Sleepy Nicolle1895 · Pastel on blue-gray wove paper (faded to tan), mounted on board71 × 58.5 cm (28 × 23 1/16 in.)Art Institute of Chicago
Woman Bathing1890 · Color aquatint and drypoint on off-white laid paperImage/plate: 36.4 × 26.9 cm (14 3/8 × 10 5/8 in.); Sheet: 43.2 × 30.5 cm (17 1/16 × 12 1/16 in.)Art Institute of Chicago
WattsOSTLThe Lamp1890 · drypoint, softground etching, and aquatintPlatemark: 32.1 x 25 cm (12 5/8 x 9 13/16 in.); Sheet: 44 x 27.8 cm (17 5/16 x 10 15/16 in.)Cleveland Museum of Art
WattsOSTFThe Fitting1890 · color drypoint and aquatintPlatemark: 37.6 x 25.5 cm (14 13/16 x 10 1/16 in.); Sheet: 42.7 x 31.4 cm (16 13/16 x 12 3/8 in.)Cleveland Museum of Art
In the Omnibus1890 · color drypoint and aquatintPlatemark: 36.6 x 26.8 cm (14 7/16 x 10 9/16 in.)Cleveland Museum of Art
The Map1890 · Drypoint in brown ink on ivory laid paperImage/plate: 15.8 × 23.2 cm (6 1/4 × 9 3/16 in.); Sheet: 24 × 31.1 cm (9 1/2 × 12 1/4 in.)Art Institute of Chicago
Repose1890 · Drypoint on paper36.7 x 24.5 cm (14 7/16 x 9 5/8 in.)Cooper Hewitt, Smithsonian Design Museum
Gardner (Cassatt) Held by His Mother1889 · Drypoint in black ink on cream colored paper26.2 x 20.5 cm (10 5/16 x 8 1/16 in.)Cooper Hewitt, Smithsonian Design Museum
Mother's Goodnight Kiss1888 · Pastel on blue-gray wove paper (faded to tan), mounted on canvas, on a strainer84 × 73.8 cm (33 1/8 × 29 1/16 in.)Art Institute of Chicago
Susan and Child Facing Each Other1883 · Black ink on cream paper19.5 x 18 cm (7 11/16 x 7 1/16 in.)Cooper Hewitt, Smithsonian Design Museum
WattsOSTVThe Visitor (recto)1876 · black and tan pencilSheet: 40 x 30.9 cm (15 3/4 x 12 3/16 in.)Cleveland Museum of Art
WattsOSTVThe Visitor (recto); The Visitor (verso)1876 · black and tan pencilSheet: 40 x 30.9 cm (15 3/4 x 12 3/16 in.)Cleveland Museum of Art
WattsOSTVThe Visitor (verso)1876 · soft ground lines transferred from etching plateSheet: 40 x 30.9 cm (15 3/4 x 12 3/16 in.)Cleveland Museum of Art