Database / Artworks
Artworks

Seated Nude with Lamp
Jan Matulka
Black wax crayon, with graphite on cream wove paper · 1920
Art Institute of Chicago

Transplant Metaphysical
Paul Klee
Watercolor and black ink transfer, with pen and black ink, touches of red gouache, and traces of graphite, on cream laid paper, laid down on cream wood pulp laminate board · 1920
Art Institute of Chicago

Woman's Head
Emil Nolde
Watercolor, with brush and black ink, and touches of gouache, on cream Japanese paper · 1920
Art Institute of Chicago

Sapperton Village (recto and verso)
John Northcote Nash
Brush and black and gray wash and graphite (recto), and graphite (verso), on cream wove paper · 1920
Art Institute of Chicago

New Orleans Street
Aaron Bohrod
Lithograph on ivory wove paper · 1920
Art Institute of Chicago

Untitled “Window Large Construction”
James Castle
Soot mixed with saliva, string, and ribbon on brown and cream found paperboard, pieced · 1920
Art Institute of Chicago

Dr. Huelsenbeck Near the End
George Grosz
Pen and brush and black ink on cream wove paper · 1920
Art Institute of Chicago

Flowers (Cyclamen)
Charles Demuth
Watercolor and graphite on off-white wove paper · 1920
Art Institute of Chicago

Shore Line
Howard Giles
Watercolor with touches of charcoal on ivory wove paper · 1920
Art Institute of Chicago

Memorial Sheet for Karl Liebknecht
Käthe Kollwitz
Woodcut with additions in brush and black ink, on cream Japanese paper · 1920
Art Institute of Chicago

Seated Female Nude (recto); Untitled (verso)
Alexander Archipenko
Graphite (recto and verso) on ivory wove paper · 1920
Art Institute of Chicago

The Finding of Moses
Otto Mueller
Lithograph in black and greenish-yellow on ivory wove paper · 1920
Art Institute of Chicago

Untitled
James Castle
Double-sided drawing of soot and saliva, applied with sharpened stick and smudging, on found card, creased (unfolded box) · 1920
Art Institute of Chicago

Untitled
James Castle
Double-sided drawing of soot and saliva, applied with sharpened stick and smudging, on found card · 1920
Art Institute of Chicago

Untitled (Blonde figure no. 4)
James Castle
Soot and saliva, applied with sharpened stick and smudging, with crayon and blue ink, on found paper, folded and wrapped around card · 1920
Art Institute of Chicago

Untitled
James Castle
Soot and saliva, applied with sharpened stick, on found card prepared with colored paper pulp (pulp painting) · 1920
Art Institute of Chicago

Untitled (Blonde figure no. 2)
James Castle
Soot and saliva, applied with sharpened stick and smudging, with crayon and blue ink, on found paper, folded and wrapped around card · 1920
Art Institute of Chicago

Untitled (Blonde figure no. 3)
James Castle
Soot and saliva, applied with sharpened stick and smudging, with crayon and blue ink, on found paper, folded and wrapped around card · 1920
Art Institute of Chicago

Untitled (recto and verso)
James Castle
Soot and saliva, applied with sharpened stick and smudging (recto and verso) on ivory card · 1920
Art Institute of Chicago

Untitled (Geese)
James Castle
Soot and saliva, applied with sharpened stick and smudging, on found moiré paper · 1920
Art Institute of Chicago

Untitled (Book)
James Castle
Soot and saliva, applied with sharpened stick, on commercially-printed found paper, bound with shoelaces into book · 1920
Art Institute of Chicago

Untitled (Blonde figure no. 1)
James Castle
Soot and saliva, applied with sharpened stick and smudging, with crayon and blue ink, on found paper, folded and wrapped around card · 1920
Art Institute of Chicago

Collioure, Pyrénées-Orientales
Charles Rennie Mackintosh
Watercolor on white wove paper · 1920
Art Institute of Chicago

Pedestrians on Brooklyn Bridge
John Marin
Graphite on lightweight, smooth, tan wove paper, laid down on ivory wove card (all edges trimmed) · 1920
Art Institute of Chicago