Database / Artworks
Artworks
Restrike from fragment of cancelled plate for "A Prophecy"
William Blake
relief etching//pulled on colored background, madeby rolling up the other side of the plate with inks and running it through the press · 1793
National Gallery of Art
Restrike from fragment of cancelled plate for "A Prophecy"
William Blake
relief etching//intaglio print · 1793
National Gallery of Art
Restrike from fragment of cancelled plate for "A Prophecy"
William Blake
relief etching//plate inked from a very stiff piece of card with ink rolled on to that in graduated color · 1793
National Gallery of Art
Restrike from fragment of cancelled plate for "A Prophecy"
William Blake
relief etching//plate inked by transferring ink from another plate thinly coated with ink · 1793
National Gallery of Art
Restrike from fragment of cancelled plate for "A Prophecy"
William Blake
relief etching//effect of inking with an ordinary gelatin roller · 1793
National Gallery of Art
![Los Supporting the Sun [recto]](https://api.nga.gov/iiif/6d590358-72d6-4424-be97-735c9c2030e5/full/!800,800/0/default.jpg)
Los Supporting the Sun [recto]
William Blake
graphite · 1793
National Gallery of Art
![A Crouching Figure Holding a Shield [verso]](https://api.nga.gov/iiif/cfd8483a-6394-4564-9855-220c1cc77ec0/full/!800,800/0/default.jpg)
A Crouching Figure Holding a Shield [verso]
William Blake
graphite · 1793
National Gallery of Art
Botheration
Thomas Rowlandson
hand-colored etching and aquatint · 1793
National Gallery of Art
Saint Augustine Converting King Ethelbert of Kent
William Blake
graphite on laid paper · 1793
National Gallery of Art
Restrike from fragment of cancelled plate for "A Prophecy"
William Blake
relief etching//restrike · 1793
National Gallery of Art
![Fragment of cancelled plate for "A Prophecy" [recto]](https://api.nga.gov/iiif/8592a8d3-7986-4b62-9f08-c092006d597f/full/!800,800/0/default.jpg)
Fragment of cancelled plate for "A Prophecy" [recto]
William Blake
relief etched copper plate · 1793
National Gallery of Art
Richard Yates
Gilbert Stuart
oil on canvas · 1793
National Gallery of Art
Stephen Van Rensselaer III
Gilbert Stuart
oil on canvas · 1793
National Gallery of Art
Catherine Yates Pollock (Mrs. George Pollock)
Gilbert Stuart
oil on canvas · 1793
National Gallery of Art
George Pollock
Gilbert Stuart
oil on canvas · 1793
National Gallery of Art
Dr. William Hartigan (?)
Gilbert Stuart
oil on canvas · 1793
National Gallery of Art
The Red Cross Knight
John Singleton Copley
oil on canvas · 1793
National Gallery of Art
The Bridge of San Paolo
Jacob Philippe Hackert
Pen and brown ink and brush and various brown washes over graphite on ivory laid paper · 1793
Art Institute of Chicago
Portrait of Sir Francis Ford’s Children Giving a Coin to a Beggar Boy
Sir William Beechey
Oil paint on canvas · 1793
Tate
Lord Baltimore and the Group of Legislators
James Barry
Etching and line engraving on paper · 1793
Tate
Dover Castle, engraved by J. Eastgate
Edward Dayes
Engraving on paper · 1793
Tate
Caversham Park, Oxfordshire, engraved by W. and J. Walker
Edward Dayes
Engraving on paper · 1793
Tate
The Shepherd’s Dream, from ‘Paradise Lost’
Henry Fuseli
Oil paint on canvas · 1793
Tate
The Penance of Jane Shore in St Paul’s Church
William Blake
Ink, watercolour and gouache on paper · 1793
Tate