Database / Artworks
Artworks
Reclining Torso
Alexander Archipenko
Black-glazed ceramic · 1922
Art Institute of Chicago
Man
Byron Thomas
Lithograph in black on ivory wove paper · 1922
Art Institute of Chicago
Kelty
W. J. Coombes
Silk and cotton, 7:1 warp-float faced satin weave with 1:2 'Z' twill interlacing of secondary binding warps and supplementary patterning wefts · 1922
Art Institute of Chicago
Das Kleine Formenalphabet (The Small Form Alphabet)
Georg Muche
Etching in black on buff wove paper · 1922
Art Institute of Chicago
Catherine and Jessica Colvin House, Lake Forest, Illinois, Second Floor Plan
Howard Van Doren Shaw
Graphite on tracing paper · 1922
Art Institute of Chicago
Catherine and Jessica Colvin House, Lake Forest, Illinois, First Floor Plan
Howard Van Doren Shaw
Graphite on tracing paper · 1922
Art Institute of Chicago
A Family Holiday
Theodore Roussel
Etching in black on cream wove paper · 1922
Art Institute of Chicago
Guy
Theodore Roussel
Etching in black on cream Japanese paper, impressed onto ivory wove paper · 1922
Art Institute of Chicago
Disabled Workers
Conrad Felixmüller
Brush and pen and black ink on cream laid paper · 1922
Art Institute of Chicago
Still Life with Lantern, Bottles, and Glasses
Le Corbusier (Charles-Édouard Jeanneret)
Graphite and red pencil, with scraping and touches of stumping on cream wove paper · 1922
Art Institute of Chicago
Hair Combing
Eric Gill
Wood engraving on cream laid paper tipped at top to ivory card · 1922
Art Institute of Chicago
Divine Lovers
Eric Gill
Wood engraving on white laid paper tipped at upper edge to white card · 1922
Art Institute of Chicago
"They thunder forth from their clouds about gentleness and forbearance, while they sacrifice human victims to the God of love." (Act II, scene 3), from Die Rauber
George Grosz
Lithograph on paper · 1922
Art Institute of Chicago
"Let those swim who can - the heavy may sink!" (Act I, scene 1), from Die Rauber
George Grosz
Lithograph on paper · 1922
Art Institute of Chicago
"Right is with the strongest." (Act I, scene 1), from Die Rauber
George Grosz
Lithograph on paper · 1922
Art Institute of Chicago
"I will root up from my path whatever obstructs my progress towards becoming the master." (Act 1, scene 1), from Die Rauber
George Grosz
Lithograph on paper · 1922
Art Institute of Chicago
"I have done my part... the plunder is your affair!" (Act II, scene 3), from Die Rauber
George Grosz
Lithograph on paper · 1922
Art Institute of Chicago
"Even lions and tigers nourish their young. Ravens feast their brood on carrion." (Act I, scene 2), from Die Rauber
George Grosz
Lithograph on paper · 1922
Art Institute of Chicago
"The blessing of heaven is visibly upon me." (Act II, scene 2), from Die Rauber
George Grosz
Lithograph on paper · 1922
Art Institute of Chicago
"Poor hare! Thou playest but a sorry part in this world's drama, but your worshipful lords must needs have hares!" (Act I, scene 1), from Die Rauber
George Grosz
Lithograph on paper · 1922
Art Institute of Chicago
"Under my rule it shall be brought to pass, that potatoes and small-ber shall be considered a holiday treat, and woe to him who meets my eye with the audacious front of health. Haggard want, and crouching fear, are my insignia; and in this livery..., from Die Rauber
George Grosz
Lithograph on paper · 1922
Art Institute of Chicago
Boy's Head, plate eight from Das Gesicht
Walter Gramatté
Etching with soft ground etching and engraving on ivory wove paper · 1922
Art Institute of Chicago
Man in Room, plate one from Das Gesicht
Walter Gramatté
Etching with soft ground etching and engraving on ivory wove paper · 1922
Art Institute of Chicago
The Bird Girl, plate four from Das Gesicht
Walter Gramatté
Etching with soft ground etching and engraving on ivory wove paper · 1922
Art Institute of Chicago