Database / Artworks
Artworks
Pont-au-Change, Paris
Charles Méryon
Etching and drypoint on ivory laid paper · 1854
Art Institute of Chicago
La rue des Mauvais Garçons
Charles Méryon
Etching with roulette (plate is scraped and burnished) on tan wove paper · 1854
Art Institute of Chicago
The Old Gate of the Palace of Justice, Paris
Charles Méryon
Etching and drypoint on ivory laid paper · 1854
Art Institute of Chicago
La rue des Mauvais Garçons
Charles Méryon
Etching in warm black with roulette (plate is scraped and burnished) on cream laid paper · 1854
Art Institute of Chicago
Entrance to the French Capuchin Monastery in Athens
Charles Méryon
Etching and drypoint on ivory laid paper · 1854
Art Institute of Chicago
Dedicatory Verses by Meryon to Reinier Nooms, Called Zeeman
Charles Méryon
Etching in black and red on ivory wove paper · 1854
Art Institute of Chicago
L'Esperance (verse to accompany Pont-au-Change)
Charles Méryon
Etching in brown on ivory laid paper · 1854
Art Institute of Chicago
Let the pure soul groan...
Charles Méryon
Etching on ivory laid paper · 1854
Art Institute of Chicago
Death's Hostel
Charles Méryon
Etching in brown with two plates side-by-side on ivory laid paper · 1854
Art Institute of Chicago
Verses Dedicated to Eugène Bléry, No. 2
Charles Méryon
Etching in warm black on ivory laid paper · 1854
Art Institute of Chicago
Verses Dedicated to Eugène Bléry, No. 1
Charles Méryon
Etching in brown ink with some printing à la poupée in red ink on ivory wove paper · 1854
Art Institute of Chicago
Molière's Tomb, Père-Lachaise Cemetery, Paris
Charles Méryon
Etching in warm black on verdâtre (greenish) laid paper · 1854
Art Institute of Chicago
Molière's Tomb, Père-Lachaise Cemetery, Paris
Charles Méryon
Etching in warm black on ivory laid paper · 1854
Art Institute of Chicago
Pompe Notre-Dame, Paris, small plate
Charles Méryon
Etching on ivory laid paper, with ivory laid paper affixed at bottom · 1854
Art Institute of Chicago
Arms Symbolical of the City of Paris
Charles Méryon
Etching in warm black with plate tone on ivory laid paper · 1854
Art Institute of Chicago
It Rocks but is Not Sunk
Charles Méryon
Etching on ivory laid paper · 1854
Art Institute of Chicago
The Portal of Saint Ursinus at Bourges, rue du Vieux Poirier
Bisson Frères
Albumen print · 1854
Art Institute of Chicago
Entrance to the French Capuchin Monastery in Athens
Charles Méryon
Etching and drypoint on ivory laid paper · 1854
Art Institute of Chicago
Entrance to the French Capuchin Monastery in Athens
Charles Méryon
Etching and drypoint in warm black on ivory laid paper · 1854
Art Institute of Chicago
Forum Romanum, Rome
Bisson Frères
Albumen print, from the album "Reproductions photographiques des plus beaux types d’architecture et de sculpture" · 1854
Art Institute of Chicago
Arc de Septime Sévère, Rome
Bisson Frères
Albumen print, from the album "Reproductions photographiques des plus beaux types d’architecture et de sculpture" · 1854
Art Institute of Chicago
![Untitled [Rome]](/api/images/artworks/aic/123654.jpg)
Untitled [Rome]
Bisson Frères
Albumen print, from the album "Reproductions photographiques des plus beaux types d’architecture et de sculpture" · 1854
Art Institute of Chicago
Arch of Constantine, Rome
Bisson Frères
Albumen print, from the album "Reproductions photographiques des plus beaux types d’architecture et de sculpture" · 1854
Art Institute of Chicago
Bruges, Belgium
Bisson Frères
Albumen print, from the album "Reproductions photographiques des plus beaux types d’architecture et de sculpture" · 1854
Art Institute of Chicago