WATTS INDEXThe canonical database of visual culture

Artists›Gary Hill

Gary Hill

Gary Hill

Artist

MinimalismConceptual Art

Representation

None documented

9

Institutional Exhibitions

11

Works in Collection

26

Assets Indexed

8

Authority-backed Facts

0

Publications Referenced

90%

Profile Completeness

Cultural Positioning

Movements

• Minimalism
• Conceptual Art

Related Artists

No edges recorded

Influence Graph

No influence edges encoded yet.

Selected Institutional Exhibitions

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No image

Video and Language

Museum of Modern Art, New York

1989

No image

The Arts for Television

Museum of Modern Art, New York

1989

No image

Video: Recent Acquisitions

Museum of Modern Art, New York

1986–1987

No image

A Survey: Artist's TV Lab, WNET/Thirteen

Museum of Modern Art, New York

1984–1985

No image

Video Art: A History

Museum of Modern Art, New York

1983–1984

About

Why this artist matters now

No biography available for Gary Hill yet.

Graph relationships

Taste overlap and adjacency

Movement

Minimalism

Medium

—

Related Artists

12 in graph

Institutional

Museum Collections

Art Institute of Chicago Museum of Modern ArtNew York Tate

Canonical record

Artworks (11)

Remarks on Color

Remarks on Color

1994 · Video, projection, colour and sound

duration: 43 min., 13 sec.

Core Series: Glasses

1991 · Two-channel video (color, sound), two monitors, white stand

26 x 36 x 28 3/4" (66 x 91.5 x 73 cm) Each monitor

Museum of Modern Art

Between Cinema and a Hard Place

1991 · Video (color, sound), monitors, laser disc players, speakers, stereo amplifier, and audio mixer

Museum of Modern Art

Inasmuch As It Is Always Already Taking Place

Inasmuch As It Is Always Already Taking Place

1990 · Sixteen-channel black-and-white video, sound (sixteen cathode ray tubes); 5-to-30 second loops, 16 x 54 x 66 in. (40.6 x 137.2 x 167.6 cm), niche recessed into wall

Art Institute of Chicago

Inasmuch As It Is Always Already Taking Place

Inasmuch As It Is Always Already Taking Place

1990 · Sixteen-channel video (black and white, sound), sixteen black and white TV tubes and wires

Recessed in a wall 42" (106.7 cm) from the floor, overall 16 x 53 3/4 x 68" (40.6 x 136.5 x 172.7 cm).

Museum of Modern Art

Incidence of Catastrophe

Incidence of Catastrophe

1987 · Video (color, sound)

Museum of Modern Art

URA ARU (the backside exists)

URA ARU (the backside exists)

1985 · Video (color, sound)

Museum of Modern Art

Why Do Things Get in a Muddle? (Come on Petunia)

Why Do Things Get in a Muddle? (Come on Petunia)

1984 · Video (color, sound)

Museum of Modern Art

View all 11 artworks →

Record

Images

Gary Hill (Artsy)

Artsy

Gary Hill (Wikipedia)

Wikipedia

Artsy artist portrait

Artsy

Inasmuch As It Is Always Already Taking Place (Art Institute of Chicago)

Art Institute of Chicago

Inasmuch As It Is Always Already Taking Place (Art Institute of Chicago)

Art Institute of Chicago

Related artists

Adjacent in the graph

Shared movement

Sanford Biggers

Sanford Biggers

Shared movement

Shared movement

Eugenio Dittborn

Eugenio Dittborn

Shared movement

Shared movement

Andrea Büttner

Shared movement

Also installation

Also installation

Lebohang Kganye

Lebohang Kganye

Also installation

Also installation

Also installation

Njideka Akunyili Crosby

Njideka Akunyili Crosby

Also installation

Record

Movements and affiliations

Institutional

Representation & Collections

In collection

Art Institute of Chicago

In collection

Museum of Modern Art

New York, US

In collection

Tate

Background

Education

Art Students League of New York

Visual Arts

Rancho Alamitos High School

Visual Arts