Database / Artworks
Artworks

Design for a Chinese Pavilion in a Lake
Jean Démosthène Dugourc, French
print — aquatint in brown ink on paper · 1785
Cooper Hewitt, Smithsonian Design Museum

Designs for a Mantelpiece
Giuseppe Barberi, Italian
interiors, drawing — pen and brown ink, brush and brown wash on off-white laid paper, lined · 1785
Cooper Hewitt, Smithsonian Design Museum

Le Marchand d'Orvietan
Manufacture de Dubern & Comp. a Nantes
printed, dyed & painted textiles, textile with chef de piece — medium: cotton technique: printed by engraved copper plate on plain weave; all yarns z-twist · 1785
Cooper Hewitt, Smithsonian Design Museum

La Couronnement de la Rosiere
Jean-Baptiste Huet, French
printed, dyed & painted textiles, textile — medium: cotton technique: printed by engraved plate on plain weave · 1785
Cooper Hewitt, Smithsonian Design Museum

Le marchand d'Orvietan
Dubern & Cie.
printed, dyed & painted textiles, fragment — medium: cotton technique: printed by engraved copper plate on plain weave · 1785
Cooper Hewitt, Smithsonian Design Museum

Sidewall
Jean-Baptiste Réveillon, French
wallcoverings, sidewall — block printed on handmade paper · 1785
Cooper Hewitt, Smithsonian Design Museum

Le Marchand d'Orvietan
Dubern & Cie.
printed, dyed & painted textiles, textile — medium: cotton technique: printed by engraved copper plate on plain weave · 1785
Cooper Hewitt, Smithsonian Design Museum

Agnès Entering a Grotto
Anne-Louis Girodet de Roussy-Trioson
black chalk with touches of white chalk and charcoal(?) on laid paper, laid down on a decorative mount · 1785
National Gallery of Art

Vue d'un pont sur l'Aar, Canton de Berne (View of a Bridge on the Aar, Berne)
Charles Melchior Descourtis
etching, aquatint, and wash manner, printed in color on laid paper · 1785
National Gallery of Art

Babo Giorgio
Carlo Lasinio
etching and roulette with hand coloring on laid paper [proof] · 1785
National Gallery of Art

The Presentation in the Temple
Giovanni Domenico Tiepolo
pen and brown ink with brown and gray wash over charcoal and black chalk, and over some stylus lines with ruler and compass for architecture · 1785
National Gallery of Art

Studies of Female Nudes
Gaetano Gandolfi
oiled charcoal and stumping, heightened with white gouache on gray-brown laid paper · 1785
National Gallery of Art

A Woodland Path in Rosenthal in Winter
Johann Christian Reinhart
pen · 1785
National Gallery of Art

Arcadian Landscape with an Obelisk
Salomon Gessner
gouache on laid paper · 1785
National Gallery of Art

The Parting of Saints Peter and Paul
Giovanni Domenico Tiepolo
pen and brown ink with brown wash over charcoal on laid paper · 1785
National Gallery of Art

Coriolanus before the Women of Rome
Giuseppe Bernardino Bison
pen and brown ink and brown wash over black chalk on laid paper · 1785
National Gallery of Art

Christ Leading Peter, James, and John to the High Mountain for the Transfiguration
Giovanni Domenico Tiepolo
pen and gray ink and pen and black ink over black chalk with a variety of gray, black, brown and golden brown washes · 1785
National Gallery of Art

Lady Hamilton Playing a Lyre
George Romney
pen and brown ink with brown wash over black chalk on wove paper · 1785
National Gallery of Art

William Yelverton Davenport
Thomas Gainsborough
oil on canvas · 1785
National Gallery of Art

General William Smallwood
Robert Edge Pine
oil paint · 1785
National Gallery of Art

Comfort in the Gout
Thomas Rowlandson
hand-colored etching · 1785
National Gallery of Art

Rustic Courtship
Thomas Rowlandson
hand-colored etching and aquatint · 1785
National Gallery of Art

The Reconciliation, or The Return from Scotland
Thomas Rowlandson
hand-colored etching · 1785
National Gallery of Art

The Sad Discovery, or The Graceless Apprentice
Thomas Rowlandson
hand-colored etching · 1785
National Gallery of Art