Database / Artworks
Artworks
Nécropole de l'Ancienne Lycopolis, Haute-Egypte, plate 12 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
Maxime Du Camp
Salted paper print · 1849
Art Institute of Chicago
Mosquée et Tombeau du Sultan Kansou-el-Gouri, Le Kaire, plate 7 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
Maxime Du Camp
Salted paper print · 1849
Art Institute of Chicago
Maison et Jardin dans le Quartier Frank, Le Kaire, plate 3 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
Maxime Du Camp
Salted paper print · 1849
Art Institute of Chicago
Tombeau de Sultans Mamelouks, Le Kaire, plate 8 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
Maxime Du Camp
Salted paper print · 1849
Art Institute of Chicago
Mosquée du Khalife Haakem Biamrillah, Le Kaire, plate 4 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
Maxime Du Camp
Salted paper print · 1849
Art Institute of Chicago
Mosquée de Sultan Haçan, Le Kaire, plate 5 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
Maxime Du Camp
Salted paper print · 1849
Art Institute of Chicago
Mosquée et Tombeau des Ayoubites, Le Kaire, plate 6 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
Maxime Du Camp
Salted paper print · 1849
Art Institute of Chicago
Bottle
Lyman, Fenton & Co.
Earthenware · 1849
Art Institute of Chicago
The 'Pavillon de Mademoiselle' and Part of the Louvre
Charles Méryon
Etching, drypoint and roulette on cream laid paper · 1849
Art Institute of Chicago
The Cow and Ass
Charles Méryon
Etching, printed in black, on tan wove paper · 1849
Art Institute of Chicago
The Sheep and the Flies
Charles Méryon
Etching on grayish tan laid China paper, laid down on ivory wove card · 1849
Art Institute of Chicago
The Face of Christ
Charles Méryon
Etching with roulette on ivory China paper, laid down on ivory wove paper · 1849
Art Institute of Chicago
Comtesse Charles d’Agoult (born Marie de Flavigny) and Her Daughter Claire d’Agoult
Jean-Auguste-Dominique Ingres
Graphite, heightened with white opaque watercolor, with touches of yellow watercolor, on off-white wove paper, lined to secondary wove paper · 1849
Art Institute of Chicago
Toilet Box
Lyman, Fenton & Co.
Earthenware · 1849
Art Institute of Chicago
Bottle
Lyman, Fenton & Co.
Earthenware · 1849
Art Institute of Chicago
Jar
Bennington Pottery
Earthenware · 1849
Art Institute of Chicago
Pitcher
Bennington Pottery
Earthenware · 1849
Art Institute of Chicago
Snuff Jar
Lyman, Fenton & Co.
Earthenware · 1849
Art Institute of Chicago
Goblet
Lyman, Fenton & Co.
Earthenware · 1849
Art Institute of Chicago
Paperweight
Lyman, Fenton & Co.
Earthenware · 1849
Art Institute of Chicago
Bean pot
Lyman, Fenton & Co.
Earthenware · 1849
Art Institute of Chicago
Actor Nakamura Utaemon IV as the Boatman Matsuemon, actually Higuchi Jiro Kanemitsu (Sendo Matsuemon, jissha Higuchi Jiro Kanemitsu)
Utagawa Kunisada I (Toyokuni III)
Color woodblock print; oban · 1849
Art Institute of Chicago
The Cow and Ass
Charles Méryon
Etching on buff chine, laid down on ivory wove paper · 1849
Art Institute of Chicago
The Cherries, from The Wood Nymphes
Joseph Félon
Lithograph hand-colored · 1849
Art Institute of Chicago