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Artworks

Variant of plate (page 83) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)
Joan Miró
Etching with watercolor and ink additions from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Plate (page 101) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)
Joan Miró
Etching, drypoint, and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Plate (page 117) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)
Joan Miró
Etching, drypoint, and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Variant of plate (page 73) from Minuits pour géants: Volume II from L'Antitête
Yves Tanguy
Etching and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Plate (page 49) from Minuits pour géants: Volume II from L'Antitête
Yves Tanguy
Etching and aquatint from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Variant of frontispiece from Minuits pour géants: Volume II from L'Antitête
Yves Tanguy
Etching and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Plate (page 95) from Minuits pour géants: Volume II from L'Antitête
Yves Tanguy
Etching and aquatint from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Variant of plate (page 95) from Minuits pour géants: Volume II from L'Antitête
Yves Tanguy
Etching and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Variant of plate (page 37) from Minuits pour géants: Volume II from L'Antitête
Yves Tanguy
Etching and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Variant of plate (page 15) from Minuits pour géants: Volume II from L'Antitête
Yves Tanguy
Etching and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Plate (page 61) from Minuits pour géants: Volume II from L'Antitête
Yves Tanguy
Etching and aquatint from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Variant of frontispiece from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)
Joan Miró
Etching with watercolor and ink additions from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Variant of plate (page 61) from Minuits pour géants: Volume II from L'Antitête
Yves Tanguy
Etching and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Plate (page 15) from Minuits pour géants: Volume II from L'Antitête
Yves Tanguy
Etching and aquatint from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Minuits pour géants: Volume II from L'Antitête
Yves Tanguy
Volume II from a three volume illustrated book · 1947
Museum of Modern Art

Plate from Le Surréalisme en 1947
Serge Brignoni
Lithograph from an illustrated book with eighteen lithographs, four etchings (two with aquatint), two woodcuts, one photogravure, and one ready-made object · 1947
Museum of Modern Art

Plate (page 37) from Minuits pour géants: Volume II from L'Antitête
Yves Tanguy
Etching and aquatint from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Frontispiece from Minuits pour géants: Volume II from L'Antitête
Yves Tanguy
Etching and aquatint from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

L'Antitête
Yves Tanguy
Three volume illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Plate from Le Surréalisme en 1947
Bruno Capacci
Lithograph from an illustrated book with eighteen lithographs, four etchings (two with aquatint), two woodcuts, one photogravure, and one ready-made object · 1947
Museum of Modern Art

Plate from Le Surréalisme en 1947
Enrico Donati
Lithograph from an illustrated book with eighteen lithographs, four etchings (two with aquatint), two woodcuts, one photogravure, and one ready-made object · 1947
Museum of Modern Art

Plate from Le Surréalisme en 1947
Suzanne van Damme
Lithograph from an illustrated book with eighteen lithographs, four etchings (two with aquatint), two woodcuts, one photogravure, and one ready-made object · 1947
Museum of Modern Art

Plate from Le Surréalisme en 1947
Maria Martins
Etching and aquatint from an illustrated book with eighteen lithographs, four etchings (two with aquatint), two woodcuts, one photogravure, and one ready-made object · 1947
Museum of Modern Art

Plate from Le Surréalisme en 1947
Dorothea Tanning
Etching from an illustrated book with eighteen lithographs, four etchings (two with aquatint), two woodcuts, one photogravure, and one ready-made object · 1947
Museum of Modern Art