Database / Artworks
Artworks
Sketch of a Head (verso)
Gaetano Gandolfi
blue pastel (head); random pastel marks · 1780
Cleveland Museum of Art
Panaromic View of the Bacino di San Marco, Looking up the Giudecca Canal
Francesco Guardi
Pen and brown ink, light brown wash, on two sheets of paper, joined. · 1780
The Metropolitan Museum of Art
Regatta on the Grand Canal, near the Rialto Bridge, Venice
Francesco Guardi
canvas, oil paint (paint) · 1780
Rijksmuseum
Piazza San Marco, Venice
Francesco Guardi
pen and brown ink, brush and brown wash, with brush and gray wash (possibly chalk) and traces of black chalk, framing lines in brown and black ink · 1780
Cleveland Museum of Art
Teapot (lid)
Kloster-Veilsdorf Porcelain Factory
porcelain · 1780
Cleveland Museum of Art
Teacaddy (lid)
Wedgwood Factory
cream-colored earthenware · 1780
Cleveland Museum of Art
Woman as Old Age
Enoch Wood, English
Lead-glazed earthenware (pearlware) · 1780
Art Institute of Chicago
Boudoir from Hotel d'Hocqueville, Rouen
Fixon Firm
wood and plaster, in part painted and gilded, window and mirror glass, marble table tops · 1780
Cleveland Museum of Art
Bowl
Wedgwood Factory
cream-colored earthenware · 1780
Cleveland Museum of Art
Pair of Jardinieres
Wedgwood Factory
black basalt · 1780
Cleveland Museum of Art
Achterwand
Claude-Charles Saunier
metal, wood (plant material) · 1780
Rijksmuseum
Dientafel met bovenblad van wit marmer en achterwand met spiegel
Claude-Charles Saunier
gild on pine (wood), copper (metal), looking glasses, wood (plant material), bronze (metal), ebony (wood), brass (alloy), maple (wood), oak (wood), marble (rock) · 1780
Rijksmuseum
Commode (commode à vantaux)
Adam Weisweiler
Oak veneered with mahogany and thuya; gilt bronze; marble · 1780
The Metropolitan Museum of Art
Candelabrum Pair
Pierre Philippe Thomire
bronze, gilt bronze, gray marble · 1780
Cleveland Museum of Art
Candelabrum
Pierre Philippe Thomire
bronze, gilt bronze, gray marble · 1780
Cleveland Museum of Art
Plate
Meissen Porcelain Factory
Hard-paste porcelain, polychrome enamels, and gilding · 1780
Art Institute of Chicago
Proof for textile: The tomb of J.J.Rousseau
Jean-Baptiste Huet, French
print — copper engraving in gum paste on pieced laid paper with 6 deckled edges · 1780
Cooper Hewitt, Smithsonian Design Museum
Candlestick
Giuseppe Barberi, Italian
metalwork, drawing — pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined · 1780
Cooper Hewitt, Smithsonian Design Museum
Pillar strip
Giuseppe Barberi, Italian
interiors, drawing — pen and brown ink, brush and brown wash on off-white laid paper, lined · 1780
Cooper Hewitt, Smithsonian Design Museum
Two monuments
Giuseppe Barberi, Italian
architecture, drawing — pen and brown ink, brush and brown wash on lined off-white laid paper · 1780
Cooper Hewitt, Smithsonian Design Museum
Designs for Frames
Giuseppe Barberi, Italian
furniture, drawing — pen and brown ink, brush and sepia wash on off-white laid paper · 1780
Cooper Hewitt, Smithsonian Design Museum
Oval frame for the facade of a house, with lantern beneath
Giuseppe Barberi, Italian
architecture, drawing — pen and brown ink, brush and brown wash, graphite on off-white laid paper · 1780
Cooper Hewitt, Smithsonian Design Museum
Lower end of staircase railing
Giuseppe Barberi, Italian
furniture, drawing — pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined · 1780
Cooper Hewitt, Smithsonian Design Museum
Elevation of a church
Giuseppe Barberi, Italian
architecture, drawing — pen and brown ink, brush and brown wash on lined off-white laid paper · 1780
Cooper Hewitt, Smithsonian Design Museum