
Fokker DVIII
2001 · Lithograph and screenprint on paper
image: 1025 x 725 mm
Tate

Malcolm Morley worked in paint across radically shifting registers, moving from meticulous photorealism in the 1960s to raw, gestural expressionism in subsequent decades. His early canvases reproduced found photographs and postcards with clinical fidelity, while later work embraced loose, almost feverish brushwork and a vivid, destabilizing palette. Born in London in 1931, he spent much of his career in the United States, and in 1984 became the first recipient of the Turner Prize. The restlessness between modes was itself the defining quality of his output, a career built on deliberate refusal of a settled style.
Source: Corbett Dempsey · Trust score: 100% · Updated 1mo ago
| Work | Auction House | Date | Estimate | Hammer Price |
|---|---|---|---|---|
| Christie's | May 2026 | $80,000 – $120,000 | Unsold | |
| Christie's | Sep 2025 | $20,000 – $30,000 | $38,100 | |
| Christie's | Feb 2025 | $500 – $700 | $1,134 | |
| Christie's | Jul 2024 | $1,000 – $1,500 | $1,008 | |
| Christie's | Nov 2023 | $120,000 – $180,000 | Unsold | |
| Christie's | Jul 2023 | $2,000 – $3,000 | $27,720 | |
| Christie's | Sep 2022 | $60,000 – $80,000 | $75,600 | |
| Christie's | Jul 2022 | $80,000 – $120,000 | $119,700 | |
| Christie's | May 2022 | $1,000 – $1,500 | Unsold | |
| Christie's | Jun 2018 | £120,000 – £180,000 | £137,500 |