ArtistsHenry P. Moore
Henry P. Moore

Henry P. Moore

1835
Photography
Representation
None documented
0
Institutional Exhibitions
1
Works in Collection
13
Assets Indexed
6
Authority-backed Facts
0
Publications Referenced
60%
Profile Completeness

Cultural Positioning

Movements
No movements recorded
Related Artists
No edges recorded
Influence Graph
No influence edges encoded yet.
About

Why this artist matters now

The American Civil War was the most photographed conflict of the 19th century. Images were widely copied and distributed to the public via newspapers, prints, and carte de visite. Roughly 70% of the war's documentary photography was taken by a stereo camera, which produced 3-dimensional images that could be viewed on a stereoscope.

Source: Nga · Trust score: 85% · Updated 6d ago

Graph relationships

Taste overlap and adjacency

Movement
Medium
Photography
Related Artists
6 in graph
Institutional

Museum Collections

Canonical record

Artworks (1)

Record

Images

11 assets
Deck of U.S. Ship Vermont MET DP254765
Wikimedia Commons (Instagram fallback)
Deck of U.S. Ship Vermont MET DP254758
Wikimedia Commons (Instagram fallback)
Contrabands Aboard U.S. Ship Vermont, Port Royal, South Carolina MET DP254888
Wikimedia Commons (Instagram fallback)
Negroes (Gwine to de Field), Hopkinson's Plantation, Edisto Island, South Carolina MET DP254900
Wikimedia Commons (Instagram fallback)
Henry P. Moore (American   Slaves of General Thomas F. Drayton   Google Art Project
Wikimedia Commons (Instagram fallback)
USS Unadilla firing evening gun
Wikimedia Commons (Instagram fallback)
USS O. M. Pettit
Wikimedia Commons (Instagram fallback)
USS Pocahontas (1852)
Wikimedia Commons (Instagram fallback)
View all 11 media items →
Record

Movements and affiliations

No movements linked yet
Institutional

Representation & Collections

In collection
National Gallery of Art
Record

Exhibitions and timeline

No exhibitions or timeline entries yet