Database / Artworks
Artworks

A Quiver of Arrows, a Potted Plum near a Low Screen
Ryuryukyo Shinsai
Color woodblock print; surimono · 1801
Art Institute of Chicago

Woman with Willow Dumplings, Child with Ball
Ryuryukyo Shinsai
Color woodblock print; surimono · 1801
Art Institute of Chicago

Dancer and Musician
Ryuryukyo Shinsai
Color woodblock print; surimono · 1801
Art Institute of Chicago

Handkerchief
Boston Chemical Printing Company
Cotton, plain weave; printed · 1801
Art Institute of Chicago

Woman's Ceremonial Skirt (Tapis)
Abung
Two panels joined: cotton and silk, warp-faced, weft ribbed plain weave; embroidered with silk, gold-leaf-over-lacquered-paper strip wrapped cotton, cotton, gilt-metal coils, gilt-metal wire wrapped cotton ,gilt-metal-strip wrapped cotton and gilt-metal spangles in running stitches; laidwork, couching, and padded couching · 1801
Art Institute of Chicago

Shoulder or Head Cloth (selendang)
Minangkabau
Silk, cotton, and gold-leaf-over-lacquered-paper-strip-wrapped silk, plain weave with supplementary patterning and brocading wefts, plied main warp fringe terminating in knotted silk, cut tassels · 1801
Art Institute of Chicago

Woman's Ceremonial Skirt (tapis)
Paminggir
Two panels joined: stripes of cotton, warp resist dyed (warp ikat), plain weave with paired warps; cotton and silk, plain weave with supplementary brocading wefts: and stripes of cotton, plain weave embroidered with silk and gold-leaf-over-lacquered-paper-strip wrapped silk in back, chain, stem and surface satin stitches; laidwork and couching · 1801
Art Institute of Chicago

Ceremonial Waist Sash (ikak pinggang)
Minangkabau
Cotton, silk, and gilt-metal-strip-wrapped cotton; in bands of plain weave, plain weave with supplementary patterning wefts and slit and dovetailed tapestry weave; ends of wool, plain weave; fulled; edged with tape of cotton and gilt-metal-strip-wrapped cotton and gilt-metal strip, plain weave with supplementary wefts; underlaid with tape of cotton, plain weave with extended paired weft and silvered-metal coil fringe · 1801
Art Institute of Chicago

Ceremonial Waist Sashes (ikak pinggang)
Minangkabau
Cotton and silk and gilt-metal-strip-wrapped cotton, bands of plain weave, plain weave with supplementary patterning wefts, weft-faced, warp ribbed plain weave, and slit tapestry weave; ends of wool, plain weave; fulled; with hammered white metal fitting and fringe of chain and cut, hammered end pieces · 1801
Art Institute of Chicago

Ceremonial Waist Sash (ikak pinggang)
Minangkabau
Cotton, silk, and gilt-metal-strip-wrapped cotton, bands of weft-faced warp ribbed plain weave, plain weave with supplementary patterning wefts, and bands of slit tapestry weave; ends of wool, plain weave; fulled; edged with tape of cotton and gilt-metal-strip-wrapped cotton, and gilt-metal strip; plain weave with secondary binding warps and supplementary patterning wefts; underlaid with tape of cotton, plain weave with extended paired weft and gilt-metal coil fringe · 1801
Art Institute of Chicago

Panel
William Morris
Cotton; printed · 1801
Art Institute of Chicago

Fukusa (Gift Cover)
Saeki Ganryô
Patterned side: silk, warp-faced, weft-ribbed plain weave (shioze); painted with India ink (sumi) and gold paint; lining: silk, wrap-faced, weft-ribbed plain weave (shioze); sewn with front and lining matched in size (Tachikire awrase); silk, running "controlling" stitches along all edges; corners: silk, knotted and re-piled fringe tassels · 1801
Art Institute of Chicago

Paperweight
Clichy Glasshouse
Glass · 1801
Art Institute of Chicago

Portrait of Joseph Marie Jacquard (1752–1834)
Claude Bonnefond
Silk, warp float-faced 10:1 satin weave self-patterned by main warp and ground weft floats and by areas of twill weaves; woven on loom with Jacquard attachment · 1801
Art Institute of Chicago

Fir Tree
Jacob Philipp Hackert
Etching on ivory laid paper · 1801
Art Institute of Chicago

Portrait of Napoleon III (1808–1873), Emperor
Marc-Laurent Bruyas
Silk, warp faced weft ribbed plain weave with plain interlacings of secondary binding warps, supplementary patterning wefts and self-patterning ground wefts; woven on loom with Jacquard attachment · 1801
Art Institute of Chicago

Shakespeare's Seven Ages (of Man) (Furnishing Fabric)
Robert Smirke, the elder
Cotton, plain weave; copperplate printed · 1801
Art Institute of Chicago

Panel (Furnishing Fabric)
Adam Buck
Cotton, plain weave; copperplate printed · 1801
Art Institute of Chicago

Sleeve band
Han-Chinese
Couched and embroidered sleeve-bands from a robe, cut and framed as a three-panel folding desk screen. Two lower halves joined to form central frame, top halves form panels at either side. Figures and auspicious symbols in colors and gold on ivory silk grou nd. · 1801
Art Institute of Chicago

Sleeve band
Han-Chinese
Couched and embroidered sleeve-bands from a robe, cut and framed as a three-panel folding desk screen. Two lower halves joined to form central frame, top halves form panels at either side. Figures and auspicious symbols in colors and gold on ivory silk grou nd. · 1801
Art Institute of Chicago

Portrait of Wilhelm I, King of Prussia, Emperor of Germany (1797–1888)
François Carquillat
Silk, warp faced weft ribbed plain weave with plain interlacing of secondary binding warps, supplementary patterning wefts and self-patterning ground wefts; woven on loom with Jacquard attachment · 1801
Art Institute of Chicago

Panel in Japanese Style
Tassinari et Chatel
Silk and cotton, warp-float faced 7:1 satin weave with weft-float faced 1:3 'Z' twill interlacings of secondary binding warps, supplementary patterning wefts and self-patterning ground weft · 1801
Art Institute of Chicago

Portrait of Joseph Marie Jacquard (1752–1834)
François Carquillat
Silk, warp faced weft ribbed plain weave with plain interlacings of secondary binding warps, supplementary patterning wefts and self-patterning ground wefts; woven on loom with Jacquard attachment · 1801
Art Institute of Chicago

Charity and Economy Combined, from Puck
Frederick Burr Opper
Color lithograph on newsprint · 1801
Art Institute of Chicago