Lithograph in black on ivory laid paper

Image: 26.4 × 20 cm (10 7/16 × 7 7/8 in.); Sheet: 36.4 × 24 cm (14 3/8 × 9 1/2 in.)

Art Institute of Chicago

Femmes en Prière

1888 · Oil paint on canvas

support: 1335 x 1770 mm frame: 1750 x 2200 x 150mm

Tate

The Abbey Farm

1888 · Etching and drypoint on buff laid paper

Plate: 21.6 × 28.7 cm (8 9/16 × 11 5/16 in.); Sheet: 26.6 × 35.3 cm (10 1/2 × 13 15/16 in.)

Art Institute of Chicago

The Abbey Farm

1888 · Etching and drypoint on ivory laid paper

Plate: 13.8 × 24.9 cm (5 7/16 × 9 13/16 in.); Sheet: 19.4 × 28.3 cm (7 11/16 × 11 3/16 in.)

Art Institute of Chicago

A Vagabond Walking Along a Lane

1885 · Etching and drypoint on ivory Japanese paper

Image: 14.3 × 27.1 cm (5 11/16 × 10 11/16 in.); Plate: 15 × 27.7 cm (5 15/16 × 10 15/16 in.); Sheet: 17.7 × 30.1 cm (7 × 11 7/8 in.)

Art Institute of Chicago

Haunted House

1885 · Etching and drypoint on cream laid paper

Plate: 22.6 × 17.3 cm (8 15/16 × 6 13/16 in.); Sheet: 20.7 × 25.8 cm (8 3/16 × 10 3/16 in.)

Art Institute of Chicago

A Vagabond Walking Along a Lane

1885 · Etching and drypoint on cream laid paper

Plate: 14.1 × 27 cm (5 9/16 × 10 11/16 in.); Sheet: 14.2 × 27.1 cm (5 5/8 × 10 11/16 in.)

Art Institute of Chicago

Job, second plate

1884 · Etching and drypoint on ivory laid paper

Plate: 11.6 × 9.2 cm (4 5/8 × 3 5/8 in.); Sheet: 16 × 12.4 cm (6 5/16 × 4 15/16 in.)

Art Institute of Chicago

John Gray

1883 · Oil paint on canvas

support: 641 x 457 mm frame: 760 x 586 x 53 mm

Tate

Beggar (Le mendiant)

1881 · etching

National Gallery of Art

Beggar with Crutches

1881 · Etching on ivory laid paper

Plate: 22.5 × 17 cm (8 7/8 × 6 3/4 in.); Sheet: 34.5 × 28.9 cm (13 5/8 × 11 7/16 in.)

Art Institute of Chicago

Self-Portrait, 3rd plate

1880 · etching? and drypoint

National Gallery of Art

Self-Portrait, 3rd plate

1880 · etching? and drypoint

National Gallery of Art

Along the Riverbank

1880 · Etching and drypoint on ivory laid paper

Plate: 17.5 × 21.5 cm (6 15/16 × 8 1/2 in.); Sheet: 23.9 × 27.1 cm (9 7/16 × 10 11/16 in.)

Art Institute of Chicago

Banks of the Saint-Pré

1880 · Etching and drypoint on ivory laid paper

Plate: 17.5 × 15.5 cm (6 15/16 × 6 1/8 in.); Sheet: 20 × 17.6 cm (7 7/8 × 6 15/16 in.)

Art Institute of Chicago

Portrait of the Artist

1880 · Etching and drypoint on light blue laid paper

Plate: 36 × 25.5 cm (14 3/16 × 10 1/16 in.); Sheet: 44.8 × 33.7 cm (17 11/16 × 13 5/16 in.)

Art Institute of Chicago

The Meadow Gate

1880 · Etching and drypoint on ivory laid paper

Plate: 16.7 × 20.6 cm (6 5/8 × 8 1/8 in.); Sheet: 22.3 × 28.9 cm (8 13/16 × 11 7/16 in.)

Art Institute of Chicago