Alfredo Zalce

1973 · Linoleum cut from a portfolio of 11 screenprints (one with embossing), seven etchings (three with aquatint, one with embossing), six lithographs (one with etching), five linoleum cuts (one with embossing), one engraving, and one intaglio with embossing

composition (irreg.): 19 11/16 × 23 5/8" (50 × 60 cm); sheet: 22 1/16 × 30 3/16" (56 × 76.6 cm)

Museum of Modern Art

1948 · Woodcut

composition: 11 3/4 x 17 15/16" (29.8 x 45.5cm); sheet: 19 1/2 x 25 9/16" (49.5 x 65cm)

Museum of Modern Art

1947 · Etching on cream wove paper

Plate: 20.5 × 31 cm (8 1/8 × 12 1/4 in.); Sheet: 29.2 × 45.5 cm (11 1/2 × 17 15/16 in.)

Art Institute of Chicago

1947 · Etching on paper

43.4 × 29 cm (17 1/8 × 11 7/16 in.)

Art Institute of Chicago

1947 · Etching

plate: 8 1/8 x 12 3/16" (20.7 x 31 cm); sheet: 11 7/16 x 18 5/16" (29.1 x 46.5 cm)

Museum of Modern Art

1946 · Linocut in black on red wove paper

Image: 8.1 × 13.5 cm (3 1/4 × 5 3/8 in.); Sheet: 12.6 × 18.6 cm (5 × 7 3/8 in.)

Art Institute of Chicago

1946 · Block print in black on white paper

Image: 11 × 14 cm (4 3/8 × 5 9/16 in.); Sheet: 14.7 × 24 cm (5 13/16 × 9 1/2 in.)

Art Institute of Chicago

1946 · Linocut in black and blue on ivory Japanese paper

Image: 7.2 × 12 cm (2 7/8 × 4 3/4 in.); Sheet: 13.5 × 21.1 cm (5 3/8 × 8 5/16 in.)

Art Institute of Chicago