Artworks · Alessandro Casolani

Saint Cecilia

1598 · Black chalk with traces of white chalk, on blue laid paper, laid down on ivory laid paper

20.1 × 13.6 cm (7 15/16 × 5 3/8 in.)

Art Institute of Chicago

Drawing of a Catafalque for Philip II of Spain, 1598

1598 · Pen and brown ink, brush and brown wash

18-3/4 x 8-3/4 in. (47.6 x 22.2 cm)

The Metropolitan Museum of Art

Bishop Saint Blessing a Mother and Child

1575 · Red chalk, with traces of graphite, on ivory laid paper, laid down on ivory laid paper

29.2 × 20.3 cm (11 1/2 × 8 in.)

Art Institute of Chicago

Sketches of Two Putti, One Holding Hand of Dead Christ (recto); Torso and Legs of Kneeling Figure (verso)

1572 · Black chalk, heightened with touches of white chalk (recto and verso), on blue laid paper

24 × 30.9 cm (9 1/2 × 12 3/16 in.)

Art Institute of Chicago

Seated Mother and Child

1572 · Red chalk, on buff laid paper, laid down on ivory card

17.5 × 12 cm (6 15/16 × 4 3/4 in.)

Art Institute of Chicago

Study of a Female Nude

1552 · black and white chalk on blue-green paper

overall (approximate): 34.1 x 13.8 cm (13 7/16 x 5 7/16 in.)

National Gallery of Art

Profile of a Woman's Head (recto) A Kitchen Maid (verso)

1550 · black chalk(?) with traces of red chalk

Sheet: 21.3 x 14 cm (8 3/8 x 5 1/2 in.)

Cleveland Museum of Art

A Kitchen Maid (verso)

1550 · black chalk(?)

Sheet: 21.3 x 14 cm (8 3/8 x 5 1/2 in.)

Cleveland Museum of Art

Studies for a Crucifixion

1550 · Pen and brown ink, brush and brown wash, over red chalk; framing lines in pen and brown ink

4 x 4 5/8 in. (10.1 x 11.7 cm)

The Metropolitan Museum of Art

Profile of a Woman's Head (recto)

1550 · black chalk(?) with traces of red chalk

Sheet: 21.3 x 14 cm (8 3/8 x 5 1/2 in.)

Cleveland Museum of Art