Artworks · Alex Katz

Duplicate of plate (page 16) from Gloria

2005 · One from the supplementary suite of twenty-five etchings for an illustrated book with twenty-five etchings

plate: 4 x 4" (10.2 x 10.2 cm); sheet: 12 1/16 x 9 1/16" (30.6 x 23 cm)

Museum of Modern Art

Duplicate of plate (page 50) from Gloria

2005 · One from the supplementary suite of twenty-five etchings for an illustrated book with twenty-five etchings

plate: 4 x 4" (10.2 x 10.2 cm); sheet: 12 1/16 x 9" (30.7 x 22.9 cm)

Museum of Modern Art

Duplicate of plate (page 22) from Gloria

2005 · One from the supplementary suite of twenty-five etchings for an illustrated book with twenty-five etchings

plate: 4 × 4" (10.2 × 10.2 cm); sheet: 12 1/16 × 9 1/16" (30.6 × 23 cm)

Museum of Modern Art

Sunny (for Parkett no. 72)

2004 · Screenprint on aluminum

5 1/8 x 5 7/8 x 2"

Museum of Modern Art

Ena

2003 · Charcoal and pigment on perforated colored paper

84 x 60" (213.4 x 152.4 cm)

Museum of Modern Art

Yellow House 2

2001 · Oil on linen

304.8 × 304.8 cm (120 × 120 in.)

Art Institute of Chicago

Dark Eyes

2000 · Woodcut on paper

unconfirmed: 260 x 210 mm

Tate

Grey Marine

2000 · Oil paint on hardboard

support: 230 x 305 x 3 mm frame: 249 x 325 x 34 mm

Tate

Penobscot

1999 · Oil paint on board

support: 229 x 305 x 4 mm frame: 249 x 322 x 34 mm

Tate

City Night

1998 · Oil paint on hardboard

support: 229 x 300 x 4 mm frame: 249 x 321 x 34 mm

Tate

Green Shadow #2

1998 · Oil paint on board

support: 234 x 306 x 4 mm frame: 250 x 324 x 34 mm

Tate

Road

1998 · Oil paint on hardboard

support: 308 x 230 x 3 mm frame: 323 x 250 x 34 mm

Tate

3 PM, November

1997 · Oil paint on board

support: 231 x 302 mm frame: 251 x 321 x 34 mm

Tate

West Palm Beach

1997 · Oil paint on hardboard

support: 228 x 299 x 3 mm frame: 249 x 319 x 34 mm

Tate

Vincent

1996 · Oil paint on hardboard

frame: 318 x 165 x 34 mm support: 300 x 147 x 4 mm

Tate

Kate

1994 · Oil paint on hardboard

support: 403 x 304 x 3 mm frame: 432 x 333 x 32 mm

Tate

Night Branch

1994 · Oil paint on hardboard

support: 302 x 230 x 3 mm frame: 321 x 250 x 34 mm

Tate

Jessica

1994 · Woodcut

Museum of Modern Art

Winter Branch

1993 · Oil paint on hardboard

support: 230 x 302 x 4 mm frame: 250 x 321 x 34 mm

Tate

January 7

1993 · Aquatint

composition and sheet: 29 3/4 × 39 1/2" (75.6 × 100.3 cm)

Museum of Modern Art

Daisies #2

1992 · Oil paint on board

support: 231 x 320 x 6 mm frame: 250 x 321 x 34 mm

Tate

Ocean View

1992 · Oil paint on fibreboard

support: 231 x 320 x 6 mm frame: 251 x 315 x 34 mm

Tate

Young Trees

1989 · Oil paint on hardboard

support: 407 x 301 x 3 mm frame: 426 x 320 x 34 mm

Tate

Sylvie

1988 · Charcoal and pencil on perforated colored paper

64 7/8 x 44 7/8" (164.8 x 114 cm)

Museum of Modern Art

Eric & Anni from A Tremor in the Morning

1986 · Woodcut

irreg. composition 11 15/16 x 11 15/16" (30.3 x 30.4 cm)

Museum of Modern Art

Jennifer & Eric from A Temor in the Morning

1986 · Woodcut

irreg. composition 11 15/16 x 11 15/16" (30.4 x 30.4 cm)

Museum of Modern Art

Julian & Jessica from A Tremor in the Morning

1986 · Woodcut

irreg. composition 11 7/8 x 12" (30.2 x 30.5 cm)

Museum of Modern Art

Ada & Alex from A Tremor in the Morning

1986 · Woodcut

irreg. composition 11 15/16 x 11 15/16" (30.4 x 30.3 cm)

Museum of Modern Art

Carter & Phyllis from A Tremor in the Morning

1986 · Woodcut

irreg. composition 11 7/8 x 11 15/16" (30.2 x 30.4 cm)

Museum of Modern Art

Rackstraw & Peggy from A Tremor in the Morning

1986 · Woodcut

irreg. composition 11 15/16 x 12" (30.4 x 30.5 cm)

Museum of Modern Art

Danny & Laura from A Tremor in the Morning

1986 · Woodcut

irreg. composition 11 15/16 x 12 1/16" (30.4 x 30.6 cm)

Museum of Modern Art

Anda & Dino from A Tremor in the Morning

1986 · Woodcut

irreg. composition 11 15/16 x 12" (30.3 x 30.5 cm)

Museum of Modern Art

Peter & Linda from A Tremor in the Morning

1986 · Woodcut

irreg. composition 12 x 9 7/16" (30.5 x 24 cm)

Museum of Modern Art

Kriti & Vincent from A Tremor in the Morning

1986 · Woodcut

irreg. composition 11 7/8 x 11 15/16" (30.2 x 30.4 cm)

Museum of Modern Art

Eli’s Friend

1985 · Oil paint on hardboard

frame: 422 x 320 x 34 mm support: 402 x 300 x 3 mm

Tate

The Green Cap

1985 · Woodcut

composition: 12 3/16 x 17 15/16" (31 x 45.5cm); sheet: 17 11/16 x 24 1/4" (45 x 61.6cm)

Museum of Modern Art

Sunset

1984 · Lithograph

Museum of Modern Art

Untitled from Self-Portrait in a Convex Mirror

1984 · Lithograph from an illustrated book with four lithographs, one offset lithograph, one woodcut, one etching with aquatint, one photogravure with hand additions, and one record

composition and sheet (diameter, approx.): 17 15/16" (45.5 cm)

Museum of Modern Art

Lillies Against Yellow House

1983 · Oil paint on hardboard

support: 307 x 229 x 3 mm frame: 327 x 249 x 34 mm

Tate

Red Coat

1983 · Screenprint

composition: 58 x 29" (147.3 x 73.7 cm); sheet: 58 x 29" (147.3 x 73.7 cm)

Museum of Modern Art

Red Coat

1982 · Graphite, charcoal, and dry pigment on brown wove paper laid down on Sintra, pricked for transfer

252.8 × 121 cm (99 1/2 × 47 11/16 in.)

Art Institute of Chicago

Hiroshi and Marcia

1981 · Oil paint on canvas

support: 1828 x 2437 mm frame: 1865 x 2474 x 58 mm

Tate

Pink Sweater

1981 · Oil paint on hardboard

support: 405 x 302 x 3 mm frame: 428 x 322 x 30 mm

Tate

The Striped Shirt

1980 · Aquatint

Sheet: 46 x 21 1/8" (116.8 x 53.7 cm)

Museum of Modern Art

Design for the dance Water Music

1980 · Felt-tip pen and crayon on transparentized paper

16 1/4 x 16 3/4" (41.2 x 42.4 cm)

Museum of Modern Art

West Window

1979 · Oil paint on hardboard

support: 196 x 238 x 3 mm frame: 216 x 256 x 34 mm

Tate

Red Tie

1979 · Oil on canvas

6' x 8' (182.5 x 244.2 cm)

Museum of Modern Art

Peter Schjeldahl, from Face of the Poet

1978 · Color aquatint on white wove paper

Image/plate: 15.1 × 15.1 cm (6 × 6 in.); Sheet: 36.8 × 48.3 cm (14 1/2 × 19 1/16 in.)

Art Institute of Chicago