Database / Artworks
Artworks
A Sketch of Shipping
James McNeill Whistler
Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory wove paper · 1859
Art Institute of Chicago
C. L. Drouet, Sculptor
James McNeill Whistler
Etching and drypoint, with drypoint cancellation, in black ink on ivory laid paper · 1859
Art Institute of Chicago
Whistler with a Hat
James McNeill Whistler
Drypoint, with drypoint cancellation, in black ink on ivory laid paper · 1859
Art Institute of Chicago
Finette
James McNeill Whistler
Etching and drypoint, with drypoint cancellation, in black ink on ivory laid paper · 1859
Art Institute of Chicago
Z. Astruc, Editor of 'L'Artiste'
James McNeill Whistler
Drypoint, with drypoint cancellation, in black ink on ivory laid paper · 1859
Art Institute of Chicago
Stevens' Boat Yard
James McNeill Whistler
Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper · 1859
Art Institute of Chicago
Arthur Haden
James McNeill Whistler
Drypoint, with drypoint cancellation, in black ink on ivory laid paper · 1859
Art Institute of Chicago
Greenwich Pensioner
James McNeill Whistler
Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper · 1859
Art Institute of Chicago
C. L. Drouet, Sculptor
James McNeill Whistler
Etching and drypoint in black ink on cream Japanese paper · 1859
Art Institute of Chicago
Night Rain at the Paulownia Grove at Akasaka (Akasaka Kiribatake uchu yukei), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Utagawa Hiroshige II (Shigenobu)
Color woodblock print; oban · 1859
Art Institute of Chicago
Boot op een meer in een park bij Aberdeenshire
George Washington Wilson
albumen print on photographic support, cardboard · 1859
Rijksmuseum
Black Lion Wharf
James McNeill Whistler
Etching with foul biting in black ink on cream Japanese paper · 1859
Art Institute of Chicago
Billingsgate
James McNeill Whistler
Etching and drypoint with foul biting on off-white Japanese paper · 1859
Art Institute of Chicago
Battery no.9, from Souvenirs d’Italie: Expédition de Rome
Denis Auguste Marie Raffet
Lithograph in black on warm ivory wove chine laid down on off-white wove paper · 1859
Art Institute of Chicago
Departure of the third column, called the support, from Souvenirs d’Italie: Expédition de Rome
Denis Auguste Marie Raffet
Lithograph in black on warm ivory wove chine laid down on off-white wove paper · 1859
Art Institute of Chicago
Workers Crowning the Breach of Bastion 7, from Souvenirs d’Italie: Expédition de Rome
Denis Auguste Marie Raffet
Lithograph in black on warm ivory wove chine laid down on off-white wove paper · 1859
Art Institute of Chicago
Battery no.14, from Souvenirs d’Italie: Expédition de Rome
Denis Auguste Marie Raffet
Lithograph in black on warm ivory wove chine laid down on off-white wove paper · 1859
Art Institute of Chicago
Capture of the Courtine 6-7, from Souvenirs d’Italie: Expédition de Rome
Denis Auguste Marie Raffet
Lithograph in black on warm ivory wove chine laid down on off-white wove paper · 1859
Art Institute of Chicago
Round Way, from Souvenirs d’Italie: Expédition de Rome
Denis Auguste Marie Raffet
Lithograph in black on warm ivory wove chine laid down on off-white wove paper · 1859
Art Institute of Chicago
Battery no.10, from Souvenirs d’Italie: Expédition de Rome
Denis Auguste Marie Raffet
Lithograph in black on warm ivory wove chine laid down on off-white wove paper · 1859
Art Institute of Chicago
The Lime-Burner
James McNeill Whistler
Etching and drypoint with foul biting in black ink on ivory laid paper · 1859
Art Institute of Chicago
Picturesque Selections: Text Page, from Picturesque Selections
James Duffield Harding
Letterpress on paper · 1859
Art Institute of Chicago
Picturesque Selections: Cover, from Picturesque Selections
James Duffield Harding
Portfolio cover · 1859
Art Institute of Chicago
Views of Villenueve les Avignon, from Picturesque Selections
James Duffield Harding
Lithograph on paper · 1859
Art Institute of Chicago