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Artworks

890 records
Rhyton Cup in the Form of a Hare
Rhyton Cup in the Form of a Hare
Staffordshire Potteries
Lead-glazed earthenware · 1775
Art Institute of Chicago
Rhyton Cup in the form of a Fox
Rhyton Cup in the form of a Fox
Staffordshire Potteries
Lead-glazed earthenware (creamware) · 1775
Art Institute of Chicago
Feeding Mug
Feeding Mug
Lowestoft Porcelain Factory
Soft-paste porcelain with blue transfer-printed decoration · 1775
Art Institute of Chicago
Cameo
Cameo
Wedgwood Manufactory
Stoneware (jasperware) · 1775
Art Institute of Chicago
Cameo
Cameo
Wedgwood Manufactory
Stoneware (jasperware) · 1775
Art Institute of Chicago
Double Cameo with Cupids and Mercury
Double Cameo with Cupids and Mercury
Wedgwood Manufactory
Stoneware (jasperware) · 1775
Art Institute of Chicago
Bowl
Bowl
Porzellanmanufaktur Frankenthal
Hard-paste porcelain with polychrome enamels and gilding · 1775
Art Institute of Chicago
Coffee Cup and Saucer
Coffee Cup and Saucer
Worcester Porcelain Factory
Soft-paste porcelain, polychrome enamels and gilding · 1775
Art Institute of Chicago
Panel (Furnishing Fabric)
Panel (Furnishing Fabric)
D. Richards
Cotton and linen, plain weave; copperplate printed · 1775
Art Institute of Chicago
The Temple of Diana (Furnishing Fabric)
The Temple of Diana (Furnishing Fabric)
Bromley Hall
Cotton, plain weave; copperplate printed · 1775
Art Institute of Chicago
A Visit to the Camp (Furnishing Fabric)
A Visit to the Camp (Furnishing Fabric)
Henry William Bunbury
Cotton, plain weave; copperplate printed · 1775
Art Institute of Chicago
America Presenting at the Altar of Liberty Medallions of Her Illustrious Sons (Furnishing Fabric)
America Presenting at the Altar of Liberty Medallions of Her Illustrious Sons (Furnishing Fabric)
Pierre Eugene du Simitiere
Linen and cotton, plain weave; copperplate printed · 1775
Art Institute of Chicago
Le Couronnement de la Rosière (The Crowning of the Rose Maiden) (Furnishing Fabric)
Le Couronnement de la Rosière (The Crowning of the Rose Maiden) (Furnishing Fabric)
Jean Baptiste Huet
Cotton, plain weave; copperplate printed · 1775
Art Institute of Chicago
The Lunch at Ferney
The Lunch at Ferney
Louis Joseph Masquelier
Engraving on paper · 1775
Art Institute of Chicago
Edgar
Edgar
John Hamilton Mortimer
Etching on ivory laid paper · 1775
Art Institute of Chicago
Two Female Figures with a Bust
Two Female Figures with a Bust
Thomas Stothard
Pen and brown ink, with brush and brown wash, on ivory laid paper · 1775
Art Institute of Chicago
Shinobazu Pond, from the series "Eight Views of Edo (Koto hakkei)"
Shinobazu Pond, from the series "Eight Views of Edo (Koto hakkei)"
Katsukawa Shunchô
Color woodblock print; chuban · 1775
Art Institute of Chicago
Yagenbori, from the series "Fashionable Sands of Edo (Fuzoku Edo sunago)"
Yagenbori, from the series "Fashionable Sands of Edo (Fuzoku Edo sunago)"
Katsukawa Shunchô
Color woodblock print; chuban · 1775
Art Institute of Chicago
Panel
Panel
Philippe de La Salle
Silk and silk chenille yarns, satin weave with brocading wefts · 1775
Art Institute of Chicago
Athena, or Britannia identified as Athena
Athena, or Britannia identified as Athena
Thomas Stothard
Pen and brown ink with brush and brown wash, over traces of graphite, on ivory wove paper, laid down on cream wove paper · 1775
Art Institute of Chicago
Three Putti at Play
Three Putti at Play
Thomas Stothard
Pen and brown ink with bush and brown wash over graphite, on ivory wove paper, tipped onto ivory wove paper · 1775
Art Institute of Chicago
Allegory of England, Scotland, and Ireland
Allegory of England, Scotland, and Ireland
Thomas Stothard
Pen and brown ink with brush and brown wash, on ivory wove paper · 1775
Art Institute of Chicago
Three Muses (recto); Study of Knight and Monk for an Illustration in a Gothic Novel (verso)
Three Muses (recto); Study of Knight and Monk for an Illustration in a Gothic Novel (verso)
Thomas Stothard
Pen and brown ink with brush and brown wash, over traces of graphite (recto), and pen and brown ink with brush and brown and blue wash and graphite (verso), on ivory laid paper · 1775
Art Institute of Chicago
Sketches for Samuel Rogers' Poetry
Sketches for Samuel Rogers' Poetry
Thomas Stothard
Pen and brown and black ink on cream laid paper, laid down on blue wove paper · 1775
Art Institute of Chicago
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