Database / Artworks
Artworks
Seated Female Nude
Rembrandt Harmensz van Rijn, Dutch
Pen and brown ink and brush and brown wash, with subtractive highlights (scraping) and touches of opaque white watercolor corrections, on ivory laid paper, laid down on cream laid card · 1660
Art Institute of Chicago
Maria in gebed
Girolamo Scarselli
etching on paper · 1660
Rijksmuseum
The Catafalque of Philip IV of Spain
Domenico Piola
Etching · 1660
The Metropolitan Museum of Art
River Landscape with View of St. Peter's Basilica
Giovanni Francesco Grimaldi
pen and brown ink over traces of black chalk; framing lines in graphite · 1660
Cleveland Museum of Art
The Nativity
Bartolomé Estebán Murillo
Pen and brown ink, brush and brown wash, over traces of leadpoint or soft black chalk · 1660
The Metropolitan Museum of Art
Landscape with Figures by a Stream
Johannes Glauber
Black chalk on orange tinted laid paper · 1660
Art Institute of Chicago
The Departure of Charles II of England from Scheveningen, 2 June 1660
Johannes Lingelbach
oil paint (paint), canvas · 1660
Rijksmuseum
Resurrection of Christ
Samuel van Hoogstraten
Oil on canvas · 1660
Art Institute of Chicago
Atalanta with her Followers
David Heschler
cutting on ivory · 1660
Rijksmuseum
I Dieci libri d'architettura di Gio: Antonio Rusconi. Secondo i precetti di Vitruvio, novamenti ristampati, & accresciuti della Prattica degl'Horologi Solari
Giovanni Antonio Rusconi
Printed book with woodcut illustrations · 1660
The Metropolitan Museum of Art
The Packer with Two Donkeys
Karel Dujardin
Etching on cream laid paper · 1660
Art Institute of Chicago
Pan Sitting Opposite a Vase
Giovanni Benedetto Castiglione, Italian
figures, print — etching on paper · 1660
Cooper Hewitt, Smithsonian Design Museum
Elevation of the Fonsechi Chapel in San Lorenzo
Giovanni Lorenzo Bernini
print — engraving, brush and wash on paper · 1660
Cooper Hewitt, Smithsonian Design Museum
Plan and Elevation for Chapel or Niche of San Lorenzo Basilica
Giovanni Lorenzo Bernini
print — engraving on paper · 1660
Cooper Hewitt, Smithsonian Design Museum
Recto, Design for a door handle with alternative suggestions
Jean Le Pautre, French
metalwork, drawing — pen and bistre ink, graphite, on laid paper · 1660
Cooper Hewitt, Smithsonian Design Museum
Plan and Elevation for Cornaro Chapel, San Lorenzo Basilica
Giovanni Lorenzo Bernini
print — engraving, brush and blue wash, pen and ink on paper · 1660
Cooper Hewitt, Smithsonian Design Museum
Plan and Elevation of Cornaro Chapel, Basilica of San Lorenzo
Giovanni Lorenzo Bernini
print — engraving, brush and blue wash on paper · 1660
Cooper Hewitt, Smithsonian Design Museum
Elevation, Chapel and Alter of San Lorenzo Basilica
Giovanni Lorenzo Bernini
architecture, print — engraving, brush and blue wash on paper · 1660
Cooper Hewitt, Smithsonian Design Museum
Plate from Frises pour les architraves, cornices, et autres ornements d'architecture (Friezes Intended for Ornamenting Architecture, Cornices, and Other Architectural Elements)
Jean Le Pautre, French
ornament, print — etching on paper · 1660
Cooper Hewitt, Smithsonian Design Museum
Portrait of a Woman
Ferdinand Bol
oil on canvas · 1660
National Gallery of Art
Samson and Delilah
Michel Corneille
etching on laid paper · 1660
National Gallery of Art
A Dog
Cornelis Saftleven
black chalk with gray-brown wash on laid paper · 1660
National Gallery of Art
Faun Reclining
Ciro Ferri
photograph · 1660
National Gallery of Art
Mercury and Pegasus
Charles Le Brun
black chalk and gray wash on laid paper, laid down on an old mount · 1660
National Gallery of Art