Artworks · Alessandro Algardi

Pope Innocent X

1685 · Bronze, on a later plinth

Bust only: 31 × 35 3/4 × 15 1/4 in. (78.7 × 90.8 × 38.7 cm)

The Metropolitan Museum of Art

Pope Innocent X

1685 · Bronze, on a later plinth

Bust only: 31 × 35 3/4 × 15 1/4 in. (78.7 × 90.8 × 38.7 cm)

The Metropolitan Museum of Art

The rest on the flight into Egypt

1675 · Bronze

10 1/2 x 13 in. (26.7 x 33 cm)

The Metropolitan Museum of Art

Andiron with figure of Jupiter (chenet) (one of a pair)

1675 · Bronze

Height: 45 1/2 in. (115.6 cm)

The Metropolitan Museum of Art

Andiron with figure of Juno (chenet) (one of a pair)

1675 · Bronze

Height: 44 1/4 in. (112.4 cm)

The Metropolitan Museum of Art

Andiron with figure of Jupiter (chenet) (one of a pair)

1675 · Bronze

Height: 45 1/2 in. (115.6 cm)

The Metropolitan Museum of Art

Andiron with figure of Juno (chenet) (one of a pair)

1675 · Bronze

Height: 44 1/4 in. (112.4 cm)

The Metropolitan Museum of Art

Baptism of Christ

1650 · Bronze

17 1/2 × 10 1/4 × 18 in. (44.5 × 26 × 45.7 cm)

The Metropolitan Museum of Art

Flagellator

1650 · Bronze

Overall (confirmed): 10 1/8 × 4 1/4 × 2 1/2 in. (25.7 × 10.8 × 6.4 cm)

The Metropolitan Museum of Art

Saint Ignatius Loyola with Saints and Martyrs of the Jesuit Order

1650 · Bronze

wt. confirmed: 11 3/8 × 18 5/8 in., 15 lb. (28.9 × 47.3 cm, 6.8 kg)

The Metropolitan Museum of Art

Baptism of Christ

1650 · Bronze

17 1/2 × 10 1/4 × 18 in. (44.5 × 26 × 45.7 cm)

The Metropolitan Museum of Art

Christ on the Cross

1647 · pen and brown ink over red chalk on laid paper

Overall: 48.4 x 32.8 cm (19 1/16 x 12 15/16 in.) support: 56.2 x 40.9 cm (22 1/8 x 16 1/8 in.)

National Gallery of Art

Portrait of Pope Innocent X Pamphili

1647 · bronze

Overall: 97 x 81 x 29 cm (38 3/16 x 31 7/8 x 11 7/16 in.); Base: 23.5 x 27.1 cm (9 1/4 x 10 11/16 in.); without base: 78.1 x 81.6 cm (30 3/4 x 32 1/8 in.)

Cleveland Museum of Art

Baptism of Christ

1645 · bronze

Overall: 62.5 x 46.8 x 33.4 cm (24 5/8 x 18 7/16 x 13 1/8 in.)

Cleveland Museum of Art

Posthumous Bust of Pope Pius V

1645 · Terracotta

H.: 60.3 cm (23 3/4 in.)

Art Institute of Chicago

Crucifix

1641 · Bronze, wood with ebonizing and staining

188.9 × 75.6 cm (74 × 30 in.); Corpus: 77.5 × 59.2 cm (30 1/2 × 23 in.)

Art Institute of Chicago

Saint Matthew

1640 · terracotta

overall: 38 x 32.4 x 19.8 cm (14 15/16 x 12 3/4 x 7 13/16 in.)

National Gallery of Art

Minerva as Rome

1640 · paper, chalk

width: 181 cm, height: 233 cm

Rijksmuseum

The Rest on the Flight into Egypt

1635 · bronze

overall: 29.8 x 36.2 cm (11 3/4 x 14 1/4 in.)

National Gallery of Art

Christ at the Column

1630 · silver

overall (height without base): 21.9 cm (8 5/8 in.) overall (height with base): 36.8 cm (14 1/2 in.)

National Gallery of Art

A Flagellator of Christ

1630 · silver

overall: 23.4 x 12.4 x 7.3 cm (9 3/16 x 4 7/8 x 2 7/8 in.)

National Gallery of Art

Madonna and Child

1630 · Ivory

Height: 7 in. (17.8 cm)

The Metropolitan Museum of Art

Christ at the Column

1630 · Statuette: silver; column: lapis lazuli; base: black marble, silver

With base: 8 3/4 × 12 1/2 in. (22.2 × 31.8 cm)

The Metropolitan Museum of Art

An Allegory of Bologna

1630 · Black chalk on ivory laid paper, partially laid down on ivory laid paper

36.5 × 50.5 cm (14 3/8 × 19 15/16 in.)

Art Institute of Chicago

Madonna and Child

1630 · Ivory

Height: 7 in. (17.8 cm)

The Metropolitan Museum of Art

Madonna and Child

1625 · Terracotta with polychromy

H.: 37.5 cm (14 3/4 in.)

Art Institute of Chicago

Design for Memorial to Pope Gregory XV

1618 · Pen and brown ink, with brush and gray wash and watercolor, on vellum

28.4 × 25.2 cm (11 3/16 × 9 15/16 in.)

Art Institute of Chicago

Monstrance Borne by Angels

1618 · Pen and brown ink with brush and brown wash, over black chalk, on cream laid paper, laid down on gray laid paper

24.9 × 18 cm (9 13/16 × 7 1/8 in.)

Art Institute of Chicago

Father Time

1618 · Pen and brown ink and brush and brown wash, over black chalk, with traces of red chalk, on tan laid paper, laid down on ivory laid paper

27 × 19.6 cm (10 11/16 × 7 3/4 in.)

Art Institute of Chicago

Schets voor een zittende figuur, op een piedestal

1605 · paper, chalk

height: 233 cm, width: 181 cm

Rijksmuseum

Design for a Covered Vase with the Arms of the Aldobrandini and Pamphilj Families

1598 · Pen and brown ink, brush and brown wash

12-5/16 x 7-7/8 in. (31.3 x 20.0 cm)

The Metropolitan Museum of Art

The Holy Family with Two Angels

1598 · Black chalk on off-white laid paper; framing outline in pen and dark brown ink; glued onto a secondary paper support

10-3/16 x 7-13/16 in. (25.9 x 19.8 cm)

The Metropolitan Museum of Art

Design for the Prow of a Galley of Pope Urban VIII, with Figures of Victory, Sea Gods, Angels, and the Emblems of the Barberini Family

1598 · Pen and brown ink, over leadpoint and partial stylus-incisions

8-1/2 x 16-1/8 in. (21.6 x 41.0 cm)

The Metropolitan Museum of Art