Database / Artworks
Artworks
Madame Charles Gounod
Jean-Auguste-Dominique Ingres
Graphite on ivory wove paper (discolored to cream) · 1859
Art Institute of Chicago
Caricature of a Man
Étienne Carjat
Charcoal, heightened with white chalk, on tan wove paper, laid down on ivory wove paper · 1859
Art Institute of Chicago
Name the Happy Day (valentine)
Thomas Wood
Collaged elements on cut and embossed (lace) blue wove paper · 1859
Art Institute of Chicago
With My Kind Love (valentine)
George Meek
Collaged elements on cut and embossed (lace) pink wove paper · 1859
Art Institute of Chicago
Kintai Bridge at Iwakuni in Suo Province (Suo Iwakuni Kintaibashi), from the series "One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)"
Utagawa Hiroshige II (Shigenobu)
Color woodblock print; oban · 1859
Art Institute of Chicago
Reading by Lamplight
James McNeill Whistler
Etching and drypoint, with foul biting, in black on cream laid paper · 1859
Art Institute of Chicago
The Wine Glass
James McNeill Whistler
Etching with foul biting in black ink on ivory laid paper · 1859
Art Institute of Chicago
The Flight Into Egypt
Jean-François Millet
Black and brown Conté crayon, with pen and black ink and traces of black pastel, over gray washes, on cream wove paper, edge-mounted on laminated woodpulp board · 1859
Art Institute of Chicago
Jewels in the Cool Light of Evening Dew (Ryoko yotsuyu no rama)
Utagawa Kunisada I (Toyokuni III)
Color woodblock print; uchiwa-e · 1859
Art Institute of Chicago
Vier mannen en een vrouw zitten en staan rondom een tafel onder een boom
Hablot Knight Browne
etching on paper · 1859
Rijksmuseum
Study of Indian Girl, Mexico
Imprimerie d'Aubert et Cie.
Albumen print · 1859
Art Institute of Chicago
Finette
James McNeill Whistler
Etching and drypoint in black ink on buff laid paper · 1859
Art Institute of Chicago
Thames Police
James McNeill Whistler
Etching and drypoint with foul biting in black ink on ivory laid paper · 1859
Art Institute of Chicago
Eagle Wharf
James McNeill Whistler
Etching with foul biting in black ink on off-white laid paper · 1859
Art Institute of Chicago
The Pool
James McNeill Whistler
Etching and drypoint with foul biting in black ink on off-white laid paper · 1859
Art Institute of Chicago
Landscape with Horses
James McNeill Whistler
Etching and drypoint with foul biting in black ink on cream laid paper · 1859
Art Institute of Chicago
Thames Warehouses
James McNeill Whistler
Etching and drypoint with foul biting in black ink on cream laid paper · 1859
Art Institute of Chicago
Black Lion Wharf, from A Series of Sixteen Etchings of Scenes on the Thames (the "Thames Set")
James McNeill Whistler
Etching with foul biting in black on off-white laid paper · 1859
Art Institute of Chicago
Greenwich Park
James McNeill Whistler
Etching and drypoint with foul biting in black ink on ivory laid paper · 1859
Art Institute of Chicago
Nursemaid and Child
James McNeill Whistler
Etching with foul biting in black ink on ivory laid paper · 1859
Art Institute of Chicago
Longshore Men
James McNeill Whistler
Etching and drypoint in black on cream Japanese paper · 1859
Art Institute of Chicago
Finette
James McNeill Whistler
Etching and drypoint in black on ivory Japanese paper · 1859
Art Institute of Chicago
Whistler with a Hat
James McNeill Whistler
Drypoint with light plate tone on thin ivory Japanese paper · 1859
Art Institute of Chicago
Fumette's Bent Head
James McNeill Whistler
Drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper · 1859
Art Institute of Chicago