ArtistsMax Huber
Max Huber

Max Huber

Artist
InstallationDe StijlGeometric AbstractionColor Field
Representation
None documented
2
Institutional Exhibitions
3
Works in Collection
8
Assets Indexed
0
Authority-backed Facts
0
Publications Referenced
90%
Profile Completeness

Cultural Positioning

Movements
  • De Stijl
  • Geometric Abstraction
  • Color Field
Related Artists
No edges recorded
Influence Graph
No influence edges encoded yet.

Selected Institutional Exhibitions

View all exhibitions →
No image
The Modern Poster
Museum of Modern Art, New York
1988
No image
De Stijl
Museum of Modern Art, New York
1952–1953
About

Why this artist matters now

Max Huber was an Italian graphic designer and typographer whose work defined postwar modernism in Switzerland and Italy. Operating primarily in the 1950s and 1960s, he developed a distinctive visual language combining geometric abstraction, bold typography, and dynamic spatial composition, often applied to packaging, posters, and corporate identity systems. His layouts were marked by precise grid structures and unexpected color fields that animated the page without ornament. Huber's approach bridged Swiss rationalism and Italian design sensibility, establishing methods that became foundational to mid-century graphic design practice.

Source: Moma Bulk 2026 05 04 · Trust score: 92% · Updated 25d ago

Graph relationships

Taste overlap and adjacency

Movement
De Stijl
Medium
Installation
Related Artists
12 in graph
Institutional

Museum Collections

Canonical record

Artworks (3)

Record

Images

Artsy artist portrait
Artsy
Panther Springing out of a Tree (Art Institute of Chicago)
Art Institute of Chicago
Institutional

Representation & Collections

In collection
Museum of Modern Art
New York, US
Record

Exhibitions and timeline