Database / Artworks
Artworks

Judith with the Head of Holofernes
Christoffel van Sichem, I
Woodcut on laid paper · 1600
Art Institute of Chicago

Judith with the Head of Holofernes
Christoffel van Sichem, I
Chiaroscuro woodcut from two blocks printed in green-yellow on laid paper · 1600
Art Institute of Chicago

Judah and Thamar
Hendrick Goltzius
Engraving on laid paper · 1600
Art Institute of Chicago

Rest on the Flight into Egypt
Jan Sadeler, I
Engraving on paper · 1600
Art Institute of Chicago

Joachim and Anna
Juan Ribalta
Black chalk on ivory laid paper laid down on cream wove paper · 1600
Art Institute of Chicago

Narcissus
Polidoro da Caravaggio
Brush and gray wash over black and white chalk, on gray laid paper (lunette) · 1600
Art Institute of Chicago

Head of a Man
Jacopo Negretti, called Palma Giovane
Pen and brown ink, with brush and brown wash, over black chalk underdrawing on ivory laid paper, laid down on gray laid paper, tipped onto cream laid paper · 1600
Art Institute of Chicago

Three Panels: Visitation Flanked by Standing Figures of David and Unidentified Prophet
Giovanni Francesco Romanelli
Pen and brown ink, with brush and brown wash, with black chalk, on ivory laid paper, laid down on card · 1600
Art Institute of Chicago

Standing Youth Holding Hat, and Sketch of Legs
Domenico Fiasella
Black chalk on blue laid paper · 1600
Art Institute of Chicago

Seated Girl
Domenico Fiasella
Black chalk on pink tinted laid paper · 1600
Art Institute of Chicago

Half-Length View of Female in Profile to Left (recto); Half-Length view of Figure in Three-Quarter Profile (verso)
Jacopo Confortini
Charcoal, heightened with touches of white chalk (recto and verso), on blue-brown laid paper · 1600
Art Institute of Chicago

Flagellation of Christ
Lorenzo Garbieri
Pen and brown ink, with brush and brown wash, over black chalk, on cream laid paper · 1600
Art Institute of Chicago

Mystic Marriage of Saint Catherine
Guercino
Pen and black ink, over red chalk, on cream laid paper, laid down on ivory laid paper · 1600
Art Institute of Chicago

Seated Allegorical Female Figure
Lorenzo de'Ferrari
Black chalk on tan laid paper · 1600
Art Institute of Chicago

Saint Florian
Alessandro Turchi
Pen and brown ink with brush and brown wash, heightened with lead white (partly oxidized), on tan laid paper, laid down on ivory laid paper · 1600
Art Institute of Chicago

Musician Angels in Clouds (recto); Seated Cleric (verso)
Guido Reni
Black chalk, heightened with traces of white chalk (recto and verso), on blue laid paper · 1600
Art Institute of Chicago

Saint Geminianus
Antonio da Correggio
Pen and brown ink with brush and brown wash, on tan laid paper, laid down on cream laid paper · 1600
Art Institute of Chicago

Bacchus (recto); Architectural Sketches (verso)
Michelangelo Buonarroti
Black chalk and graphite, heightened with touches of white chalk (recto) and black and red chalk (verso) on ivory laid paper prepared with a green wash · 1600
Art Institute of Chicago

Story of Niobe: Priests and Worshippers before a Statue of Niobe
Polidoro da Caravaggio
Pen and brown ink, with brush and brown and red wash, heightened with lead white (oxidized), over black chalk, on tan laid paper · 1600
Art Institute of Chicago

Fame Blowing on a Trumpet
Jacopo Negretti, called Palma Giovane
Red chalk on ivory laid paper, laid down on card · 1600
Art Institute of Chicago

Standing Woman with Laurel Wreath
Biagio Pupini
Pen and brown ink with brush and brown and orange wash, heightened with lead white, over brown chalk, on ivory laid paper, laid down on tan laid paper · 1600
Art Institute of Chicago

Lucretia
Raphael
Pen and black ink, with brush and gray wash, on on brown prepared laid paper · 1600
Art Institute of Chicago

Grove of Trees
Federico Barocci
Black chalk, on ivory laid paper · 1600
Art Institute of Chicago

Virgin and Child with Saints Thomas and John the Baptist (recto); Sleeping Venus (verso)
Jacopo Negretti, called Palma Giovane
Pen and brown ink, with brush and brown wash, with traces of graphite, with later additions of yellow-gray wash along right side (recto), and pen and brown ink (verso) on ivory laid paper · 1600
Art Institute of Chicago