Database / Artworks
Artworks

Soft Light Switches– “Ghost Version” II
Claes Oldenburg
Canvas filled with kapok, gesso and pencil · 1971
Art Institute of Chicago

Symbolic Poncho
Claire Zeisler
Jute; knotting (flat knots); wrapped with wool; self-fringe some knotted, some wrapped; metal stand · 1971
Art Institute of Chicago

AutoPolaroid, 1969–71
Lucas Samaras
Monochromatic dye diffusion transfer print · 1971
Art Institute of Chicago

AutoPolaroids
Lucas Samaras
Gelatin silver transfer prints (12); some with hand-coloring · 1971
Art Institute of Chicago

Hair
Jim Dine
Graphite with smudging on transluscent ivory vellum · 1971
Art Institute of Chicago

Male of Sorrows #4
Barbara Rossi
Etching and aquatint on satin · 1971
Art Institute of Chicago

Canary Stick (Cardboard)
Robert Rauschenberg
Cardboard and wood pole · 1971
Art Institute of Chicago

Peaceful Sight Amidst the Fighting: the giant hydroelectric plant on the Ngum River deep in the jungles of Laos nears completion after a 10-year period when the war often came close. The project, under the auspices of a United Nations commission, has never been attack although fighting has taken place nearby, March 25, 1971
Horst Faas
Gelatin silver print (wirephoto) · 1971
Art Institute of Chicago

Six Pack's Porch, Crawford, Mississippi
Birney Imes III
Gelatin silver print · 1971
Art Institute of Chicago

Tales from the Dirty Rat and Other Tails
William T. Wiley
Pen and black ink on paper · 1971
Art Institute of Chicago

Fritz Henle, fotógrafo
Lorenzo Homar
Color screenprint on cream wove paper · 1971
Art Institute of Chicago

Décima Feria de Artesanías de Barranquitas
Lorenzo Homar
Color screenprint on cream wove paper · 1971
Art Institute of Chicago

450 Aniversario del traslado de San Juan
Lorenzo Homar
Color screenprint on cream wove paper · 1971
Art Institute of Chicago

Wall Drawing #84: A 12" (30 cm) square filled in by using all of the Crayola crayons in the pack of 12
Sol LeWitt
Colored crayons · 1971
Art Institute of Chicago

Wall Drawing #118: 50 randomly placed points connected by straight lines
Sol LeWitt
Black pencil · 1971
Art Institute of Chicago

Vertical Lines Not Touching (Black), from Conspiracy, The Artist as Witness
Sol LeWitt
Lithograph from one stone on ivory wove paper · 1971
Art Institute of Chicago

Untitled
Sol LeWitt
Creased pale-green laid paper · 1971
Art Institute of Chicago

ABCD 5
Sol LeWitt
Baked enamel on steel · 1971
Art Institute of Chicago

Wall Drawing #63: A wall is divided into four horizontal parts. In the top row are four equal vertical divisions, each with lines in a different direction. In the second row, six double combinations; in the third row, four triple combinations; in the bottom row, all four combinations superimposed
Sol LeWitt
Black pencil · 1971
Art Institute of Chicago

New York Times, Horizontal/China Times, Vertical
Laurie Anderson
Collage composed of cut, pasted, and woven newspaper strips · 1971
Art Institute of Chicago

Decoy
Jasper Johns
Color lithograph on white wove paper · 1971
Art Institute of Chicago

E Special
Larry Poons
Acrylic on canvas · 1971
Art Institute of Chicago

Memphis (Rosa Sleeping), from the portfolio "Dust Bells 1" (2004)
William Eggleston
Dye imbibition print · 1971
Art Institute of Chicago

Symphonic Metamorphosis #I
Vera Berdich
Color etching on white wove paper · 1971
Art Institute of Chicago