Database / Artworks
Artworks
Gustave Moreau, from Souvenir Intimes
Georges Rouault
Lithograph on ivory wove paper · 1927
Art Institute of Chicago
Satan IV, plate twelve from Les Fleurs du Mal
Georges Rouault
Etching, drypoint, sugar-lift, burnishing on off-white wove paper · 1927
Art Institute of Chicago
Juliette
Marie Laurencin
Color lithograph on china paper · 1927
Art Institute of Chicago
Alice Dunbar Nelson
Laura Wheeler Waring
Oil on canvas · 1927
National Portrait Gallery
Anna Washington Derry
Laura Wheeler Waring
oil on canvas · 1927
Smithsonian American Art Museum
Summertime
Aaron Bohrod
Lithograph on cream wove paper · 1927
Art Institute of Chicago
Gypsies of Algiers
Adolphe Marie Timothée Beaufrère
Drypoint on ivory wove paper · 1927
Art Institute of Chicago
Portrait of the Artist
Marie Laurencin
Lithograph in black on cream wove paper · 1927
Art Institute of Chicago
Wash Tubs
Wanda Gág
lithograph on paper · 1927
Smithsonian American Art Museum
Swedish Peasant Girls
Aiden Lassell Ripley
Watercolor with gouache, over graphite, on ivory watercolor paper · 1927
Art Institute of Chicago
Blossoms
William Henry Holmes
watercolor · 1927
Smithsonian American Art Museum
The Shaded Walk
William Henry Holmes
watercolor · 1927
Smithsonian American Art Museum
When You Were Sleeping, My Beautiful Gloomy One, plate six from Les Fleurs du Mal
Georges Rouault
Etching, drypoint, roulette, scraping and burnishing on ivory wove paper · 1927
Art Institute of Chicago
In These Dark Times of Vanity and Unbelief, Our Lady of The Ends of the Earth keeps watch, plate 56 from Miserere
Georges Rouault
Heliogravure, with sugar-lift aquatint, burnishing, and drypoint on paper · 1927
Art Institute of Chicago
De profundis, plate 47 from Miserere
Georges Rouault
Heliogravure, with aquatint, burnishing, and drypoint on paper · 1927
Art Institute of Chicago
This Will Be the Last Time, Dear Father!, plate 36 from Miserere
Georges Rouault
Heliogravure, sugar- lift, scraping, burnishing, and drypoint on paper · 1927
Art Institute of Chicago
Lord, it is You, Who I Recognize, plate 32 from Miserere
Georges Rouault
Heliogravure, with sugar-lift, burnishing, drypoint and scraping on paper · 1927
Art Institute of Chicago
Avenue Bridge, Baltimore
Gabrielle de Veaux Clements
etching on paper · 1927
Smithsonian American Art Museum
Self-Portrait
Marie Laurencin
Lithograph on ivory wove paper · 1927
Art Institute of Chicago
The Italian Woman
Jacques Villon
Aquatint in color on ivory wove paper · 1927
Art Institute of Chicago
The Enchanted Mesa
William Henry Holmes
watercolor and opaque watercolor on paper · 1927
Smithsonian American Art Museum
Torso of a Woman
Aristide Joseph-Bonaventure Maillol
Lithograph in black on gray laid paper · 1927
Art Institute of Chicago
Roses
Jacques Villon
Aquatint in black on ivory wove paper · 1927
Art Institute of Chicago
John Bigane & Sons Coal Office, Chicago, Illinois, Elevations and Section
Nowlen Nowlen
Black and brown ink on linen · 1927
Art Institute of Chicago