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Artworks

The Actors Iwai Hanshiro IV as Otatsu-gitsune, Nakamura Nakazo I as Raigo Ajari, Sakata Tojuro III as Kamada Gon-no-kami Masayori, and Ichikawa Yaozo II as Sakon-gitsune (right to left), in the play "Nue no Mori Ichiyo no Mato," performed at the Nakamura Theater in the eleventh month, 1770
Katsukawa Shunshō
Color woodblock print; page from the illustrated book "Yakusha Kuni no Hana" · 1767
Art Institute of Chicago

The Actors Nakamura Nakazo I as Taira no Kiyomori (right), and Yamashita Kinsaku II as Tokiwa Gozen (left), in the Play Nue no Mori Ichiyo no Mato, Performed at the Nakamura Theater in the Eleventh Month, 1770
Katsukawa Shunshō
Color woodblock print; from the illustrated book Yakusha Kuni no Hana (Prominent Actors of Japan) · 1767
Art Institute of Chicago

The Actor Onoe Tamizo I as Kewaizaka no Shosho Disguised as a Komuso in the Play Furisode Kisaragi Soga, Performed at the Ichimura Theater in the Second Month, 1772
Katsukawa Shunshō
Color woodblock print; hosoban · 1767
Art Institute of Chicago

Young Man Walks in as Two Courtesans Read Love Letter
Shiba Kokan
Color woodblock print; chuban · 1767
Art Institute of Chicago

The Actor Arashi Sangoro II as Ito Kuro Disguised as Banta in the Play Izu-goyomi Shibai no Ganjitsu, Performed at the Morita Theater in the Eleventh Month, 1772
Katsukawa Shunshō
Color woodblock print; hosoban; right sheet of diptych · 1767
Art Institute of Chicago

The Actor Arashi Hinaji in an Unidentified Female Role
Katsukawa Shunshō
Color woodblock print; hosoban · 1767
Art Institute of Chicago

The Actor Arashi Sangoro II as Sakura-maru in the Play Sugawara Denju Tenarai Kagami, Performed at the Ichimura Theater in the First Month, 1772
Katsukawa Shunshō
Color woodblock print; hosoban · 1767
Art Institute of Chicago

Matthias and Thomas Bordley
Charles Willson Peale
watercolor on ivory · 1767
Smithsonian American Art Museum

Actor Nakamura Noshio I as the Fox-Wife from Furui in “First Performance Day of the Izu Calendar” (“Izu-goyomi Shibai no Ganjitsu”)
Katsukawa Shunshō
Color woodblock print; hosoban · 1767
Art Institute of Chicago

The Actor Nakamura Noshio I as Misao Disguised as a Komuso in the Play Kosode-gura no Tekubari, Performed at the Morita Theater in the Second Month, 1772 (?)
Katsukawa Shunshō
Color woodblock print; hosoban · 1767
Art Institute of Chicago

Actors Ichikawa Danjûrô V as the Spirit of the Monk Seigen and Nakamura Noshio I as the Spirit of the Courtesan Takao in “Courtesan in a Maple-Leaf-Pattern Over-Kimono” (“Keisei Momiji no Uchikake”)
Katsukawa Shunshō
Color woodblock prints; hosoban diptych · 1767
Art Institute of Chicago

Actors Ichikawa Danjûrô V as the Spirit of the Monk Seigen and Nakamura Noshio I as the Spirit of the Courtesan Takao in “Courtesan in a Maple-Leaf-Pattern Over-Kimono” (“Keisei Momiji no Uchikake”)
Katsukawa Shunshō
Color woodblock prints; hosoban diptych · 1767
Art Institute of Chicago

The Actor Otani Hiroemon III as Shinoda Jirodayu in the Play Keisei Momiji no Uchikake, Performed at the Morita Theater in the Seventh Month, 1772
Katsukawa Shunshō
Color woodblock print; hosoban · 1767
Art Institute of Chicago

Shepherd Boy and Shepherdess in a Landscape
Jean Baptiste Le Prince, French
Pen and black ink, brush and black wash over graphite on off-white laid paper · 1767
Cooper Hewitt, Smithsonian Design Museum

The Actor Akizuki Sampei from Osaka Standing on a Galloping Horse (right), in the Play Dai Kyokuba
Katsukawa Shunshō
Color woodblock print; aiban · 1767
Art Institute of Chicago

Another interior view of the Villa of Maecenas, Tivoli, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1767
Art Institute of Chicago

Interior view of the ancient Temple of Bacchus, now the church of S. Urbano, two miles from Rome, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1767
Art Institute of Chicago

Design for the decoration of the façade of St. Peter's, Rome, for the Canonization of Giuseppe da Capertino and Jeanne-Françoise de Chantal
Carlo Marchionni, Italian
Graphite, brush and gray watercolor on laid paper · 1767
Cooper Hewitt, Smithsonian Design Museum

Interior view of the ancient Temple of Bacchus, now the church of S. Urbano, two miles from Rome, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1767
Art Institute of Chicago

"No," from the series "Tales of Ise in Fashionable Brocade Pictures (Furyu nishiki-e Ise monogatari)"
Katsukawa Shunshō
Color woodblock print; koban · 1767
Art Institute of Chicago

"Shi," from the series "Tales of Ise in Fashionable Brocade Pictures (Furyu nishiki-e Ise monogatari)"
Katsukawa Shunshō
Color woodblock print; koban · 1767
Art Institute of Chicago

"Me," from the series "Tales of Ise in Fashionable Brocade Pictures (Furyu nishiki-e Ise monogatari)"
Katsukawa Shunshō
Color woodblock print; koban · 1767
Art Institute of Chicago

"Ki," from the series "Tales of Ise in Fashionable Brocade Pictures (Furyu nishiki-e Ise monogatari)"
Katsukawa Shunshō
Color woodblock print; koban · 1767
Art Institute of Chicago

"Ko," from the series "Tales of Ise in Fashionable Brocade Pictures (Furyu nishiki-e Ise monogatari)"
Katsukawa Shunshō
Color woodblock print; koban · 1767
Art Institute of Chicago