ArtistsCuno Amiet
Cuno Amiet

Cuno Amiet

Swiss, 1868
Solothurn, Switzerland
PaintingImpressionismPost-ImpressionismSymbolism
Representation
None documented
2
Institutional Exhibitions
4
Works in Collection
8
Assets Indexed
4
Authority-backed Facts
0
Publications Referenced
90%
Profile Completeness

Cultural Positioning

Movements
  • Impressionism
  • Post-Impressionism
  • Symbolism
Related Artists
No edges recorded
Influence Graph
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Selected Institutional Exhibitions

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No image
Gaugin and his Circle in Brittany: The Prints of the Pont-Aven School
Museum of Modern Art, New York
1987
No image
European Master Paintings from Swiss Collections: Post-Impressionism to World War II
Museum of Modern Art, New York
1976–1977
About

Why this artist matters now

Cuno Amiet was a Swiss painter and printmaker whose work bridged Symbolism and early modernism. Active from the 1880s through the mid-twentieth century, he developed a distinctive approach to landscape and portrait painting that combined Post-Impressionist color with decorative line work. His prints and paintings often featured Alpine subjects and intimate domestic scenes rendered in a synthesis of Swiss folk tradition and continental avant-garde technique. Amiet's long career spanned multiple artistic movements without fully committing to any single aesthetic.

Source: Moma Bulk 2026 05 04 · Trust score: 92% · Updated 25d ago

Graph relationships

Taste overlap and adjacency

Movement
Impressionism
Medium
Painting
Related Artists
12 in graph
Institutional

Museum Collections

Canonical record

Artworks (4)

Record

Images

Artsy artist portrait
Artsy
Arrangement for Drums (Art Institute of Chicago)
Art Institute of Chicago
Arrangement for Drums (Art Institute of Chicago)
Art Institute of Chicago
Institutional

Representation & Collections

In collection
Cleveland Museum of Art
In collection
Museum of Modern Art
New York, US
In collection
Tate
Record

Exhibitions and timeline