Database / Artworks
Artworks
Antique Ruins of an Amphitheater
Herman van Swanevelt
Etching in black on ivory laid paper · 1650
Art Institute of Chicago
Holy Family and S. John
Pierre Louis van Schuppen
engraving · 1650
Cleveland Museum of Art
Four Sailing Vessels in a Breakwater, from Thirteen Naval Scenes
Reinier Nooms, called Zeeman
Etching on ivory laid paper · 1650
Art Institute of Chicago
Festive Scene
Jan Miense Molenaer, Dutch
oil on wood · 1650
Smithsonian American Art Museum
Three Moored Sailing Vessels, from Thirteen Naval Scenes
Reinier Nooms, called Zeeman
Etching on ivory laid paper · 1650
Art Institute of Chicago
Vincent Stochove
Wenceslaus Hollar
Etching on ivory laid paper · 1650
Art Institute of Chicago
Drawing: A hanging left hand
Carlo Maratti, Italian
Black crayon on light gray paper · 1650
Cooper Hewitt, Smithsonian Design Museum
Queen Christina of Sweden
Adriaen Pietersz. van de Venne
Engraving in black on ivory wove paper · 1650
Art Institute of Chicago
Leper House at Cleves
Jan van Goyen
Black chalk, with brush and gray wash, on ivory laid paper · 1650
Art Institute of Chicago
Village on Sunny Hillside
Jan van Goyen
Black chalk, with brush and gray wash, on ivory laid paper · 1650
Art Institute of Chicago
A Romanesque Ruin
Jan van Goyen
Black chalk, with brush and gray wash, on ivory laid paper · 1650
Art Institute of Chicago
The Adoration of the Shepherds
Abraham Blooteling
Engraving · 1650
The Metropolitan Museum of Art
King Henry of France and Saint Bernard of Clairvaux
Johann Christoph Lischka
Pen and black and brown ink, with brush and gray wash, over traces of red chalk, on cream laid paper, laid down on ivory laid paper · 1650
Art Institute of Chicago
Study: A left hand in a leaning position
Giovanni Andrea Sirani, Italian
Black crayon on rough grey-blue paper · 1650
Cooper Hewitt, Smithsonian Design Museum
Portret van Lodewijk de Dieu
Anthony van Zijlvelt
engraving on paper · 1650
Rijksmuseum
Havens van Genua
Anthony van Zijlvelt
etching on paper · 1650
Rijksmuseum
print/book illustration
Gabriel Perelle, French
etching · 1650
Cooper Hewitt, Smithsonian Design Museum
State Coach
Giovanni Paolo Schor
Pen and brown ink, gray wash, over black chalk Support: beige laid paper (see notes below) · 1650
Cooper Hewitt, Smithsonian Design Museum
Christ and the Woman in Adultery
Gerbrand van den Eeckhout
canvas, oil paint (paint) · 1650
Rijksmuseum
Mercury, Argus and Io
Gerbrand van den Eeckhout
pen on paper, deck paint, ink · 1650
Rijksmuseum
Christ and the Woman Taken in Adultery
Gerbrand van den Eeckhout
Pen and brown ink, with brush and brown wash, on cream laid paper · 1650
Art Institute of Chicago
Allegorical Design for a Ceiling Fresco
Francesco Albani
Pen and brown ink, watercolor, over black chalk or leadpoint · 1650
The Metropolitan Museum of Art
Fountain Basin
Domenico Piola, Italian
Pen and brown ink, brush and brown wash, over black chalk on white laid paper · 1650
Cooper Hewitt, Smithsonian Design Museum
View of Batavia
Hendrick Dubbels
oil paint · 1650
Rijksmuseum