Database / Artworks
Artworks
The Little Nude Model, Reading
James McNeill Whistler
lithograph in black with chine collé on wove paper · 1889
National Gallery of Art
The Dancing Girl
James McNeill Whistler
lithograph in black on laid paper · 1889
National Gallery of Art
Zaandam
James McNeill Whistler
etching and drypoint on Asian wove paper · 1889
National Gallery of Art
Little Drawbridge, Amsterdam
James McNeill Whistler
etching and drypoint in brown on Asian wove paper · 1889
National Gallery of Art
The Mill
James McNeill Whistler
etching and drypoint in brown on laid paper · 1889
National Gallery of Art
The Embroidered Curtain
James McNeill Whistler
etching and drypoint in brown on laid paper · 1889
National Gallery of Art
Pierrot
James McNeill Whistler
etching and drypoint on Asian laid paper · 1889
National Gallery of Art
Bridge, Amsterdam
James McNeill Whistler
etching and drypoint in brown on laid paper · 1889
National Gallery of Art
Nocturne: Dance House
James McNeill Whistler
etching and drypoint in brown-black on laid paper · 1889
National Gallery of Art
Square House, Amsterdam
James McNeill Whistler
etching and drypoint in dark brown on cream laid paper · 1889
National Gallery of Art
Long House - Dyer's - Amsterdam
James McNeill Whistler
etching and drypoint on laid paper · 1889
National Gallery of Art
Balcony, Amsterdam
James McNeill Whistler
etching and drypoint in brownish-black ink on laid paper · 1889
National Gallery of Art
The Steps, Amsterdam
James McNeill Whistler
etching and drypoint in dark brown on Asian tissue, mounted on off-white paperboard · 1889
National Gallery of Art
Le Sphynx...mon regard que rien ne peut devier, demeure tendu a travers les choses sur un horizon inaccessible. La Chimere: Moi,Je suis legere et joyeuse (The Sphinx: "My gaze, which nothing can deflect, passes through the things and remains fixed on an inaccessible horizon." The Chimera: "I am weightless and joyful")
Odilon Redon
lithograph · 1889
National Gallery of Art
Les Sciapodes: La tete le plus bas possible, c'est le secret du bonheur! (The Skiapods: "The head as low as possible, that is the secret of happiness!")
Odilon Redon
lithograph · 1889
National Gallery of Art
Une longue chrysalide couleur de sang (A longchrysalis, the color of blood)
Odilon Redon
lithograph · 1889
National Gallery of Art
La Mort: Mon ironie depasse toutes les autres! (Death: My iron surpasses all others!)
Odilon Redon
lithograph · 1889
National Gallery of Art
Saint-Antoine: Il doit y avoir quelque part des figures primordiales dont les corps ne sont que les images (Saint Anthony: "Somewhere there must be primordial shapes whose bodiesare only images")
Odilon Redon
lithograph · 1889
National Gallery of Art
Saint-Antoine...A travers ses longs cheveux qui lui couvraient la figure, j'ai cru reconnaitre Ammonaria (Saint Anthony: "Beneathe her long hair , which covered her face, I thought I recognized Ammonaria)
Odilon Redon
lithograph · 1889
National Gallery of Art
Frontispiece
Odilon Redon
lithograph · 1889
National Gallery of Art
Woman in a Cape (La femme à la pèlerine)
Albert Besnard
etching, drypoint, and aquatint on laid paper · 1889
National Gallery of Art
Intimacy (Intimité)
Albert Besnard
etching and drypoint on wove paper · 1889
National Gallery of Art
The Sick Mother (La mère malade)
Albert Besnard
etching and drypoint on wove paper · 1889
National Gallery of Art
Southwold
Philip Wilson Steer
Oil paint on canvas · 1889
Tate