Database / Artworks
Artworks
Isaac Péreire
Nadar (Gaspard Félix Tournachon)
Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1876), volume 3 · 1853
Art Institute of Chicago
Edmond de Goncourt (French writer and critic, 1822-1896)
Nadar (Gaspard Félix Tournachon)
Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1876), volume 3 · 1853
Art Institute of Chicago
Theodore Barrière
Nadar (Gaspard Félix Tournachon)
Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1878), volume 5 · 1853
Art Institute of Chicago
Eugéne Scribe
Nadar (Gaspard Félix Tournachon)
Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1879), volume 8 · 1853
Art Institute of Chicago
Edmond-René Laboulaye
Nadar (Gaspard Félix Tournachon)
Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1879), volume 7 · 1853
Art Institute of Chicago
Edmond About
Nadar (Gaspard Félix Tournachon)
Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1879), volume 8 · 1853
Art Institute of Chicago
Mrs. Craik Holding Cat
Benjamin Mulock
Salted paper print · 1853
Art Institute of Chicago
A Chinese Tea Party (Furnishing Fabric)
Daniel Lee & Co.
Cotton, plain weave; roller printed · 1853
Art Institute of Chicago
Canvassing for a Vote
Claude Regnier
Hand-colored lithograph in black on ivory wove paper · 1853
Art Institute of Chicago
Opening the First Parallel, from Souvenirs d’Italie: Expédition de Rome
Denis Auguste Marie Raffet
Lithograph in black over a gray-tan tint on ivory wove chine laid down on ivory wove paper · 1853
Art Institute of Chicago
Sappers, from Souvenirs d’Italie: Expédition de Rome
Denis Auguste Marie Raffet
Lithograph on gray wove chine laid down on ivory wove paper · 1853
Art Institute of Chicago
Combat in Pamfili, from Souvenirs d’Italie: Expédition de Rome
Denis Auguste Marie Raffet
Lithograph in black on gray wove chine laid down on ivory wove paper · 1853
Art Institute of Chicago
Panel (Furnishing Fabric)
Utagawa Kunisada I (Toyokuni III)
Cotton, plain weave; block printed; glazed · 1853
Art Institute of Chicago
Untitled (Portsmouth Square, San Francisco)
Robert H. Vance
Daguerreotype · 1853
Art Institute of Chicago
Untitled (Two Men Wearing Top Hats, Leaning on a White Picket Fence)
William J. Shew
Daguerreotype · 1853
Art Institute of Chicago
Battersea Reach
James McNeill Whistler
Etching and drypoint, with drypoint cancellation, in black ink on ivory laid paper · 1853
Art Institute of Chicago
Travelling sappers, from Souvenirs d’Italie: Expédition de Rome
Denis Auguste Marie Raffet
Lithograph in black on warm ivory wove chine laid down on off-white wove paper · 1853
Art Institute of Chicago
Trench guard, from Souvenirs d’Italie: Expédition de Rome
Denis Auguste Marie Raffet
Lithograph in black on ivory wove chine laid down on ivory wove paper · 1853
Art Institute of Chicago
Untitled
Félicien Rops
Colored pencil and graphite (recto) and black pencil (verso) on tan laid paper, tipped onto tan wove paper · 1853
Art Institute of Chicago
View of Ariccia
George Loring Brown
Etching on cream China paper · 1853
Art Institute of Chicago
Jonas Chickering
Southworth & Hawes, active 1843 - 1862
Whole-plate daguerreotype · 1853
National Portrait Gallery
The Gallery of Notre-Dame, Paris
Charles Méryon
Etching printed in warm black on verdâtre (greenish) China paper · 1853
Art Institute of Chicago
The Gallery of Notre-Dame, Paris
Charles Méryon
Etching and engraving on ivory laid paper · 1853
Art Institute of Chicago
Wedding Cake of Sarah A. Meserole and Henry W. M. Meade
Meade Brothers Studio, active c. 1840 - c. 1869
Half-plate daguerreotype · 1853
National Portrait Gallery